Originally published in 1975, The Writer as Liar examines the literary game of falsehood as it is portrayed in the Decameron. The book examines how Boccaccio’s collection of tales has a ‘frame’ story, its own built-in key to the art of story-telling, its internal logic of truth and falsehood, as well as its moments of self-parody, pure narrative intrigue and sophisticated sexual symbolism. The book formulates the argument that Boccaccio’s story telling is seen as an artfully malicious operation, depending for its success not on some abstract concept of narrative originality or the accurate depiction of human psychology, but on the combinative assemblage of narrative blocks, which are manipulated by a craftsman who must lie and cheat with raw material in order to produce a living work – therefore depicting the artist as a liar.
First published in 1983, Harold Pinter is an original study into the work of one of Britain’s foremost dramatists. The book celebrates Pinter’s elusiveness as a writer. It considers his position as a specifically contemporary writer of the post-modernist tradition, and explores his use of language as a sophisticated means of non-communication, acting as a smokescreen behind which his characters lie. The book presents the language games used by Pinter according to their strategic importance, beginning with his earlier works and suggesting a chronological progression. It also discusses Pinter’s later developments, such as the screenplay for The French Lieutenant’s Woman. Harold Pinter is ideal for anyone with an interest in the work and literary techniques of contemporary writers and dramatists.
Originally published in 1975, The Writer as Liar examines the literary game of falsehood as it is portrayed in the Decameron. The book examines how Boccaccio’s collection of tales has a ‘frame’ story, its own built-in key to the art of story-telling, its internal logic of truth and falsehood, as well as its moments of self-parody, pure narrative intrigue and sophisticated sexual symbolism. The book formulates the argument that Boccaccio’s story telling is seen as an artfully malicious operation, depending for its success not on some abstract concept of narrative originality or the accurate depiction of human psychology, but on the combinative assemblage of narrative blocks, which are manipulated by a craftsman who must lie and cheat with raw material in order to produce a living work – therefore depicting the artist as a liar.
First published in 1983, Harold Pinter is an original study into the work of one of Britain’s foremost dramatists. The book celebrates Pinter’s elusiveness as a writer. It considers his position as a specifically contemporary writer of the post-modernist tradition, and explores his use of language as a sophisticated means of non-communication, acting as a smokescreen behind which his characters lie. The book presents the language games used by Pinter according to their strategic importance, beginning with his earlier works and suggesting a chronological progression. It also discusses Pinter’s later developments, such as the screenplay for The French Lieutenant’s Woman. Harold Pinter is ideal for anyone with an interest in the work and literary techniques of contemporary writers and dramatists.
This accessible monograph covers higher order linear and nonlinear elliptic boundary value problems in bounded domains, mainly with the biharmonic or poly-harmonic operator as leading principal part. It provides rapid access to recent results and references.
Though many 'finite element' books exist, this book provides a unique focus on developing the method for three-dimensional, industrial problems. This is significant as many methods which work well for small applications fail for large scale problems, which generally: are not so well posed introduce stringent computer time conditions require robust solution techniques. Starting from sound continuum mechanics principles, derivation in this book focuses only on proven methods. Coverage of all different aspects of linear and nonlinear thermal mechanical problems in solids are described, thereby avoiding distracting the reader with extraneous solutions paths. Emphasis is put on consistent representation and includes the examination of topics which are not frequently found in other texts, such as cyclic symmetry, rigid body motion and nonlinear multiple point constraints. Advanced material formulations include anisotropic hyperelasticity, large strain multiplicative viscoplasticity and single crystal viscoplasticity. Finally, the methods described in the book are implemented in the finite element software CalculiX, which is freely available (www.calculix.de; the GNU General Public License applies). Suited to industry practitioners and academic researchers alike, The Finite Element Method for Three-Dimensional Thermomechanical Applications expertly bridges the gap between continuum mechanics and the finite element method.
As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni BoccaccioÕs Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, BoccaccioÕs collection of novelle was, in Guido RuggieroÕs words, a Òsymphony of life.Ó Love and Sex in the Time of Plague guides twenty-first-century readers back to BoccaccioÕs world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the DecameronÕs cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il PopoloÑthe people, fractious and enterprising. BoccaccioÕs stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment.
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