This work includes Foreword by Phillip J S Steer, Professor of Obstetrics, Faculty of Medicine, Imperial College London. It includes Introduction by Gwyneth Lewis, National Clinical Lead for Maternal Health and Maternity Services, Department of Health, England and Director of the UK Confidential Enquiries into Maternal Deaths. 'The reductions in maternal mortality over the last half century are an eloquent testimony to the value of the technical expertise in life support that anaesthetists bring to the management of labour complications. Many direct causes of maternal death have been substantially reduced as a result of anaesthetic innovations ranging from advances in regional anaesthesia to the panoply of techniques used in intensive care. This book is essential reading.' - Phillip J Steer, in his Foreword. Offering a unique insight into real cases, this book covers the physiology, pharmacology and organisational factors involved in previous maternal deaths, highlighting key lessons to be learnt. This practical guide provides an ideal introduction for new anaesthetists and up-to-date information for senior practitioners, particularly those who cover labour wards. It is also invaluable for anaesthetic nurses, obstetricians and midwives. 'For more than 50 years the Confidential Enquiries into Maternal Deaths in the UK have collected together invaluable information about why mothers die in pregnancy and childbirth. For the first time ever, this unique book collects together all the valuable lessons into one volume. Experts in their fields provide a physiological, pharmacological, and evidence based commentary on the events of each death. The overall result pays homage to the value of collecting together lessons from the past, and we hope will help people avoid repetition of these situations in the future.' - Daryl Dob, Anita Holdcroft and Griselda Cooper, in the Preface.
Everyone with an interest in women's issues needs to know how the appalling death rate from pregnancy was tackled during the 20th century and is still being tackled today. This insightful account is written for lay and professional readers by the women and men who ran the most recent Enquiries"--
Managing Obesity in the Workplace" comprehensively examines how obesity impacts business and provides examples of action that can be taken by employers to prevent weight gain and facilitate weight loss in their staff. A considered, evidence-based analysis of the extent of the obesity problem reveals how this public health epidemic affects all workplaces influencing fitness to work, sickness absence, discrimination and bullying.Case studies from around the world clearly illustrate the extent of the problem and offer practical, innovative and budget friendly solutions for all businesses, large and small. With a focus on nutrition, physical activity, motivation and education, this book is ideal for occupational health professionals, public health and primary care doctors and nurses, health and safety officers, and nutritionists and dieticians. Organisations promoting workplace health, including sports/exercise equipment suppliers, will find it enlightening reading, as will business owners and managers.
Of all my far back memories two remain most vivid, as if they had just happened. The first is of an incident that occurred in a few minutes' time; the second, a matter of months. The first happening surely was the key to my survival of the second...." So begins, veiled in mystery, Gridelda Jackson Ohannessian's beautifully rendered childhood memoir about growing up on a farm in Bucks County, Pennsylvania, beneath "the friendly blue bowl" of the sky, and the dangerous, preternatural events of the summer of 1939 that changed her life forever. Once: As It Was is narrated through the lens of the author's twelve-year-old self. Her farm-home was a world of little dirt roads, kerosene lamps, and visiting hobos. There is her dear father Bousie ("rhymes with Howsie"), her loving Ma, her two sisters and brother, and the Owls, the Cherokee Indian farmhands who were also part of the family, as well as many other friends and passers-by. Ohannessian's writing-memory meanders intently like a bright creek, through her schoolhouse where Margeret Toomer, the writer Jean Toomer's daughter, was one of two black students, through the living presene of books and pen pals, amany secret places, a brief run-in with Professor Einsten, and even a little "s.e.x." Then the fateful day arrives when a band of writers, led by the poets Laura Riding and Robert Graves, moves onto the farm. Photographs, letters, newspaper clippings, poems, and a few bars of Morse code provide lively counterpoint to Ohannessia's endearing tale of what was -- and is -- Once.
In this selection of recent essays, Pollock insightfully engages all major areas of contemporary theory, especially focusing on sexed subjectivities, post-colonialism and Marxist-informed history. In her commentary, Penny Florence places Pollock's critique of modernism, art history, and criticism within the context of the social, political, and ideological developments that have taken place since the 1970s. Florence recognizes in Pollock's work a critical model that moves beyond the contradictions that take place within the history of art. Pollock's own essays and Florence's commentary elaborate the complexities in evaluating this prominent theorist and feminist, whose work demands a capacity to sustain contradiction.
Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History history yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today. In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
Story of a family's desert adventures, including crossing the Simpson Desert by four-wheel drive, making Griselda Sprigg the first ever white woman to cross it. Tells how the Spriggs turned a drought-stricken sheep station into a flora and fauna reserve and tourist attraction. Themes are adventure, true love and family. Includes map and illustrations. Foreword by Dick Smith.
Griselda Pollock, feminist art historian and longstanding advocate of gender and racial inclusivity, unpacks the racist, sexist, and imperialist underpinnings of works created by Gauguin and others as they competed for preeminence in the European artistic avant-garde of the 1880s and '90s. Surprising, questioning, challenging, enriching: the Pocket Perspectives series presents timeless works by writers and thinkers who have shaped the conversation across the arts, visual culture, and history. Celebrating the undiminished vitality of their ideas today, these covetable and collectable little books embody the best of Thames & Hudson.
Contaminated land is a problem both in the short and long term as it cannot be used without remediation. The investigation and analysis of the problem, along with the legal responsibilities surrounding the issues, continue to present difficulties to those wishing to use or develop a contaminated site. Since publication of the 1st edition, the area
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation. Griselda Pollock draws on the models of both Aby Warburg's Mnemosyne Atlas and Freud's private museum of antiquities as well as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova 's Three Graces and women artist's modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath. Artists featured include: Georgia O'Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten.
The notion of a special intimacy between 'the feminine and the sacred' has received significant attention since the publication of Julia Kristeva and Cathérine Clément's famous ecumenical 'conversation' of the same name which focussed on the relationship between meaning and the body at whose interface the feminine is positioned. Brought to the wider public as the 'sacred feminine', it has also made its mark on popular culture. Taking up the debate and moving beyond anthropology or theology, writers from varied ethnic, geo-cultural and religious perspectives here join with secular cultural analysts to explore the sacred and the feminine in art, architecture, literature, art history, music, philosophy, theology, critical theory and cultural studies. The book addresses key issues in feminist questions of creativity, the imaginary and the sacred as 'otherness', exploring the ways in which visual practices have explored this rich, contested and highly charged territory.
A collection of 50 essays by authors and critics from the world of children's literature who all share a common concern for children's literacy needs and growth. Dealing with a range of perspectives, The Cool Web is divided into five sections linked by the editors' critical commentary, but the whole is an invitation to the reader to make his own synthesis and to take up the study of reading and stories where it concerns him or her most.
One of the most dramatic changes to women's lives in the twentieth century was the advent of safe childbirth, reducing the maternal mortality rate from 1 in 400 births to 1 in 10,000 in just 80 years. The impetus behind this change was the Confidential Enquiries into Maternal Death (CEMD), now the world's longest running self-audit of a healthcare service. Here, leading authors in the CEMD tell the story of the pioneering clinicians behind the push for improvements, who received little recognition for their work despite its far-reaching consequences. One by one, the leading causes of maternal death were identified and resolved, from sepsis to safe abortions and more recently psychiatric illness and social and ethnic disparities in healthcare. Global maternal mortality is still too high; this valuable book shows how significant advances in maternal healthcare are possible when clinicians, politicians and the public work together.
This work includes Foreword by Phillip J S Steer, Professor of Obstetrics, Faculty of Medicine, Imperial College London. It includes Introduction by Gwyneth Lewis, National Clinical Lead for Maternal Health and Maternity Services, Department of Health, England and Director of the UK Confidential Enquiries into Maternal Deaths. 'The reductions in maternal mortality over the last half century are an eloquent testimony to the value of the technical expertise in life support that anaesthetists bring to the management of labour complications. Many direct causes of maternal death have been substantially reduced as a result of anaesthetic innovations ranging from advances in regional anaesthesia to the panoply of techniques used in intensive care. This book is essential reading.' - Phillip J Steer, in his Foreword. Offering a unique insight into real cases, this book covers the physiology, pharmacology and organisational factors involved in previous maternal deaths, highlighting key lessons to be learnt. This practical guide provides an ideal introduction for new anaesthetists and up-to-date information for senior practitioners, particularly those who cover labour wards. It is also invaluable for anaesthetic nurses, obstetricians and midwives. 'For more than 50 years the Confidential Enquiries into Maternal Deaths in the UK have collected together invaluable information about why mothers die in pregnancy and childbirth. For the first time ever, this unique book collects together all the valuable lessons into one volume. Experts in their fields provide a physiological, pharmacological, and evidence based commentary on the events of each death. The overall result pays homage to the value of collecting together lessons from the past, and we hope will help people avoid repetition of these situations in the future.' - Daryl Dob, Anita Holdcroft and Griselda Cooper, in the Preface.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.