The instant New York Times bestseller! “Warm and perceptive.” —New York Times “Griffin Dunne knows how to tell a story." —Washington Post "Dunne is a prospector for the incandescent detail.” —Los Angeles Times “What a remarkable and moving story filled with twists and turns, the most famous of faces, and a complex family revealed with loving candor. I was blown away by Griffin Dunne’s life and his ability to capture so much of it in these beautifully written pages.” —Anderson Cooper Griffin Dunne’s memoir of growing up among larger-than-life characters in Hollywood and Manhattan finds wicked humor and glimmers of light in even the most painful of circumstances At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan’s Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin’s twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne’s career as a crime reporter for Vanity Fair and a victims' rights activist. And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters—its author most of all.
A revelatory collection of behind-the-scenes photographs of celebrities and cultural icons—from Joan Didion to the Rolling Stones to Nancy Pelosi. Featuring short essays from Fran Lebowitz, Harrison Ford, and more. "A treasure trove of celebrities at play in the 1960s, ‘70s and ‘80s." —PEOPLE Camilla Pecci Blunt, a nonprofessional photographer who grew up between Italy and New York, was well placed to forge the path she did. Her mother was passionate about the arts, took photographs, painted, and collected artists around her, and had galleries in Rome and New York. The more than six hundred photographs in this book from the 1950s to the early 1990s capture our cultural icons in casual, playful moments. After she married Earl McGrath in 1963, their homes--first in New York and then in Los Angeles--became gathering places for a wholly unexpected mix of people that Camilla documented in these surprising, in-the-moment photographs: Jackie Kennedy, Jerome Robbins, Sammy Davis Jr., Calvin and Kelly Klein, Nancy Pelosi, Dianne Feinstein, Bruce Chatwin, Andy Warhol, Larry Rivers, Jean Tinguely, Frank O'Hara, Jasper Johns, Allen Ginsberg, the Rolling Stones, Bryan Ferry, Bette Midler, Jerry Hall, Keith Haring, Linda Ronstadt, Jerry Brown, Sharon Tate, Roman Polanski, John Waters, Joan Didion, Angelia Huston, Robert Graham, David Hockney, Michael Crichton, and Barbra Streisand, among many others. Andrea di Robilant's essay, along with memories from Griffin Dunne, Vincent Fremont, Harrison Ford, Fran Lebowitz, and Jann Wenner, reveal the backstory of this irresistible look at the larger-than-life cultural figures of our time as you have never seen them.
The instant New York Times bestseller! “Warm and perceptive.” —New York Times “Griffin Dunne knows how to tell a story." —Washington Post "Dunne is a prospector for the incandescent detail.” —Los Angeles Times “What a remarkable and moving story filled with twists and turns, the most famous of faces, and a complex family revealed with loving candor. I was blown away by Griffin Dunne’s life and his ability to capture so much of it in these beautifully written pages.” —Anderson Cooper Griffin Dunne’s memoir of growing up among larger-than-life characters in Hollywood and Manhattan finds wicked humor and glimmers of light in even the most painful of circumstances At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan’s Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin’s twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne’s career as a crime reporter for Vanity Fair and a victims' rights activist. And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters—its author most of all.
A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.
In 1969, one year after Thomas Merton's tragic (and suspicious) death, John Howard Griffin was invited to write a biography of America's most famous monk, a monk who strangely had become a best-selling theologian. The result was Follow the Ecstasy: The Hermitage Years of Thomas Merton (1983). Both Merton and Griffin were converts to Catholicism, and they had become fast friends during Griffin's occasional retreats to the Trappist Abbey of Gethsemani where Merton was cloistered. As Robert Bonazzi writes in his Foreword, "With natural humility and intense spirituality, they taught each other by example and silence." Merton and Griffin were both photographers as well as writers. Griffin wrote about Merton's painting and photography in A Hidden Wholeness: The Visual World of Thomas Merton (1970). They also shared a fascination with the French theologian Jacques Maritain, as well as French modernists Pierre Reverdy, George Braque, and Albert Camus. Griffin fell ill before he could finish his biography of Merton, and the mantle of official biographer passed to Michael Mott, author of The Seven Mountains of Thomas Merton, an essential compendium of the monk's life. Yet Follow the Ecstasy gets closer to the man—a portrait made by one who shared not only personal histories and interests with Merton, but an "intuitive perspective of solitude.
This book describes prominent technological achievements within a very successful space science mission: the Herschel space observatory. Focusing on the various processes of innovation it offers an analysis and discussion of the social, technological and scientific context of the mission that paved the way to its development. It addresses the key question raised by these processes in our modern society, i.e.: how knowledge management of innovation set the conditions for inventing the future? In that respect the book is based on a transdisciplinary analysis of the programmatic complexity of Herschel, with inputs from space scientists, managers, philosophers, and engineers. This book is addressed to decision makers, not only in space science, but also in other industries and sciences using or building large machines. It is also addressed to space engineers and scientists as well as students in science and management.
He was the acclaimed director of such cinematic classics as Meet Me in St. Louis, An American in Paris, and Gigi, and equally well known for his tumultuous marriage to the legendary Judy Garland. But to say that Vincente Minnelli's conflicted personal life informed his films would be an understatement. As Mark Griffin persuasively demonstrates in this definitive biography of the Academy Award winning director, Minnelli was not only building a remarkable Hollywood legacy, but also creating an intriguing autobiography in code. Drawing on more than 100 interviews with such icons as Kirk Douglas, Angela Lansbury, Lauren Bacall, Tony Curtis, and George Hamilton, Griffin turns the spotlight on the enigmatic ''elegant director, '' revealing long-kept secrets at the heart of Minnelli's genius.
There are tens of thousands of baby names out there—and books that dutifully list them. And then there is 1,107 Baby Names That Stand the Test of Time—a curated, considered, opinionated, and richly informative guide that winnows down the world of baby names to help moms and dads make smart choices, sidestep the trendiness trap, and avoid the ranks of parents (more than 54%) who later regret the name they chose. A guide for parents who know that the perfect name lasts a lifetime—it suits not just a cuddly newborn but grows with a child from babyhood through adulthood. 1,107 Baby Names That Stand the Test of Time makes a strong case for each name selected and features the name's definition, history, variations and nicknames, and its "meaning" in the larger cultural sense. Includes a primer on the basic rules of baby naming including sounds, rhythm, ethnic traditions, and effective use of a middle name.
A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical
Legendary media baron Sir Frank Packer was pugnacious, autocratic and always controversial. After joining forces with Labor politician E.G. Theodore to establish Australian Consolidated Press and the Women's Weekly in the 1930s, his empire grew to encompass newspapers, magazines and the Nine television network.
What is beauty? Can it only be viewed in physical form, or can it be something deeper, an idea or feeling? Perhaps there is no better way to explore these questions of beauty than through poetry. Author Sheila Griffin Llanas discusses eight poems and poets, with chapters on William Shakespeare, Phillis Wheatley, Edgar Allan Poe, and five others. Accompanied by biographical information on the poet and end-of-chapter questions for further study, Llanas closely examines each poem, including detailed analysis of form, content, poetic technique, and theme, encouraging readers to develop the tools to understand and appreciate poetry.
Fr. Robert Griffin, C.S.C. (1925–1999), was a beloved member of the Notre Dame community. With his cocker spaniel, Darby O’Gill, he was instantly recognizable on campus. He was well known for his priestly work counseling students as university chaplain for thirty years, his summer ministry to the homeless and parishioners in New York City, and his weekly columns in the student newspaper, The Observer, in which he invited the campus community to reflect with him on the challenges and joys of being Catholic in a time of enormous social and religious change. This collection draws together essays that Griffin wrote for Notre Dame Magazine between 1972 and 1994. In them, he considers many of the challenges that beset church and campus, such as the laicization of priests, premarital sex, the erosion of institutional authority, intolerance toward gay people, and failure of fidelity to the teachings of the church. Griffin also ruminates on the distress that human beings experience in the ordinariness of their lives—the difficulty of communication in families, grief over the loss of family and friends, the agonies of isolation, and the need for forgiveness. Griffin’s shrewd insights still ring true for people today. His efforts to temper the winds of institutional rules, cultural change, and personal suffering reveal a mind keenly attuned to the need for understanding human limitations and to the presence of grace in times of change. Griffin quotes from the works of literary modernists, such as Fitzgerald and Hemingway, whose novels and short stories he loved; in these allusions and in his own reflections and experiences, Griffin bridges the spiritual and the secular and offers hope for reconciliation and comfort.
In this explosive novel by W.E.B. Griffin, immerse yourself in the action-packed world of Special Ops. This military thriller follows a team of skilled Special Forces warriors as they face off against the legendary Cuban revolutionary Che Guevara. Set in the 1960s, the story takes you to the heart of Washington, D.C., where political tensions are high and covert operations are in full swing. With gripping suspense and meticulous attention to detail, Griffin weaves a tale that will keep you on the edge of your seat.
Hit and Run tells the improbable and often hilarious story of how two Hollywood film packagers went on a campaign to reinvent themselves as studio executives -- at Sony's expense. Veteran reporters Nancy Griffin and Kim Masters chronicle the rise of Jon Peters, a former hairdresser, seventh-grade dropout, and juvenile delinquent, and his soulless soul mate, Peter Guber -- and all the sex, drugs, and fistfights along the way. It is the story of the ultimate Hollywood con job and the standard by which every subsequent business blunder has been measured. Hit and Run delivers rock-solid business reporting liberally laced with inside gossip and outrageous scandal -- plus a new afterword bringing us up to date on the latest fallout from the Guber-Peters legacy.
Nature poetry discovers the deep connection between humanity and nature. Beyond describing the wild beauty found in nature, the poetry discusses nature's impact on humans and people's impact on nature. Author Sheila Griffin Llanas explores eight poems and poets, with chapters on William Wordsworth, Emily Dickinson, Walt Whitman, and five others. Accompanied by biographical information on the poet and end-of-chapter questions for further study, Llanas closely examines each poem, including detailed analysis of form, content, poetic technique, and theme, encouraging readers to develop the tools to understand and appreciate poetry.
THE INTERNATIONAL BESTSELLER & INDIE NEXT PICK "Griffin's stunning debut, brimming with irresistible Irish-isms, is an elegy to love, loss and the complexity of life." –People Magazine One of Goodreads' 43 Most Anticipated Reads of 2019 “Beautiful. Intimate. Tearful. Aching and lyrical. So simply and beautifully told.” –Louise Penny, #1 New York Times bestselling author "I'm here to remember–all that I have been and all that I will never be again." If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said? At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual - though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story. Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories - of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice - the life of one man will be powerful and poignantly laid bare. Beautifully heart-warming and powerfully felt, the voice of Maurice Hannigan will stay with you long after all is said and done.
I began my journey dedicated to the life and career of Elizabeth Taylor with a very simple postcard in 1986. Dearest Elizabeth letters were sent to the star for every year that followed. In 1993, Elizabeth declared me to be her number one fan and ever since then I developed a pen-friendship with Elizabeth that lasted the rest of her life. Over the years I amassed the most extraordinary private collection, which has become world renowned and declared by many as one of the largest collections of its kind. Many items in this collection were obtained directly from Elizabeth herself. Throughout the past quarter of a decade, dearest Elizabeth has acknowledged this private collection, as have her public relation people and various other staff. This collection has received much media attention and has appeared in local and international magazines and papers, along with several appearances on the small screen and also awarded several accolades for its focus from other collectors. Collating this private collection for this book has taken the author over thirty years and provides evidence of his admiration for the very last of Hollywood royalty, Dame Elizabeth Taylor.
The purpose of DNA Sequencing Protocols is to provide detailed practical procedures for the widest range of DNA sequencing meth ods, and we believe that all the vanguard techniques now being applied in this fast-evolving field are comprehensively covered. Sequencing technology has advanced at a phenomenal rate since the original methods were first described in the late 1970s and there is now a huge variety of strategies and methods that can be employed to determine the sequence of any DNA of interest. More recently, a large number of new and innovative sequencing techniques have been developed, including the use of such novel polymerases as Tag poly merase and Sequenase, the harnessing of PCR technology for linear amplification (cycle) sequencing, and the advent of automated DNA sequencers. DNA sequencing is surely one of the most important techniques in the molecular biology laboratory. Sequence analysis is providing an increasingly useful approach to the characterization of biological systems, and major multinational projects are already underway to map and sequence the entire genome of organisms, such as Escherichia coli, Saccharomyces cerevisiae, Caenorhabditis elegans, and Homo sapiens. Most scientists recognize the importance of DNA sequence data and perceive DNA sequencing as a valuable and indispensable aspect of their work. Recent technological advances, especially in the area of automated sequencing, have removed much of the drudg ery that was formerly associated with the technique, whereas innova tive computer software has greatly simplified the analysis and manipulation of sequence data.
From the blistering jungles of Vietnam to the far-flung battlefields of the African Congo, they faced the turmoil of a new era. It was a different kind of war. But the courage and skill of these young fighting men were an American tradition. Like their fathers before them, they rose up to the ultimate challenge of military valor, holding their own in a storm of clashing cultures. They were America's new breed. The proudest and the best...
MIAMI 1980, by journalist and author Nicholas Griffin, is a narrative of a pivotal but forgotten year in American history. With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to life through fascinating, intertwining personal stories. At the core, there's Edna Buchanan, a beautiful reporter for the Miami Herald who breaks the story on the wrongful murder of a black man, and the resultant police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferre, the charismatic politician who watches the case, and the city, fall apart. A roller coaster of national politics and international diplomacy, these three figures cross paths and socio-economic lines as their city explodes in one of the worst race riots in American history; as over 120,000 Cuban refugees land on the Miami coast; and as foreign drug cartels flood the city with cocaine and infiltrate all levels of law enforcement and government. In a battle of wills, Buchanan has to keep up with the 150% uptick in murders; Captain Frank has to scrub and then rebuild his police department; and Mayor Ferre has to find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant Miami is forged in the crucible. But the new Miami, literally built on corruption and drug money, will have severe ramifications for the rest of the country"--
Beyond Gender Binaries uses a feminist, intersectional, and invitational approach to understanding identities and how they relate to communication. Taking readers outside the familiar binary constructions of gender and identity, Cindy L. Griffin addresses—through a feminist intersectional lens—communication, identity, power and privilege, personhood and citizenship, safety in public and private spaces, and hegemony and colonialism. Twelve chapters focus on critical learning through careful exploration of key terms and concepts. Griffin illustrates these with historical and contemporary examples and provides concrete guides to intersectional approaches to communication. This textbook highlights not just the ways individuals, systems, structures, and institutions use communication to privilege particular identities discursively and materially, but also the myriad ways that communication can be used to disrupt privilege and respectfully acknowledge the nonbinary and intersectional nature of every person’s identity. Key features include: Intersectional approaches to explaining and understanding identities and communication are the foundation of each chapter and inform the presentation of information throughout the book. Contemporary and historical examples are included in every chapter, highlighting the intersectional nature of identity and the role of communication in our interactions with other people. Complex and challenging ideas are presented in clear, respectful, and accessible ways throughout the book.
When the renowned trumpeter and bandleader Miles Davis chose the members of his quintet in 1955, he passed over well-known, respected saxophonists such as Sonny Rollins to pick out the young, still untested John Coltrane. What might have seemed like a minor decision at the time would instead set the course not just for each of their careers but for jazz itself. Clawing at the Limits of Cool is the first book to focus on Davis and Coltrane's musical interaction and its historical context, on the ways they influenced each other and the tremendous impact they've had on culture since then. It chronicles the drama of their collaboration, from their initial historic partnership to the interlude of their breakup, during which each man made tremendous progress toward his personal artistic goals. And it continues with the last leg of their journey together, a time when the Miles Davis group, featuring John Coltrane, forever changed the landscape of jazz. Authors Farah Jasmine Griffin and Salim Washington examine the profound implications that the Davis/Coltrane collaboration would have for jazz and African American culture, drawing parallels to the changing standards of African American identity with their public personas and private difficulties. With vastly different personal and musical styles, the two men could not have been more different. One exemplified the tough, closemouthed cool of the fifties while the other made the transition during this time from unfocused junkie to a religious pilgrim who would inspire others to pursue spiritual enlightenment in the coming decade. Their years together mark a watershed moment, and Clawing at the Limits of Cool draws on both cultural history and precise musical detail to illuminate the importance that their collaboration would have for jazz and American history as a whole.
Offering a novel and pragmatic perspective, this timely book critically examines the development of a culture of machinist regulation and questions whether this approach is appropriate in an era of rising biological technologies. Adopting an ontological approach, James Griffin considers how current regulatory frameworks favour digital technology and how this may change in the future.
In a world where too many babies are named Ashley and Jayden and too many baby name books are saccharine pink and blue, here comes something singular: a book that brings meaning, taste, character, a little bit of attitude, and a refreshing lack of trendiness to the art of naming a baby. Bring Back Beatrice! is a clarion call for parents who know they are naming not just a cuddly newborn, but a human being— a person who will be proud to carry a name like Iris, meaning rainbow (after the Greek messenger goddess who connected the heavens to the earth); Bennett, the medieval form of the name Benedict, meaning “blessing;” Henry, good enough for eight English kings—after all, it means “home ruler;” Diana, the Roman goddess of hunting, the allegorical antecedent of the virgin Queen Elizabeth, and alterego of Wonder Woman; or Beatrice, an old-fashioned beauty with roots in both Dante and Shakespeare. Bring Back Beatrice! winnows down the universe of names to 1,546 mostly classic examples, and it makes a strong case for each, featuring the name’s definition, its use in history, its connotations and subtleties, its “meaning” in the fuller sense. Included are variations, nicknames, and, especially useful for readers, alternatives— names that have the same flavor, but may sound better with a particular last name or family background. There’s a guide to the basic rules of baby naming: scansion— the sounds, syllables, and rhythm of a name, and how it goes with a last name—ethnic traditions, recent trends, effective use of a middle name, plus an invaluable “flaky test.” Still considering a quirky name? Just imagine yourself buckling in for a flight when a voice comes on, saying, “I’m your captain, (insert quirky name here).” What do you think now?
A rugged land between the Black and Caspian seas, the Caucasus is a battle ground for a fascinating and formidable clash of cultures: Russia on one side, the predominantly Muslim mountains on the other. In Caucasus, award-winning author Nicholas Griffin recounts his journey to this war torn region to explore the roots of today's conflict, centering his travelogue on Imam Shamil, the great nineteenth century Muslim warrior who commanded a quarter-century resistance against invading Russian forces. Delving deep into the Caucasus, Griffin transcends the headlines trumpeting Chechen insurgency to give the land and its conflicts dimension: evoking the weather, terrain, and geography alongside national traditions, religious affiliations, and personal legends as barriers to peaceful co-existence. In focusing his tale on Shamil while retracing his steps, Griffin compellingly demonstrates the way history repeats itself.
In this book, former Warren Commission lawyer Burt Griffin examines anew the Kennedy assassination, its various investigations, its effects on the Cold War and the civil rights movement, and the motives of Lee Harvey Oswald and Jack Ruby. Griffin begins with his own skeptical reaction to the assassination, proceeds to the Dallas police investigation, and continues with the efforts of himself and his colleagues to sift truth from those who concealed, withheld, or exaggerated evidence. After nearly six decades of study, Judge Griffin is satisfied that Oswald acted alone. He concludes that violence in the Cold War and civil rights movement caused Oswald to believe that blame for Kennedy's death might be placed on followers of rightwing activist and former U.S. Army general Edwin Walker. Walker was an outspoken enemy of Oswald's idol, Cuban president Fidel Castro, and a firm opponent of racial integration--and Oswald had already attempted to murder Walker in April 1963. The author gives the Walker movement a more prominent place in the assassination story and traces the conflicting ambitions of Walker, Oswald, Kennedy and Ruby as they collided in October and November 1963. This book will help serious readers separate truth from fiction and to become examiners of how insignificant, unsuspected, powerless people driven by very personal needs and fears can, with the help of a firearm, alter the course of history.
It’s your complete guide to nursing — from basic concepts to essential skills! Fundamentals of Nursing, 9th Edition prepares you to succeed as a nurse by providing a solid foundation in critical thinking, evidence-based practice, nursing theory, and safe clinical care in all settings. With illustrated, step-by-step guidelines, this book makes it easy to learn important skills and procedures. Care plans are presented within a nursing process framework, and case studies show how to apply concepts to nursing practice. From an expert author team led by Patricia Potter and Anne Griffin Perry, this bestselling nursing textbook helps you develop the understanding and clinical reasoning you need to provide excellent patient care. 51 skills demonstrations provide illustrated, step-by-step instructions for safe nursing care — and include rationales for each step. 29 procedural guidelines provide streamlined, step-by-step instructions for performing basic skills. UNIQUE! Critical Thinking Models in each clinical chapter show how to apply the nursing process and critical thinking to achieve successful clinical outcomes. Evidence-Based Practice chapter shows how nursing research helps in determining best practices. UNIQUE! Caring for the Cancer Survivor chapter prepares nurses to care for cancer patients who may still face physical and emotional issues. Case studies include unique clinical application questions and exercises, allowing you to practice using care plans and concept maps. The 5-step nursing process provides a consistent framework for care, and is demonstrated in more than 20 care plans. 15 review questions in every chapter test your retention of key concepts, with answers available in the book and on the Evolve companion website. Practical study tools on Evolve include video clips of skills, skills checklists, printable key points, a fluid & electrolytes tutorial, a concept map creator, an audio glossary, and more. UNIQUE! Clear, streamlined writing style makes complex material more approachable. More than 20 concept maps show care planning for clients with multiple nursing diagnoses. Key points and key terms in each chapter summarize important content for more efficient review and study. Unexpected Outcomes and Related Interventions for each skill alert you to potential problems and appropriate nursing actions. Delegation coverage clarifies which tasks can and cannot be delegated. A glossary provides quick access to definitions for all key terms.
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
DIVAn indispensable dictionary of characters and names with over 3,000 entries, this volume covers all 36 of the Bard's plays, in addition to his poems and sonnets. /div
It is 1964. The Vietnam War has begun to escalate, its new style of battle demanding new weapons and tactics, and men who can use them. Overnight, it seems, the United States Army must scramble to create its first-ever Air Assault Division, a force critical to its chances of success. The obstacles are staggering--untrained men, technical mishaps, interservice rivalries. But through sheer courage and dedication, these heroic fighters rise to the challenge. For they are America's bravest--facing the ultimate test...
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