The Poet's Mind is a comprehensive study of the ways in which Victorian poets thought and wrote about the human mind. It argues that these poets used their writing both to express psychological processes of thought and feeling and to subject those processes to scrutiny and analysis.
Poetical Matter examines the two-way exchange of language and methods between nineteenth-century poetry and the physical sciences. The book argues that poets such as William Wordsworth, Mathilde Blind, and Thomas Hardy identified poetry as an experimental investigation of nature’s materiality. It also explores how science writers such as Humphry Davy, Mary Somerville, and John Tyndall used poetry to formulate their theories, to bestow cultural legitimacy on the emerging disciplines of chemistry and physics, and to communicate technical knowledge to non-specialist audiences. The book’s chapters show how poets and science writers relied on a set of shared terms (“form,” “experiment,” “rhythm,” “sound,” “measure”) and how the meaning of those terms was debated and reimagined in a range of different texts. “A stimulating analysis of nineteenth-century poetry and physics. In this groundbreaking study, Tate turns to sound to tease out fascinating continuities across scientific inquiry and verse. Reflecting that ‘the processes of the universe’ were themselves ‘rhythmic,’ he shows that a wide range of poets and scientists were thinking through undulatory motion as a space where the material and the immaterial met. ‘The motion of waves,’ Tate demonstrates, was ‘the exemplary form in the physical sciences.’ Sound waves, light, energy, and poetic meter were each characterized by a ‘process of undulation,’ that could be understood as both a physical and a formal property. Drawing on work in new materialism and new formalism, Tate illuminates a nineteenth-century preoccupation with dynamic patterning that characterizes the undulatory as (in John Herschel’s words) not ‘things, but forms.’” —Anna Henchman, Associate Professor of English at Boston University, USA “This impressive study consolidates and considerably advances the field of physics and poetry studies. Moving easily and authoritatively between canonical and scientist poets, Nineteenth-Century Poetry and the Physical Sciences draws scientific thought and poetic form into telling relation, disclosing how they were understood variously across the nineteenth century as both comparable and competing ways of knowing the physical world. Clearly written and beautifully structured, Nineteenth-Century Poetry and the Physical Sciences is both scholarly and accessible, a fascinating and indispensable contribution to its field.” —Daniel Brown, Professor of English at the University of Southampton, UK “Essential reading for Victorianists. Tate’s study of nineteenth-century poetry and science reconfi gures debate by insisting on the equivalence of accounts of empirical fact and speculative theory rather than their antagonism. The undulatory rhythms of the universe and of poetry, the language of science and of verse, come into new relations. Tate brilliantly re-reads Coleridge, Tennyson, Mathilde Blind and Hardy through their explorations of matter and ontological reality. He also addresses contemporary theory from Latour to Jane Bennett.” — Isobel Armstrong, Emeritus Professor of English at Birkbeck, University of London, UK
Josy Warner has to get out of town—fast. A favor for a friend has plunged her into deadly danger—and sent the topflight fashion designer fleeing New York to a place where no one knows her name. The tiny Wyoming town of Thunder Creek may be more than the answer to a prayer. It could hold the key to her past…and the only family she has left in the world. The last thing she expects is to fall for a rugged man of the land—a handsome widowed sheriff who calls to the wild places in her own heart. Josy Warner’s arrival in Thunder Creek has set tongues wagging and ranchers vying for her attention. But if there’s one thing Ty Barclay knows, it’s a woman in trouble. As his attraction to the secretive beauty deepens into fierce desire, Ty vows to keep Josy safe at all costs…even when the dangers of his job bring a killer after them. Now, with perilous night crashing around them, Ty and Josy are fighting for their lives—and a love that can lead to the most glorious future of all: forever in each other’s arms.
Culture, Not Politics We live in a politicized time. Culture wars and increasingly partisan conflicts have reduced public discourse to shouting matches between ideologues. But rather than merely bemoaning the vulgarity and sloganeering of this era, says acclaimed author and editor Gregory Wolfe, we should seek to enrich the language of civil discourse. And the best way to do that, Wolfe believes, is to draw nourishment from the deepest sources of culture: art and religious faith. Wolfe has been called “one of the most incisive and persuasive voices of our generation,” and this penetrating and wide-ranging book makes a powerful case for the importance of beauty and imagination to cultural renewal. He begins by tracing his own journey from a young culture warrior bent on attacking the modern world to a career devoted to nurturing the creation of culture through contemporary literature and art that renew the Western tradition. Along the way, Wolfe finds in Renaissance Christian humanists like Erasmus and Thomas More—and their belief that imagination and the arts are needed to offset the danger of ideological abstractions— a “distant mirror” in which to see our own times.
Fundamentals of Momentum, Heat and Mass Transfer, Revised, 6th Edition provides a unified treatment of momentum transfer (fluid mechanics), heat transfer and mass transfer. The new edition has been updated to include more modern examples, problems, and illustrations with real world applications. The treatment of the three areas of transport phenomena is done sequentially. The subjects of momentum, heat, and mass transfer are introduced, in that order, and appropriate analysis tools are developed.
In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies.
Captivity narratives have been a standard genre of writings about Indians of the East for several centuries.a Until now, the West has been almost entirely neglected.a Now Gregory and Susan Michno have rectified that with this painstakenly researched collection of vivid and often brutal accounts of what happened to those men and women and children that were captured by marauding Indians during the settlement of the West.
Gregory Vlastos (1907-1991) was one of the twentieth century's most influential scholars of ancient philosophy. Over a span of more than fifty years, he published essays and book reviews that established his place as a leading authority on early Greek philosophy. The two volumes that comprise Studies in Greek Philosophy include nearly forty contributions by this acknowledged master of the philosophical essay. Many of these pieces are now considered to be classics in the field. Perhaps more than any other modern scholar, Gregory Vlastos was responsible for raising standards of research, analysis, and exposition in classical philosophy to new levels of excellence. His essays have served as paradigms of scholarship for several generations. Available for the first time in a comprehensive collection, these contributions reveal the author's ability to combine the skills of a philosopher, philologist, and historian of ideas in addressing some of the most difficult problems of ancient philosophy. Volume I collects Vlastos's essays on Presocratic philosophy. Wide-ranging concept studies link Greek science, religion, and politics with philosophy. Individual studies illuminate the thought of major philosophers such as Heraclitus, Parmenides, Anaxagoras, and Democritus. A magisterial series of studies on Zeno of Elea reveals the author's power in source criticism and logical analysis. Volume II contains essays on the thought of Socrates, Plato, and later thinkers and essays dealing with ethical, social, and political issues as well as metaphysics, science, and the foundations of mathematics.
The August 30, 1813, massacre at Fort Mims left hundreds dead and ultimately changed the course of American history. The Indian victory shocked and horrified a young America, ushering in a period of violence surrounded by racial and social confusion. Fort Mims became a rallying cry, calling Americans to fight their assailants and avenge the dead. In A Conquering Spirit, Waselkov thoroughly explicates the social climes surrounding this tumultuous moment in early American history with a comprehensive collection of illustrations, artifact photographs, and detailed accounts of every known participant in the attack on Fort Mims. These rich and extensive resources make A Conquering Spirit an invaluable collection for any reader interested in America's frontier era. * Winner of the Adult Nonfiction Book of the Year award by the Alabama Library Association* Winner of the Clinton Jackson Coley award from the Alabama Historical Association
In this touching new novel by New York Times bestselling author Jill Gregory, a woman comes face to face with a love from her past and finds the chance to heal… Fifth grade teacher Mia Quinn expected a tranquil summer in her hometown of Lonesome Way, Montana, sewing for her quilting group’s exhibition fundraiser and caring for her rescued dog, Samson. But all her plans for a relaxing break are thrown out the window when Travis Tanner—the boy who broke her heart in high school—returns to town with his ten year old adopted step-son. A former FBI agent, the boy Mia once knew is now well over six feet of male muscle—and he still has the power to make Mia lose her train of thought with just a glance. When Travis asks her to tutor his troubled son, Mia quickly discovers that the sparks between them are hotter than ever. As danger comes to Lonesome Way and family secrets come to light, will Travis and Mia realize that love can be even better the second time around?
Black Cat Weekly 16 is a special holiday issue, featuring three holiday-themed mysteries for your reading pleasure. We didn’t have any holiday science fiction or fantasy stories on tap this time, but we will definitely try to do better next year. (Decembers are always a bit chaotic at Wildside Press—we also have to get out the year-end royalties for hundreds of authors.) If you are a fan of classic science fiction, you’ll appreciate “The Star Sneak,” by Larry Tritten—a Jack Vance parody, unearthed from 1974. And Darrell Schweitzer and Cindy Ward bring in stories by two masters—Michael Swanwick and Nisi Shawn. Tarnished Utopia by Malcolm Jameson is our pulp classic from the legendary Startling Stories magazine. For the mystery reader, we lead off with my own “Christmas Pit,” an entry in my “Pit-Bull” Peter Geller series. Our editors Barb Goffman and Michael Bracken bring in holiday tales (with very similar titles!) by Paige Sleuth and Stacy Woodson. Plus a classic hardboiled story from Frank Kane, and a Mr. Clackworthy story by Christopher B. Booth. And what issue would be complete without a solve-it-yourself story by Hal Charles? Without further ado, here is the lineup: Mysteries / Suspense “A Christmas Pit,” by John Gregory Betancourt [short story] Sister Knows Best, by Hal Charles [Solve-It-Yourself Mystery] Frame, by Frank Kane [short novel] “Mr. Clackworthy Forgets His Tonic,” by Christopher B. Booth [short story] “Holiday Holdup,” by Paige Sleuth [Barb Goffman Presents short story] “Holiday Hitman,” by Stacy Woodson [Michael Bracken Presents short story] Science Fiction & Fantasy “Maggies,” by Nisi Shawl [Cynthia M. Ward Presents short story] “A Small Room in Koboldtown,” by Michael Swanwick [Darrell Schweitizer Presents short story] Tarnished Utopia, by Malcolm Jameson [novel] “The Star Sneak,” by Larry Tritten [short story]
As the open-source and free alternative to expensive software like Maple™, Mathematica®, and MATLAB®, Sage offers anyone with a web browser the ability to use cutting-edge mathematical software and share the results with others, often with stunning graphics. This book is a gentle introduction to Sage for undergraduate students during Calculus II, Multivariate Calculus, Differential Equations, Linear Algebra, Math Modeling, or Operations Research. This book assumes no background in programming, but the reader who finishes the book will have learned about 60 percent of a first semester computer science course, including much of the Python programming language. The audience is not only math majors, but also physics, engineering, environmental science, finance, chemistry, economics, data science, and computer science majors. Many of the book's examples are drawn from those fields. Filled with “challenges” for the students to test their progress, the book is also ideal for self-study. What's New in the Second Edition: In 2019, Sage transitioned from Python 2 to Python 3, which changed the syntax in several significant ways, including for the print command. All the examples in this book have been rewritten to be compatible with Python 3. Moreover, every code block longer than four lines has been placed in an archive on the book's website http://www.sage-for-undergraduates.org that is maintained by the author, so that the students won't have to retype the code! Other additions include… The number of “challenges” for the students to test their own progress in learning Sage has roughly doubled, which will be a great boon for self-study.There's approximately 150 pages of new content, including: New projects on Leontief Input-Output Analysis and on Environmental ScienceNew sections on Complex Numbers and Complex Analysis, on SageTex, and on solving problems via Monte-Carlo Simulations.The first three sections of Chapter 1 have been completely rewritten to give absolute beginners a smoother transition into Sage.
This book examines the psychology involved in handling, and responding to, materials in artistic practice, such as oils, charcoal, brushes, canvas, earth, and sand. Artists often work with intuitive, tactile sensations and rhythms that connect them to these materials. Rhythm connects the brain and body to the world, and the world of abstract art. The book features new readings of artworks by Matisse, Pollock, Dubuffet, Tápies, Benglis, Len Lye, Star Gossage, Shannon Novak, Simon Ingram, Lee Mingwei, L. N. Tallur and many others. Such art challenges centuries of philosophical and aesthetic order that has elevated the substance of mind over the substance of matter. This is a multidisciplinary study of different metastable patterns and rhythms: in art, the body, and the brain. This focus on the propagation of rhythm across domains represents a fresh art historical approach and provides important opportunities for art and science to cooperate.
The Hangman’s Psalm: The Girl at the Gallows By: Carter J. Gregory Public hangings were great sport in 18th century London. Mobs of cursing men and shrieking women would turn out to witness a doomed man being hauled to the scaffold where the hangman, Jack Ketch, awaited him. The spectacle was given an aura of sanctity when choirs and bells pealed out hymns in praise of God, and the doomed man was required to recite the damning words of the biblical Psalm 51: “Behold I was shapen in wickedness and in sin did my mother conceive me”—or be lashed with a Cat o' nine tails if he refused. The Psalm was called The Hangman's Psalm. NOTE: Psalm 51 has been misunderstood for centuries. It is an example of Hebrew poetry, which is alive with dramatic hyperbole and metaphor, and not to be taken literally. It's a pity that neither the Crown nor jack Ketch knew the entire Psalm, which begins with an affirmation of God's mercy and ends with the ecstatic cry: “Thou shalt make me hear of joy and gladness, and the bones which thou hast broken may rejoice.” A desperate thief, his dead father, a beautiful young girl, a priest, and a hangman are destined to meet at the foot of the gallows—so claims a gypsy fortune teller whose tarot card predicts that someone will die a fool's death...but who? In 18th century London a thief could be hanged for stealing a kerchief, a hat, a bolt of cloth—and the thief in this story, Daniel Tavard, is guilty of such crimes. A bounty of 250 Guineas is offered by the Crown for his capture. But the bounty-hunters are not the ones who bring the thief to the hangman and collect the Guineas. Daniel's birth and death are shrouded in mystery. Why did his father Joseph flee France? Where is his mother? Only Maggie Quinn knows—Joseph's mistress(whore). When Daniel was little he thought Maggie was his mother—she quickly disabused him of that notion. But Maggie knows who his mother is, and why Joseph fled France, and she swore she would never tell the boy. Daniel goes about searching for answers, but as he does so, two bounty-hunters lay a plot to seize him. A young girl, Catherine, enters Daniel's life, and for the love of her he risks his fate at the hands of the bounty-hunters.
A structured program for the study of judo, from white belt to brown belt. This syllabus is a rigorous and challenging program, broken down into skills appropriate for each level of development. It provides a way for students, parents, and instructors to track progress and prepare for rank testing.
The fascinating—and troubling—story of powerful rumors that circulated and influential legends that arose in early America. Why did Elizabethan adventurers believe that the interior of America hid vast caches of gold? Who started the rumor that British officers purchased revolutionary white women’s scalps, packed them by the bale, and shipped them to their superiors? And why are people today still convinced that white settlers—hardly immune as a group to the disease—routinely distributed smallpox-tainted blankets to the natives? Rumor—spread by colonists and Native Americans alike—ran rampant in early America. In Groundless, historian Gregory Evans Dowd explores why half-truths, deliberate lies, and outrageous legends emerged in the first place, how they grew, and why they were given such credence throughout the New World. Arguing that rumors are part of the objective reality left to us by the past—a kind of fragmentary archival record—he examines how uncertain news became powerful enough to cascade through the centuries. Drawing on specific case studies and tracing recurring rumors over many generations, Dowd explains the seductive power of unreliable stories in the eastern North American frontiers from the sixteenth to the mid-nineteenth centuries. The rumors studied here—some alluring, some frightening—commanded attention and demanded action. They were all, by definition, groundless, but they were not all false, and they influenced the classic issues of historical inquiry: the formation of alliances, the making of revolutions, the expropriation of labor and resources, and the origins of war.
It’s a cinematic image as familiar as John Wayne’s face: a wagon train circling as a defensive maneuver against Indian attacks. This book examines actual and fictional wagon-train battles and compares them for realism. It also describes how fledgling Hollywood portrayed the concept of westward migration but, as the evolving industry became more accurate in historical detail, how filmmakers then lost sight of the big picture.
This report analyzes the current state of affairs in defense acquisition by combining detailed policy and data analysis to provide a comprehensive overview of the current and future outlook for defense acquisition. This analysis will provide critical insights into what DoD is buying, how DoD is buying it, from whom is DoD buying, and what are the defense components buying using data from the Federal Procurement Data System (FPDS). This analysis provides critical insights into understanding the current trends in the defense industrial base and the implications of those trends on acquisition policy.
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