Gregory Mobley plunges beneath the Bible's surface to reveal its "backstories" -- the tales that constitute the backbone of the people Israel and of the body of Christ. Viewing the Bible as "essentially, relentlessly story," Mobley provides an easy-to-understand sevenpart thematic overview of the Bible that guides readers through the drama of the Hebrew Bible, highlighting the interconnectedness of biblical stories. Each story is a variation on a single theme -- the dynamic interplay between order and chaos. Intriguing Ancient Near Eastern myths, personal anecdotes, and popular cultural references from movies, musical theater, and writers ranging from Dr. Seuss to William Blake pepper the book throughout. Arresting chapter and section titles such as "It's Love That Makes the World Go 'Round" and "Lord Bezek's Big Toes" capture the imagination, and Mobley's own lyrical, energetic writing style -- exercised on vibrant biblical material -- propels the reader forward. Readers will find his enthusiasm contagious!
Of all the demons, monsters, fiends, and ogres to preoccupy the western imagination in literature, art, and film, no figure has been more feared—or misunderstood--than Satan. But how accurate are the popular images of Satan? How--and why--did this rather minor biblical character morph into the very embodiment of evil? T.J. Wray and Gregory Mobley guide readers on a journey to retrace Satan's biblical roots. Engaging and informative, The Birth of Satan is a must read for anyone who has ever wondered about the origins of the Devil.
The primary problem that Mobley's book deals with is the odd character of Judges 13-16 and of its hero. Samson's special quality, noted by virtually all interpreters, is defined here as liminality. The liminal situation, which includes a movement away from society, the lack of social restraints, and the status of outsider, is a permanent condition for Samson. The secondary purpose of this book is to demonstrate the ways in which the Samson saga, which is often compared to the Greek Heracles tradition, makes use of ideas about wild men and warriors found in other biblical and Mesopotamian stories.
This publication is non-fiction and its focus is that as believers we would live to glory our Lord and Savior, by not just being a hearing of the Word but become a doer of His Word.
Gregory was born February 9, 1959, Columbus, Ohio, having two loving parents, raising five children, three boys and two girls. They spent the early part of our childhood growing up in the inner-city urban projects. Their parents were very support of Gregory and his sibling’s activities. At a young age Gregory had challenges of dealing with bullies, racism and rejection of what people thought of hm. He wanted to make a change in his life; he got interested in self-defense and started to research martial arts and the different disciplines. He then asked his my mother to sign him up for martial arts lessons, which she did. Gregory learned how to defend and went on to be a World Martial Arts Champion. He retired from competition and joined the Columbus, Ohio Police Department, receiving a created job in the community relations bureau (PAL). Gregory was well liked and very ambitious, he had an out of the box attitude, that created some friction between the police department and the Korean Masters Martial Arts Association. Years later both the police department and Korean Masters Association acknowledge his efforts and showed their gratitude by awarding him with honorable Awards.
Gregory Mobley plunges beneath the Bible's surface to reveal its "backstories" -- the tales that constitute the backbone of the people Israel and of the body of Christ. Viewing the Bible as "essentially, relentlessly story," Mobley provides an easy-to-understand sevenpart thematic overview of the Bible that guides readers through the drama of the Hebrew Bible, highlighting the interconnectedness of biblical stories. Each story is a variation on a single theme -- the dynamic interplay between order and chaos. Intriguing Ancient Near Eastern myths, personal anecdotes, and popular cultural references from movies, musical theater, and writers ranging from Dr. Seuss to William Blake pepper the book throughout. Arresting chapter and section titles such as "It's Love That Makes the World Go 'Round" and "Lord Bezek's Big Toes" capture the imagination, and Mobley's own lyrical, energetic writing style -- exercised on vibrant biblical material -- propels the reader forward. Readers will find his enthusiasm contagious!
Of all the demons, monsters, fiends, and ogres to preoccupy the western imagination in literature, art, and film, no figure has been more feared—or misunderstood--than Satan. But how accurate are the popular images of Satan? How--and why--did this rather minor biblical character morph into the very embodiment of evil? T.J. Wray and Gregory Mobley guide readers on a journey to retrace Satan's biblical roots. Engaging and informative, The Birth of Satan is a must read for anyone who has ever wondered about the origins of the Devil.
A CrimeReads "Best Noir Novel of 2021" "A sucker punch noir that is also a powerful and haunting allegory of work, debt, and power." —Richard Price "An unreliable narrator makes this thriller all the more gripping." — WBUR A down and dirty gem of a tale—a twisty and twisted crime novel that evokes the worlds of George V. Higgins, Patricia Highsmith, and David Mamet, destined to be a Neo-noir classic. Rick and Frank are recovering addicts and accomplished house thieves. They do not steal randomly - - they steal according to order, hired by a mysterious handler. The jobs run routinely until they’re tasked with taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value. Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events and Frank disappears with the trophy. As Rick tries to find Frank, he is forced to confront his past, upending both his livelihood and his sense of reality. The narrative builds steadily into a powerful and shocking climax. Reveling in its con-artistry and double-crosses, Just Thieves is a nail-biting, noirish exploration of the working lives of two unforgettable crooks and the hidden forces that rule and ruin their lives.
This revised and updated edition of Black Women in the Academy adds updated data on the status of Black faculty women, a forty-four-page bibliography, and a new chapter on the status of international faculty women from twenty different countries, to the only study of the decisions of African-American women to remain in, return to, or voluntarily leave the academy. Sheila Gregory creates a conceptual framework from economic, psychosocial, and job satisfaction theories to construct a model to explain the factors that affect the decision patterns influencing career mobility. She uses a survey of the members of the Association of Black Women in Higher Education to illustrate to what degree the designated variables predict decision patterns. Gregory's analysis focuses on the women who remained in the academy, noting that those who did remain were usually successful high-achievers who managed to overcome numerous obstacles involving career and family. The author also provides an outline detailing how to attract and retain talented Black women scholars, along with possible interventions that might help interinstitutional mobility.
In this highly original study, Gregory Downs argues that the most American of wars, the Civil War, created a seemingly un-American popular politics, rooted not in independence but in voluntary claims of dependence. Through an examination of the pleas and
Dark Magus is a warts-and-all look at the real Miles Davis. As told by his son, this book strips away the public perception of Davis often concocted through other books written without such intimate access to the man and gets down to the realities of his personality and quirks. Despite being a jazz superstar for decades, Davis was reclusive and deeply distrustful of other people. Dark Magus details Davis's Jekyll-and-Hyde personality, including his prodigious drug use, his misogynistic attitude towards women, his self-centeredness and selfishness, his obsessive chasing of young women, his use of amphetamines during concerts, and his distressing tendency to use violence to get his way or exact revenge for slights real and imagined. Other fascinating details abound, including Davis's relationship with Charlie Parker, his obsession with sports (especially boxing), his likes and dislikes, his personal philosophies, and his often gruelling work with younger musicians.
... Jay shows that this tradition [of white-authored protest fiction about racism in America] remains vital because every generation must relearn the lessons of antiracism and formulate effective cultural narratives for transmitting intellectual and affective [sic] tools useful in fighting injustice.
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