With many illustrations and diagrams, Images of Thought provides easy to follow ways in which to read Indian, Persian and European paintings in terms of composition, proportion, colour symbolism and references to myth. Yet it also provides the intellectual contexts of Islamic cultures which inform our perceptions of how this visual language works. The author uses salient aspects of critical theory, anthropology and theology to sensitise viewers to the diversity and difference of cultural readings but never loses sight of the primacy of the visual and formal characteristics, gestures, geometrical structures and their cooperation with myths and theologemes. The book provides access to one of the world’s major visual traditions whose characteristics continue to inform and elucidate Indian and Islamic contemporary thought today. Images of Thought is a major, scholarly and provocative contribution not only to our understanding of cultural individuality but it offers important examples of how to engage in transcultural understanding and ways of seeing.
Framing Consciousness in Art examines how the conscious mind enacts and processes the frame that both surrounds the work of art yet is also shown as an element inside its space. These `frames-in-frames¿ may be seen in works by Teniers, Velázquez, Vermeer, Degas, Rodin, and Cartier-Bresson and in the films of Alfred Hitchcock and Buñuel. The book also deals with framing in a variety of cultural contexts: Indian, Chinese and African, going beyond Euro-American formalist and aesthetic concerns which dominate critical theories of the frame.
Eyetrackers is a unique fusion of ideas drawn from art and neuroscience. This exhibition is the result of an ongoing converation between art historian Greg Minisssale and cognitive neuroscientist Tony Lambert, in which they have discovered surprising common grround between the visual arts and the visual sciences. In particular, Eyerackers explores a question that continues to puzzle, fascinate and inspire both artists and scientists alike"--Cover.
This book examines the psychology involved in handling, and responding to, materials in artistic practice, such as oils, charcoal, brushes, canvas, earth, and sand. Artists often work with intuitive, tactile sensations and rhythms that connect them to these materials. Rhythm connects the brain and body to the world, and the world of abstract art. The book features new readings of artworks by Matisse, Pollock, Dubuffet, Tápies, Benglis, Len Lye, Star Gossage, Shannon Novak, Simon Ingram, Lee Mingwei, L. N. Tallur and many others. Such art challenges centuries of philosophical and aesthetic order that has elevated the substance of mind over the substance of matter. This is a multidisciplinary study of different metastable patterns and rhythms: in art, the body, and the brain. This focus on the propagation of rhythm across domains represents a fresh art historical approach and provides important opportunities for art and science to cooperate.
Framing Consciousness in Art examines how the conscious mind enacts and processes the frame that both surrounds the work of art yet is also shown as an element inside its space. These `frames-in-frames¿ may be seen in works by Teniers, Velázquez, Vermeer, Degas, Rodin, and Cartier-Bresson and in the films of Alfred Hitchcock and Buñuel. The book also deals with framing in a variety of cultural contexts: Indian, Chinese and African, going beyond Euro-American formalist and aesthetic concerns which dominate critical theories of the frame.
This work explores the theological and social dimensions of generosity in the book of Sirach and contextualizes them within the culture and thought of Second Temple Judaism. Ben Sira's understanding of generosity is predicated on the tension between affirming the classic wisdom principle of retributive justice and recognizing its breakdown in the socio-economic circumstances of Seleucid Judea. He forges a new Wisdom-Torah ethic of mercy in which giving generously is an integral part of living "the good life". While loans and surety are essential practices, almsgiving is the preeminent act of generosity. The fundamental theological logic at work consists in viewing the poor as proxies for God and is based on the economic structure of Proverbs 19:17. Giving to the poor is, in reality, a deposit in a heavenly treasury and will pay future dividends. By situating Ben Sira's view of almsgiving within the wider framework of retributive justice and its breakdown, new light is shed on the practical tensions regarding the extent of almsgiving and its relationship to the support of the Jerusalem priesthood. The various dynamics of Ben Sira's thought on generosity are situated within the broader Hellenistic world and in their foundational role for later Jewish and Christian thought.
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