Gregory Conniff's large-scale black and white pastoral images evoke the sensuality of nineteenth century photographic materials. In his affectionate and intelligent work, there is a visible connection to the history of landscape art, reaching back as far as Claude Lorrain and seventeenth-century Dutch drawing. Conniff is also a leading practitioner of a new pastoralism that is casting a contemporary eye on the current state of America's open land. Postmodern in the best sense, Conniff's pictures address the timeless human need to see beauty in the world that shapes our lives. A resident of Wisconsin for more than thirty years, Conniff has focused much of his artistic energy on the rural Midwest, exploring the interdependent relationship between land and people. For the past fifteen years, Conniff has also been making pictures of rural Mississippi, again focusing on elements of the landscape that resonate with a universal sense of aesthetic familiarity. As he explains, "I am interested in work that defines and protects the vanishing, commonplace beauties that let us know we're home.
The third edition of U.S. and Latin American Relations offers detailed theoretical and historical analyses essential for understanding contemporary US-Latin American relations. Utilizing four different theories (realism, liberal institutionalism, dependency, and autonomy) as a framework, the text provides a succinct history of relations from Latin American independence through the Covid-19 era before then examining critical contemporary issues such as immigration, human rights, and challenges to US hegemony. Engaging pedagogical features such as timelines, research questions, and annotated resources appear throughout the text, along with relevant excerpts from primary source documents. The third edition features a new chapter on the role of extrahemispheric actors such as China and Russia, as well as a significantly revised chapter on citizen insecurity that examines crime, drug trafficking, and climate change. Instructor resources include a test bank, lecture slides, and discussion questions.
In March 1961 America's most prominent journalist, Edward R. Murrow, ended a quarter-century career with the Columbia Broadcasting System to join the administration of John F. Kennedy as director of the United States Information Agency (USIA). Charged with promoting a positive image abroad, the agency sponsored overseas research programs, produced documentaries, and operated the Voice of America to spread the country's influence throughout the world. As director of the USIA, Murrow hired African Americans for top spots in the agency and leveraged his celebrity status at home to challenge all Americans to correct the scourge of domestic racism that discouraged developing countries, viewed as strategic assets, from aligning with the West. Using both overt and covert propaganda programs, Murrow forged a positive public image for Kennedy administration policies in an unsettled era that included the rise of the Berlin Wall, the Cuban Missile Crisis, and support for Vietnam's Ngo Dinh Diem. Murrow's Cold War tackles an understudied portion of Murrow's life, reveals how one of America's most revered journalists improved the global perception of the United States, and exposes the importance of public diplomacy in the advancement of U.S. foreign policy.
The COVID-19 pandemic has affected every human being on the planet and forced us all to reflect on the bioethical issues it raises. In this timely book, Gregory Pence examines a number of relevant issues, including the fair allocation of scarce medical resources, immunity passports, tradeoffs between protecting senior citizens and allowing children to flourish, discrimination against minorities and the disabled, and the myriad issues raised by vaccines.
Gregory Conniff's large-scale black and white pastoral images evoke the sensuality of nineteenth century photographic materials. In his affectionate and intelligent work, there is a visible connection to the history of landscape art, reaching back as far as Claude Lorrain and seventeenth-century Dutch drawing. Conniff is also a leading practitioner of a new pastoralism that is casting a contemporary eye on the current state of America's open land. Postmodern in the best sense, Conniff's pictures address the timeless human need to see beauty in the world that shapes our lives. A resident of Wisconsin for more than thirty years, Conniff has focused much of his artistic energy on the rural Midwest, exploring the interdependent relationship between land and people. For the past fifteen years, Conniff has also been making pictures of rural Mississippi, again focusing on elements of the landscape that resonate with a universal sense of aesthetic familiarity. As he explains, "I am interested in work that defines and protects the vanishing, commonplace beauties that let us know we're home.
Gregory the Great was born at Rome about 540 A. D. He was at an early age made prætor of Rome by Emperor Justin II of Constantinople, but resigned this office and withdrew to one of the seven monasteries he had founded. “He lavished on the poor all his costly robes, his silk, his gold, his jewels, his furniture, and, not even assuming to himself the abbacy of his convent, but beginning with the lowest monastic duties, he devoted himself altogether to God.” It was while here that he one day saw some fair-haired Anglo-Saxon youths in the slave-market. When he was told they were Angles, he said: “Not Angles, but angels,” and was seized with a longing to Christianize their country. He set out, but was asked to return by Pope Benedict on account of the clamor over his departure. Pelagius II, Benedict's successor, sent Gregory to Constantinople as papal nuncio. He remained there for three years, writing his Moralia, and on his return to Rome was unanimously elected to succeed Pelagius, who had died of the plague. He was consecrated pope on Sept. 3, 590, and began an immediate reform in the organization and ritual of the Roman church, which is indebted to him for her complete ritual and chants. He also brought Britain and Spain within the pale of Christianity. He died on March 12, 604.
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Saint Gregory of Nazianzus, also known as Gregory the Theologian, lived an illustrious life as an orator, poet, priest, and bishop. Until his death, he wrote scores of letters to friends and colleagues, clergy members and philosophers, teachers of rhetoric and literature, and high-ranking officials at the provincial and imperial levels, many of which are preserved in his self-designed letter collection. Here, for the first time in English, Bradley K. Storin has translated the complete collection, offering readers a fresh view on Gregory’s life, social and cultural engagement, leadership in the church, and literary talents. Accompanying the translation are an introduction, a prosopography, and annotations that situate Gregory’s letters in their biographical, literary, and historical contexts. This translation is an essential resource for scholars and students of late antiquity and early Christianity.
St Gregory's poetry is open and self-revealing and has personal character. In these poems he speaks of the joys and frustrations of his own life; he reveals his inner questioning about the purpose and value of life in the face of sin and mortality; and his ultimate faith in Christ at redeeming and reconciling all things. The translations in this text allow the reader to see the self-reflection of the poetry in its theological context.
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