The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity. Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture.
In Modernism and the Celtic Revival, Gregory Castle examines the impact of anthropology on the work of Irish Revivalists such as W. B. Yeats, John M. Synge and James Joyce. Castle argues that anthropology enabled Irish Revivalists to confront and combat British imperialism, even as these Irish writers remained ambivalently dependent on the cultural and political discourses they sought to undermine. Castle shows how Irish Modernists employed textual and rhetorical strategies first developed in anthropology to translate, reassemble and edit oral and folk-cultural material. In doing so, he claims, they confronted and undermined inherited notions of identity which Ireland, often a site of ethnographic curiosity throughout the nineteenth-century, had been subject to. Drawing on a wide range of post-colonial theory, this book should be of interest to scholars in Irish studies, post-colonial studies and Modernism.
“A sparkling gem of mythic invention and wonder . . . Frost draws richly detailed human characters and embellishes his multilayered stories with intriguing creatures–benevolent sea dragons, trickster foxes, death-eating snakes and capricious gods.” –Publishers Weekly, on Shadowbridge Daughter of the legendary shadow-puppeteer Bardsham, Leodora has inherited her father’s skills . . . and his enemies. Together with her manager–Soter, keeper of her father’s darkest secrets, and a gifted young musician named Diverus, Leodora has traveled from span to span, her masked performances given under the stage name Jax, winning fame and fortune. But Jax’s success may be Leodora’s undoing. Years ago, following a performance by Bardsham, the vengeful god known as Lord Tophet visited a horrific punishment upon the span of Colemaigne and its citizens, a reprisal inflicted without warning or explanation. And as the genius of Jax gives rise to rumors that Bardsham has returned, Lord Tophet takes notice and dispatches a quintet of deadly killers to learn the truth behind the mask. Now, upon the cursed span of Colemaigne, where her father achieved his greatest triumph and suffered his bitterest tragedy, Leodora is about to perform the most shocking story of all. “Stunning . . . Frost could be on his way toward a masterpiece.” –Locus, on Shadowbridge “Beautifully written and realized.” –Jeffrey Ford, author of The Empire of Ice Cream, on Shadowbridge Lord Tophet is the completion of a two-book adventure.
Kieran's blood boils every time he hears about the abuse handed down by Teleria's nobility. But years of hiding in his father's smithy have taught him to avoid trouble. Content with being a blacksmith, the only disruptions in his well-ordered life are his disturbing dreams. It isn't until his twentieth birthday, when he receives a mysterious letter and sword from King Arathor - the man who claims to be his real father - that he wonders if his nightmares have become reality. If he believes Arathor, he will have a chance to end a twenty-year curse over Teleria, and free the people from King Rahnak's oppression. But it could also mean giving up his quest to find the mysterious woman with whom he shares an intimate heart connection.
At this time of narrow specialization in science, it seems almost impossible to fully grasp the personality of John Walter Gregory and his impact on the evolution of geological concepts. He belonged to the generation of unusual men who by their endeavors in different technical fields made the British Emprire into a domain where the sun never set. Gregory was a brilliant thinker endowed with the rare combination of an incredible memory for facts and a capacity for synthesis, and, as his explorations extended across all continents, he thus became an authority on the world as a whole. Nonetheless, he remained modest, sincere, and simple and always friendly toward his peers and his students. There are few scientific fields to which he did not contribute. In our present world of computer language he would be characterized by the key-words of geology, georgraphy, engineering, and sociology, a combination of disciplines which today appear unthinkable. In his time he was a scholar, a teacher, an adventurer, and a man of letters as well.
In Star Trek Chris Gregory analyses the reasons for the continuing success of the Star Trek phenomenon, traces its overall development and comments on how the differences between 1990s and 1960s series reflect changes in the mass media environment during this period. He examines Star Trek as a series of generic and mythological texts, compares TV and filmed versions, explores its 'cult' appeal and looks in detail at its psychological, social and political themes.
It may be argued that silicon, carbon, hydrogen, oxygen, and iron are among the most important elements on our planet, because of their involvement in geological, biol- ical, and technological processes and phenomena. All of these elements have been studied exhaustively, and voluminous material is available on their properties. Included in this material are numerous accounts of their electrochemical properties, ranging from reviews to extensive monographs to encyclopedic discourses. This is certainly true for C, H, O, and Fe, but it is true to a much lesser extent for Si, except for the specific topic of semiconductor electrochemistry. Indeed, given the importance of the elect- chemical processing of silicon and the use of silicon in electrochemical devices (e. g. , sensors and photoelectrochemical cells), the lack of a comprehensive account of the electrochemistry of silicon in aqueous solution at the fundamental level is surprising and somewhat troubling. It is troubling in the sense that the non-photoelectrochemistry of silicon seems “to have fallen through the cracks,” with the result that some of the electrochemical properties of this element are not as well known as might be warranted by its importance in a modern technological society. Dr. Zhang’s book, Electrochemical Properties of Silicon and Its Oxide, will go a long way toward addressing this shortcoming. As with his earlier book on the elect- chemistry of zinc, the present book provides a comprehensive account of the elect- chemistry of silicon in aqueous solution.
The author, G. J. Chaitin, shows that God plays dice not only in quantum mechanics but also in the foundations of mathematics. According to Chaitin there exist mathematical facts that are true for no reason. This fascinating and provocative text contains a collection of his most wide-ranging and non-technical lectures and interviews. It will be of interest to anyone concerned with the philosophy of mathematics, the similarities and differences between physics and mathematics, and mathematics as art.
Patent Disputes: Litigation Forms and Analysis, Second Edition contains over 60 full-length agreements - with accompanying checklists and commentary - covering virtually every area of patent litigation in federal courts and before other administrative bodies, such as interpartes proceedings in the PTO. The book is organized sequentially, following the course of the litigation process - from complaint to appeals. Forms include: Sample complaints for federal court and administrative proceedings Sample answers, counterclaims and third party complaints Sample motions ranging from Motion to Dismiss to Motions for Sanctions/Attorney's Fees Discovery forms, such as interrogatories and protective orders Forms for Markman Hearings Trial forms such as jury instructions Forms for appeal such as Notice of Appeal, and Petition for Cert With your purchase of Patent Disputes: Litigation Forms and Analysis, Second Edition, you'll also receive the bonus companion CD-ROM containing fully customizable versions of all of the forms and documents in the book.
Just as Africa and the West have traditionally fit into binaries of Darkness/Enlightenment, Savage/Modern, Ugly/Beautiful, and Ritual/Art, among others, much of Western cultural production rests upon the archetypal binary of Trickster/Epic, with trickster aesthetics and commensurate cultural forms characterizing Africa. Challenging this binary and the exceptionalism that underlies anti-hegemonic efforts even today, this book begins with the scholarly foundations that mapped out African trickster continuities in the United States and excavated the aesthetics of traditional African epic performances. Rutledge locates trickster-like capacities within the epic hero archetype (the "epic trickster" paradigm) and constructs an Homeric Diaspora, which is to say that the modern Homeric performance foundation lies at an absolute time and distance away from the ancient storytelling performance needed to understand the cautionary aesthetic inseparable from epic potential. As traditional epic performances demonstrate, unchecked epic trickster dynamism anticipates not only brutal imperialism and creative diversity, but the greatest threat to everyone, an eco-apocalypse. Relying upon the preeminent scholarship on African-American trickster-heroes, traditional African heroic performances, and cultural studies approaches to Greco-Roman epics, Rutledge traces the epic trickster aesthetic through three seminal African-American novels keenly attuned to the American Homeric Diaspora: Charles Chesnutt’s The Marrow of Tradition, Richard Wright’s Native Son, and Toni Morrison’s Beloved.
This volume examines the nuance and complexity of teaching for greater social justice under surveillance and constraint. It presents an inquiry-based methodology for designing and implementing meaningful teaching and learning in literacy courses offered in American jails and prisons.
On December 14, 1992, Gregory Gibson’s eighteen-year-old son Galen was murdered, shot in the doorway of his college library by a fellow student gone berserk. The killer was jailed for life, but for Gibson the tragedy was still unfolding. The morning of the shooting, he learned, college officials had intercepted but not stopped a box of ammunition addressed to the murderer. They were also anonymously warned of the intended killing but failed to call the police. After years of frustrated attempts to find peace, Gibson woke one morning to a terrible vision of his own rage and helplessness. He knew he had to do something before he destroyed himself, and he resolved to discover and document the forces that led to Galen’s death. Gone Boy follows Gibson as he visits the gun seller, as well as detectives, lawyers, psychiatrists, politicians, and college bureaucrats— a cast of characters as vivid as those in a Raymond Chandler mystery. Hailed by the New York Times and others for its evocative style and courage in confronting guns, violence, and manhood in America today, this wrenching memoir speaks in the voice of a man struggling to turn grief and rage into acceptance and understanding.
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