The meaning of the American Revolution has always been a much contested question, and asking it is particularly important today: the standard, easily digested narrative puts the Founding Fathers at the head of a unified movement, failing to acknowledge the deep divisions in Revolutionary-era society and the many different historical interpretations that have followed. Whose American Revolution Was It? speaks both to the ways diverse groups of Americans who lived through the Revolution might have answered that question and to the different ways historians through the decades have interpreted the Revolution for our own time. As the only volume to offer an accessible and sweeping discussion of the period's historiography and its historians, Whose American Revolution Was It? is an essential reference for anyone studying early American history. The first section, by Alfred F. Young, begins in 1925 with historian J. Franklin Jameson and takes the reader through the successive schools of interpretation up to the 1990s. The second section, by Gregory H. Nobles, focuses primarily on the ways present-day historians have expanded our understanding of the broader social history of the Revolution, bringing onto the stage farmers and artisans, who made up the majority of white men, as well as African Americans, Native Americans, and women of all social classes.
Now available in paperback, Death on the Hellships chronicles the true dimensions of the Allied POW experience at sea. It is a disturbing story; many believe the Bataan Death March even pales by comparison. Survivors describe their ordeal in the Japanese hellships as the absolute worst experience of their captivity. Crammed by the thousands into the holds of the ships, moved from island to island and put to work, they endured all the horrors of the prison camps magnified tenfold. Gregory Michno draws on American, British, Australian, and Dutch POW accounts as well as Japanese convoy histories, declassified radio intelligence reports, and a wealth of archival sources to present a detailed picture of the horror.
Boki's predicament : Sandalwood and the China trade -- Make's dance : Migrant workers and migratory animals -- Kealoha in the Arctic : Whale blubber and human bodies -- Kailiopio and the tropicbird : Life and labor on a Guano Island -- Nahoa's tears : Gold, dreams, and diaspora in California -- Beckwith's Pilikia : "Kanakas" and "Coolies" on Haiku plantation -- Epilogue : Legacies of capitalism and colonialism
Gregroy Michno, author of several critically acclaimed books on America's Indian wars, gives readers the first comprehensive look at the natives, soldiers and settlers who clashed on the high desert of Idaho, Nevada, Utah, Oregon and Northern California in a struggle that, over a four-year period, claimed more lives than any other western Indian War.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
These volumes are a first person narrative of a soldier in the West during the Great Sioux War and the Cheyenne Outbreak as well as other important Indian battles. Extensive information is also given about the Native Americans living during those times.
“A monumentally researched biography of one of the nineteenth century’s wealthiest self-made Americans…Well-written and worthwhile” (The Wall Street Journal) it’s the rags-to-riches frontier tale of an Irish immigrant who outwits, outworks, and outmaneuvers thousands of rivals to take control of Nevada’s Comstock Lode. Born in 1831, John W. Mackay was a penniless Irish immigrant who came of age in New York City, went to California during the Gold Rush, and mined without much luck for eight years. When he heard of riches found on the other side of the Sierra Nevada Mountains in 1859, Mackay abandoned his claim and walked a hundred miles to the Comstock Lode in Nevada. Over the course of the next dozen years, Mackay worked his way up from nothing, thwarting the pernicious “Bank Ring” monopoly to seize control of the most concentrated cache of precious metals ever found on earth, the legendary “Big Bonanza,” a stupendously rich body of gold and silver ore discovered 1,500 feet beneath the streets of Virginia City, the ultimate Old West boomtown. But for the ore to be worth anything it had to be found, claimed, and successfully extracted, each step requiring enormous risk and the creation of an entirely new industry. Now Gregory Crouch tells Mackay’s amazing story—how he extracted the ore from deep underground and used his vast mining fortune to crush the transatlantic telegraph monopoly of the notorious Jay Gould. “No one does a better job than Crouch when he explores the subject of mining, and no one does a better job than he when he describes the hardscrabble lives of miners” (San Francisco Chronicle). Featuring great period photographs and maps, The Bonanza King is a dazzling tour de force, a riveting history of Virginia City, Nevada, the Comstock Lode, and America itself.
Science, Sexuality, and Race in the United States and Australia, 1780–1940, Revised Edition is a sociohistorical tour de force that examines the entwined formation of racial theory and sexual constructs within settler colonialism in the United States and Australia from the Age of Revolution to the Great Depression. Gregory D. Smithers historicizes the dissemination and application of scientific and social-scientific ideas within the process of nation building in two countries with large Indigenous populations and shows how intellectual constructs of race and sexuality were mobilized to subdue Aboriginal peoples. Building on the comparative settler-colonial and imperial histories that appeared after the book’s original publication, this completely revised edition includes two new chapters. In this singular contribution to the study of transnational and comparative settler colonialism, Smithers expands on recent scholarship to illuminate both the subject of the scientific study of race and sexuality and the national and interrelated histories of the United States and Australia.
The fascinating narrative of the remarkable life of Junípero Serra, the intrepid priest who led Spain and the Catholic Church into California in the 1700s and became a key figure in the making of the American West. The fascinating narrative of the remarkable life of Junípero Serra, the intrepid priest who led Spain and the Catholic Church into California in the 1700s and became a key figure in the making of the American West In the year 1749, at the age of thirty-six, Junípero Serra left his position as a highly regarded priest in Spain for the turbulent and dangerous New World, knowing he would never return. The Spanish Crown and the Catholic Church both sought expansion in Mexico—the former in search of gold, the latter seeking souls—as well as entry into the mysterious land to the north called “California.” Serra’s mission: to spread Christianity in this unknown world by building churches wherever possible and by converting the native peoples to the Word of God. It was an undertaking that seemed impossible, given the vast distances, the challenges of the unforgiving landscape, and the danger posed by resistant native tribes. Such a journey would require bottomless physical stamina, indomitable psychic strength, and, above all, the deepest faith. Serra, a diminutive man with a stout heart, possessed all of these attributes, as well as an innate humility that allowed him to see the humanity in native people whom the West viewed as savages. By his death at age seventy-one, Serra had traveled more than 14,000 miles on land and sea through the New World—much of that distance on a chronically infected and painful foot—baptized and confirmed 6,000 Indians, and founded nine of California’s twenty-one missions, with his followers establishing the rest. The names of these missions ring through the history of California— San Diego, San Jose, San Juan Capistrano, Santa Clara, and San Francisco—and served as the epicenters of the arrival of Western civilization, where millions more would follow, creating the California we know today. An impoverished son, an inspired priest, and a potent political force, Serra was a complex man who stood at the historic crossroads between Native Americans, the often brutal Spanish soldiers, and the dictates of the Catholic Church, which still practiced punishment by flogging. In this uncertain, violent atmosphere, Serra sought to protect the indigenous peoples from abuse and to bring them the rituals and spiritual comfort of the Church even as the microbes carried by Europeans threatened their existence. Beginning with Serra’s boyhood on the isolated island of Mallorca, venturing into the final days of the Spanish Inquisition, revealing the thriving grandeur of Mexico City, and finally journeying up the untouched California coast, Gregory Orfalea’s magisterial biography is a rich epic that cuts new ground in our understanding of the origins of the United States. Combining biography, European history, knowledge of Catholic doctrine, and anthropology, Journey to the Sun brings original research and perspective to America’s creation story. Orfalea’s poetic and incisive recounting of Serra’s life shows how one man changed the future of California and in so doing affected the future of our nation.
The conclusion of America's Civil War set off an ongoing struggle as a fractured society suffered the psychological consequences of four years of destruction, deprivation and distrust. Veterans experienced climbing rates of depression, suicide, mental illness, crime, and alcohol and drug abuse. Survivors, leery of conventional medicine and traditional religion, sought out quacks and spiritualists as cult memberships grew. This book provides a comprehensive account of the war-weary fighting their mental demons.
In this study, T. Gregory Garvey illustrates how activists and reformers claimed the instruments of mass media to create a freestanding culture of reform that enabled voices disfranchised by church or state to speak as equals in public debates over the nation’s values. Competition among antebellum reformers in religion, women’s rights, and antislavery institutionalized a structure of ideological debate that continues to define popular reform movements. The foundations of the culture of reform lie, according to Garvey, in the reconstruction of publicity that coincided with the religious-sectarian struggles of the early nineteenth century. To counter challenges to their authority and to retain church members, both conservative and liberal religious factions developed instruments of reform propaganda (newspapers, conventions, circuit riders, revivals) that were adapted by an emerging class of professional secular reformers in the women’s rights and antislavery movements. Garvey argues that debate among the reformers created a mode of “critical conversation” through which reformers of all ideological persuasions collectively forged new conventions of public discourse as they struggled to shape public opinion. Focusing on debates between Lyman Beecher and William Ellery Channing over religious doctrine, Angelina Grimke and Catharine Beecher over women’s participation in antislavery, and William Lloyd Garrison and Frederick Douglass over the ethics of political participation, Garvey argues that “crucible-like sites of public debate” emerged as the core of the culture of reform. To emphasize the redefinition of publicity provoked by antebellum reform movements, Garvey concludes the book with a chapter that presents Emersonian self-reliance as an effort to transform the partisan nature of reform discourse into a model of sincere public speech that affirms both self and community.
Eureka Stockade: A ferocious and bloody battle, is the epic account of the battle for the Eureka Stockade, an iconic moment in Australian history. On the chilly dawn morning of 3 December 1854 British soldiers and police of the Victorian colonial government attacked and stormed a crudely-built fortification erected by insurgent gold miners at the Eureka lead on the Ballarat Gold Diggings. The fighting was intense, the carnage appalling and the political consequences of the affair profound. This book, for the first time, examines in great detail the actual military events that unfolded during the twenty minutes of deadly fighting at Eureka.
This book recounts the life and achievements of Clarence King, widely recognized as one of America's most gifted intellectuals of the nineteenth century, and a legendary figure in the American West. King led landmark precursory surveys that positioned him to become the founding director of the U.S. Geological Survey, the most important government science agency in the nation.
Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies. Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor’s performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors’ voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s. This is a valuable resource for scholars and researchers of musicology, film music and film studies more generally.
The Eureka Stockade is the epic account of the battle for the Eureka Stockade, an iconic moment in Australian history. On the chilly dawn morning of 3 December 1854 British soldiers and police of the Victorian colonial government attacked and stormed a crudely-built fortification erected by insurgent gold miners at the Eureka lead on the Ballarat Gold Diggings. The fighting was intense, the carnage appalling and the political consequences of the affair profound. This book, for the first time, examines in great detail the actual military events that unfolded during the twenty minutes of deadly fighting at Eureka. Many of the old assumptions about what occurred that day are turned on the heads, raising in their places provocative questions. Were the intentions of the Eureka diggers as pacific as tradition insists? How was it that men supposedly poorly armed and taken completely by surprise in their sleep were able to deliver ‘sharp and well directed’ fire on their attackers? How close, in fact did the assaulting infantry come to failing in their task, and why has the pivotal part played by the police in the battle been ignored in every retelling of the Eureka story? Why have the Americans, who played a decisive part in the defence of the stockade been all but ignored? The author argues convincingly that Eureka was not a wanton massacre of innocents, as it has been portrayed. Rather it was a hard fought military engagement. Eureka was a decisive moment in Australian history and in this book it comes alive in a rousing and original manner.
Explores how the emergence of a new literary marketplace in the mid-nineteenth century affected the study of history in America. In an effort to illuminate the cultural conditions for this boom, this book focuses on the business of book making and book promotion. It analyzes the subscription sales techniques of book agents.
The Sand Creek Battle, or Massacre, occurred on November 29-30, 1864, a confrontation between Cheyenne and Arapaho Indians and Colorado volunteer soldiers. The affair was a tragic event in American history, and what occurred there continues to be hotly contested. Indeed, labeling it a “battle” or a “massacre” will likely start an argument before any discussion on the merits even begins. Even questions about who owns the story, and how it should be told, are up for debate. Many questions arise whenever Sand Creek is discussed: were the Indians peaceful? Did they hold white prisoners? Were they under army protection? Were excessive numbers of women and children killed, and were bodies mutilated? Did the Indians fly an American flag? Did the chiefs die stoically in front of their tipis? Were white scalps found in the village? Three hearings were conducted, and there seems to be an overabundance of evidence from which to answer these and other questions. Unfortunately, the evidence only muddies the issues. Award-winning Indian Wars author Gregory Michno divides his study into three sections. The first, “In Blood,” details the events of November 29 and 30, 1864, in what is surely the most comprehensive account published to date. The second section, “In Court,” focuses on the three investigations into the affair, illustrates some of the biases involved, and presents some of the contradictory testimony. The third and final section, “The End of History,” shows the utter impossibility of sorting fact from fiction. Using Sand Creek as well as contemporary examples, Michno examines the evidence of eyewitnesses—all of whom were subject to false memories, implanted memories, leading questions, prejudice, self-interest, motivated reasoning, social, cultural, and political mores, an over-active amygdala, and a brain that had a “mind” of its own—obstacles that make factual accuracy an illusion. Living in a postmodern world of relativism suggests that all history is subject to the fancies and foibles of individual bias. The example of Sand Creek illustrates why we may be witnessing “the end of history.” Studying Sand Creek exposes our prejudices because facts will not change our minds—we invent them in our memories, we are poor eyewitnesses, we follow the leader, we are slaves to our preconceptions, and assuredly we never let truth get in the way of what we already think, feel, or even hope. We do not believe what we see; instead, we see what we believe. Michno’s extensive research includes primary and select secondary studies, including recollections, archival accounts, newspapers, diaries, and other original records. The Three Battles of Sand Creek will take its place as the definitive account of this previously misunderstood, and tragic, event.
Before the film industry arrived, Hollywood was filled with quaint bungalows, millionaires' estates, and churches dedicated to teetotalism. Movies shattered Hollywood's tranquillity, and brought wealth, fame and glamorous movie stars. The giants of the movie industry invented klieg-lighted movie premieres and the Academy Awards in Hollywood. Go beyond the star-studded surface to the district's days of union busting, gangsters, and scandal, foreshadowing Hollywood's seedy decline. The book concludes with Hollywood's redevelopment that continues today. The book features the famous faces and places that made the town legendary, offering a unique perspective on celebrity nightlife and the behind-the-scenes stories of day-to-day life. Lavishly illustrated with over 800 vintage images from the author's private collection, "The Story of Hollywood" brings new insights to readers with a passion for Hollywood and its place in the history of film, radio, and television.
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe’s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing. In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.
Myth has it that Baja California was once ruled by a giant queen, Calafia. Her subjects were black Amazon women, and they lived in a land of ferocious griffins, tall mountains, precipitous cliffs, and deep valleys. Baja was also said to be an island of gold and precious stones. Spanish explorers, lured by tales of riches and beautiful women, were drawn to this mythical place. Jesuit priests, adventurers, fishermen, hunters, and the curious soon followed. In Isle of the Amazons in the Vermilion Sea, Gregory MacDonald has assembled a superb collection of excerpts from diaries, letters, field notes, books, and journals. These short impressions give us the sights, smells, sounds, and tastes of mountain hamlets, lush valleys, hot deserts, and blue seas, and together, they create a stunning narrative of the mythology, history, and topology of the Baja land, sea, and people. Montalvo, Cortéz, and Padre Eusebio Kino—in 1400, 1535, and 1701, respectively—describe the flora and fauna of a peninsula untouched by civilization, and in the twentieth century, Bancroft, Cannon, Crosby, Gardner, North, Steinbeck, and Octavio Paz, among others, speak of the fishing, the hunting, and, despite hardships, the pure joy of being. The writers observe fish pileups and feeding-frenzies; suffer insect bites, cactus pricks, and jellyfish stings; and are awed by magical sunsets, the silence of the desert, and the stars. Original illustrations by award-winning printmaker Judith Palmer transform the work into a masterpiece.
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