Annelids (the segmented worms) exist in a remarkably diverse range of mostly marine but also freshwater and terrestrial habitats, varying greatly in size and form. Annelida provides a fully updated and expanded taxonomic reference work which broadens the scope of the classic Polychaetes (OUP, 2001) to encompass wider groups including Clitellata (comprising more than a third of total annelid diversity), Sipuncula, and Thalassematidae (formerly Echiura). It reflects the enormous amount of research on these organisms that has burgeoned since the millennium, principally due to their use as model organisms to address wider and more general evolutionary and ecological questions. Beginning with a clear introduction to the phylum and an outline of annelid taxonomy, this authoritative text describes their collection, the methods to ensure their optimal preservation, and an overview of anatomy with its relevant terminology. The core of the work comprises 77 fully up-to-date taxonomic chapters, informed by anatomy and the latest molecular phylogenomic evidence and carefully organised based on a new, robust phylogenetic hypothesis. Lavishly illustrated throughout with hundreds of previously unpublished high-resolution colour images and SEM micrographs, the sheer beauty and diversity of the annelids is nowhere better presented. Annelida is the definitive reference work for annelid biologists, whilst being of interest to a broader audience of invertebrate zoologists, systematists, and organismal biologists.
THE DISTANCE KEPT US CLOSE is the sequel to I'VE KISSED YOU FOR THE LAST TIME. The author continues to explore his post-divorce relationships with himself and others. He explores his relationship to his work, play, the world, and God. This is a book about guiding one's life, not being led through it. This book tells of a time for deciding what to hold on to, what to release; what to seek, what to share. It is about a time for creating distance in some areas, while drawing closer in others. There seem to be times that distance actually keeps the author close to someone he had loved. At other times, the distance does exactly what it's meant to do. It avoids all near occasions to pain that seeing a former love can bring. But, sometimes, distance distorts relationships, making some look better than they actually had been in real time. That's when it's time to close the distance again to clear up any lingering illusions and delusions one may hold about lost love.
Annelids (the segmented worms) exist in a remarkably diverse range of mostly marine but also freshwater and terrestrial habitats, varying greatly in size and form. Annelida provides a fully updated and expanded taxonomic reference work which broadens the scope of the classic Polychaetes (OUP, 2001) to encompass wider groups including Clitellata (comprising more than a third of total annelid diversity), Sipuncula, and Thalassematidae (formerly Echiura). It reflects the enormous amount of research on these organisms that has burgeoned since the millennium, principally due to their use as model organisms to address wider and more general evolutionary and ecological questions. Beginning with a clear introduction to the phylum and an outline of annelid taxonomy, this authoritative text describes their collection, the methods to ensure their optimal preservation, and an overview of anatomy with its relevant terminology. The core of the work comprises 77 fully up-to-date taxonomic chapters, informed by anatomy and the latest molecular phylogenomic evidence and carefully organised based on a new, robust phylogenetic hypothesis. Lavishly illustrated throughout with hundreds of previously unpublished high-resolution colour images and SEM micrographs, the sheer beauty and diversity of the annelids is nowhere better presented. Annelida is the definitive reference work for annelid biologists, whilst being of interest to a broader audience of invertebrate zoologists, systematists, and organismal biologists.
* Includes five previously unpublished essays * Powerful prose sparked with Child's unique wit Well-known for his Himalayan expeditions and first ascents on rock walls in Australia and the United States, Greg Child freely admits his mixed feelings about climbing. Overwhelming are the loss of friends, the thrill of achievement, and the soul-shattering moments of risk and survival; but it is precisely these experiences that compel him to write and to continue climbing. In Mixed Emotions, Child remembers the mountains, the people, and the episodes that have made him feel his life acutely, including the 1986 K2 tragedy that killed 13 climbers; a near-fatal snakebite in his native Australia; and the loss of climbing partner Pete Thexton. He recalls his associations with world-renowned mountaineers Doug Scott, John Roskelley, Voytek Kurtyka, and Don Whillans. Child also narrates fascinating off-mountain journeys to a secluded Hindu shrine, and the remote, harsh landscape of the Baltoro Glacier, where progress has left its indelible mark. Finally, Child comments on some less tangible aspects of climbing, such as the ghostly presence that accompanies climbers under duress, and the meanings of and inevitable meetings with death.
* This classic established Child as one of the great mountaineering writers of our time * Describes Child's apprenticeship to such climbing legends as Doug Scott, Don Whillans, and Alan Rouse * Written with a keen eye for detail, a firm sense of drama and, of course, wit Climbing a Himalayan peak was the stuff of Greg Child's wildest dreams. Then in the late 1970s came a surprise berth on an expedition that was to define his career as a high-altitude mountaineer and transform him personally. A chronicle of his apprenticeship, Thin Air established Child as one of the great mountaineering writers of our time. Thin Air is about the intensity of climbing on the edge day after day. It is about friendships and tragedies and the memories that linger for decades. Filled with humor, irony, and pathos, Thin Air touches us with the beauty of the Baltoro Glacier's landscape and encounters with the local people. It also paints portraits of legendary mountaineers Doug Scott, Don Whillans, Alan Rouse, and others.
The best storywriters approach their craft like a weaver turning a messy pile of loose threads into a neat, well-constructed, and beautiful piece of cloth. Greg Bogaerts is a champion storywriter with a vivid and strong imagination. Bogaerts often draws his inspiration from art; in this volume, from paintings by Vincent van Gogh. These twenty-eight short stories, paired with their related van Gogh paintings, will keep you reading until the end, waiting for the next staggering plot twist, the next loathsome or pitiful character, the next surprising and disquieting ending. Readers will come to expect the effusive descriptions that characterize Bogaerts's stories, descriptions that let them hear the cries of his victims, taste the salt on a loverās skin, smell the filth in the gutters of Paris streets, and feel the anger and distress of the masses. In this collection, Bogaerts brings together color, tragedy, and magic.
Documents an early nineteenth-century event that inspired Herman Melville's "Beneto Cereno," tracing the cultural, economic, and religious clash that occurred aboard a distressed Spanish ship of West African pirates.
If Is the Only Peacemaker explores the drama of Shakespeare through a cultural lens that can be shown to be central to the formation of this theatrical art: fourteenth- to sixteenth-century Catholic Humanism. Part I of this book traces this tradition through key figures in Medieval and Renaissance Humanism, including Dante, Chaucer, Erasmus, and Thomas More. The latter two, especially, convey Catholic Humanism to Shakespeareās England, and help to establish a rhetorical ideal: the union of eloquentia and sapientia, of wit and wisdom. Part II then closely reads one of Shakespeareās major comedies, As You Like It, through this ideal, finding in this play an outstanding example of the Catholic Humanist rhetoric central to Shakespeareās art. This part of the book also mingles rhetorical and performance criticism, citing six different productions of As You Like It.
For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.
Sixteen compelling tales of post-apocalyptic societies and dystopian worlds include stories by Stephen King, Ray Bradbury, Arthur C. Clarke, Philip K. Dick, Kurt Vonnegut, W. E. B. Du Bois, Harlan Ellison, and others.
A steampunk princess is torn between love and duty in this prequel to SyFy.com's wildly popular Webisodes. ""Game of Thrones"-lite powered by steam."N"Kirkus Reviews.
An engrossing and fast-paced thriller that explores the secret history of the twentieth century -- and the rise of the conqueror known as Khan. Even centuries later, the final decades of the twentieth century are still regarded -- by those who know the truth of what really happened -- as one of the darkest and most perilous chapters in the history of humanity. Now, as an ancient and forbidden technology tempts mankind once more, Captain James T. Kirk of the Starship Enterpriseā¢ must probe deep into the secrets of the past, to discover the true origins of the dreaded Eugenics Wars -- and of perhaps the greatest foe he has ever faced. 1974 A.D. An international consortium of the world's top scientists have conspired to create the Chrysalis Project, a top-secret experiment in human genetic engineering. The project's goal is nothing less than the creation of a new, artificially improved breed of men and women: smarter, faster, stronger than ordinary human beings, a super-race to take command of the entire planet. Gary Seven, an undercover operative for an advanced alien species, is alarmed by the project's objectives; he knows too well the apocalyptic consequences of genetic manipulation. With his trusted agents, Roberta Lincoln and the mysterious Isis, he will risk life and limb to uncover Chrysalis' insidious designs and neutralize the awesome threat that the Project poses to the future. But he may already be too late. One generation of super-humans has already been conceived. As the years go by, Seven watches with growing concern as the children of Chrysalis -- in particular, a brilliant youth named Khan Noonien Singh -- grow to adulthood. Can Khan's dark destiny be averted -- or is Earth doomed to fight a global battle for supremacy?
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.