Trump/Russia is the greatest political scandal in American history. It's also the most complex. In this remarkable and necessary work, novelist Greg Olear weaves the loose threads of Trump/Russia into a short, easy-to-follow narrative. Dirty Rubles is an ideal primer for those new to the story, a useful review for those already in the know, and a guidebook for the agnostic #MAGA fan--a compelling overview of Trump/Russia that every American should read.
“All kinds of funny—raucously, wickedly, sweetly, saucily, surprisingly, profanely funny…a wonderful novel.” —Jess Walter, author of The Financial Lives of the Poets “Deft and funny, true and real. If you read one book this year, read this one.” —Molly Jong-Fast, author of The Social Climber’s Handbook Senior editor at the online literary magazine The Nervous Breakdown and author of Totally Killer, author Greg Olear brings us a not-so-typical day in the life of stay-at-home dad Josh Lansky, juggling myriad fatherly responsibilities while dealing with the maddening realization that his away-on-business wife just might be having an affair. Fathermucker is a sweet, heartrending, often hilarious look at family life from the dad’s perspective that Nick Hornby fans will most certainly respond to. As Jessica Anne Blau, author of Drinking Closer to Home and The Summer of Naked Swim Parties so insightfully points out, “Only a writer with the verve, daring, and great talent of Greg Olear could pull off a novel that deals with sippy cups, masturbation, autism spectrum disorder, affairs, and play-dates all at once.”
A day in the life of a dad on the brink: Josh Lansky—second-rate screenwriter, fledgling freelancer, and stay-at-home dad of two preschoolers—has held everything together while his wife is away on business . . . until this morning’s playdate, when he finds out through the mommy grapevine that she might be having an affair. What Josh needs is a break. He’s not going to get one.
This book follows the recent ‘turn to religion’ that has been so important to English Studies in the 21st century, and builds on many of the recent biographies of Shakespeare that have explored the playwright’s religious views. While noticing biography, the focus of this book is upon the onstage action of King Lear, arguing that its ‘theodicy’ can be understood as the expansion of theological vision. The book makes this argument by drawing on an approach to literature known as ‘theological aesthetics,’ an approach pioneered by Hans Urs Von Balthasar. Engaging with not only W.R. Elton, but also other Shakespeare scholars such as Jan Kott and Kenneth Muir, it combines theological argument, performance criticism, and dramatic analysis to argue for a theological reading of King Lear.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.