In this timely book, Robert Jay Lifton and Greg Mitchell investigate the mindsets of individuals involved in the death penalty -- including prison wardens, prosecutors, jurors, religious figures, governors, judges, and relatives of murder victims -- and offer a textured look at a system that perpetuates the longstanding American habit of violence. Richly rewarding and meticulously researched, Who Owns Death? explores the history of the death penalty in the United States, from hanging to lethal injection, and considers what this search for more "humane" executions reveals about us as individuals and as a society... and what the future of the death penalty holds for us all.
It's a classic American rite of passage. It's Little League® baseball...and coaching his son's team gave one father a profound and hilarious perspective on the suburban field of dreams. Managing his son's wildly unpredictable Little League through two nail-biting seasons and a dramatic playoff showdown, Greg Mitchell (who once played baseball with Bruce Springsteen) learned as much about baseball as he did about today's kids, about parenting -- and about adult involvement in a game played by and meant for kids. With humor and wisdom, Mitchell captures a colorful cast of characters, outrageous anecdotes, and the pleasures and pitfalls faced by players and their coaches. Commenting on timely issues -- the phenomenon of "Little League rage" and the role of youth sports in our electronic age -- Mitchell scores with a memorable protrait of a father-son experience like no other.
Everyone must choose a side. In the aftermath of Dras Weldon's stand against the Strange Man, Dras's older brother, Jeff, discovers that the demon's arrival in Greensboro did not come as a surprise to everyone. Consumed by guilt, Jeff embarks on a crusade to expose the town's secrets. As he works to unravel the treachery that exists among the people he once trusted, his thirst for vengeance leads him down a dangerous path as his moral lines begin to blur and his obsession pushes away those closest to him. Meanwhile, the Strange Man grows closer to claiming Rosalyn for his own evil designs. The Dark Hour is coming to this small town, and the battle lines have been drawn. In the end, lives will be lost, relationships tested, and perceptions altered, as everyone must take a stand and choose how they will face the coming evil. Enemies of the Cross is the second act of a trilogy that depicts a world where monsters are real and simple men and women must overcome their doubts and fears in order to stand against the unspeakable creatures of the night.
Mitchell, editor of "Editor & Publisher" and noted press critic, offers his assessment of how well the media has--and has not--covered the war in Iraq.
A study of the events surrounding the Hiroshima bombing focuses on its affects in America, considering the cover-up efforts by the government and linking the bombing to current insensitivities toward violence.
Raiders are terrorizing the buffalo range, wiping out hunters' camps. 'Notso' Wise, a former Texas Ranger, is recruited to bring the thieves to justice. Doubts exist that the local lawmen are pursuing the raiders with sufficient vigour, and Notso doubts he has the subtlety the job requires. The raiders are led by Jim Hardiman, a ruthless villain who uses a network of informers, backed up by cold-blooded murder. Has Notso got what it takes to bring him down?
A thrilling Cold War narrative of superpower showdowns, media suppression, and two escape tunnels beneath the Berlin Wall. In the summer of 1962, the year after the rise of the Berlin Wall, a group of young West Germans risked prison, Stasi torture, and even death to liberate friends, lovers, and strangers in East Berlin by digging tunnels under the Wall. Then two U.S. television networks heard about the secret projects and raced to be first to document them from the inside. NBC and CBS funded two separate tunnels in return for the right to film the escapes, planning spectacular prime-time specials. President John F. Kennedy, however, was wary of anything that might spark a confrontation with the Soviets, having said, “A wall is better than a war,” and even confessing to Secretary of State Dean Rusk, “We don’t care about East Berlin.” JFK approved unprecedented maneuvers to quash both documentaries, testing the limits of a free press in an era of escalating nuclear tensions. As Greg Mitchell’s riveting narrative unfolds, we meet extraordinary characters: the legendary cyclist who became East Germany’s top target for arrest; the Stasi informer who betrays the “CBS tunnel”; the American student who aided the escapes; an engineer who would later help build the tunnel under the English channel; and the young East Berliner who fled with her baby, then married one of the tunnelers. The Tunnels captures the chilling reach of the Stasi secret police as U.S. networks prepared to “pay for play” but were willing to cave to official pressure, the White House was eager to suppress historic coverage, and ordinary people in dire circumstances became subversive. The Tunnels is breaking history, a propulsive read whose themes still reverberate.
Twenty-two and unemployed, Dras Weldon is content to hide in the shadow of adolescence with his horror movies and comic books. But when a demonic stranger begins threatening his friends, Dras must choose to act or lose his best friend forever.
The shocking and significant story of how the White House and Pentagon scuttled an epic Hollywood production. Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged. Greg Mitchell’s The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood). Mitchell has found his way into the lofty rooms, from Washington to California, where it happened, unearthing hundreds of letters and dozens of scripts that show how wise intentions were compromised in favor of defending the use of the bomb and the imperatives of postwar politics. As in his acclaimed Cold War true-life thriller The Tunnels, he exposes how our implacable American myth-making mechanisms distort our history.
Demonologist Greg Mitchell has discovered a secret from his father's past, a secret that not only sheds light on their strained relationship but on the path he has found himself upon, caught between Heaven, Hell, and all points between.Turning to his former mentor, Dr. Landon Connors, Mitchell and the infamous occult detective seek out Hallowe'en House, a legendary transdimensional nexus that bristles with unfathomable eldritch energies.But they're not the only ones who have come seeking out Hallowe'en House.
A story is told of a dark force as old as history and as strong as desire, which humanity has tried to either defeat or befriend. Yet this power has no intention of being tamed, for it wants nothing less than to destroy us. Who or what is this evil that threatens our very existence? It is self-centeredness. It is what global warming, religious extremists, marital discord, criminal activity, and temper-tantrums all have in common; and no amount of negotiation or legislation will quiet its determination. The problem is: we have mixed feelings about self-centeredness. It makes us happy, yet it is the reason behind everything painful and ugly in us and in our world. What are we to do? It has so wrapped us in its clutches that strangling it feels like it would suffocate us. Its story has become our story. Gratefully, our story does not need to end in despair. There is another story, and it is about one who conquered this narcissism and established love in its place. It is a story that allows us to rethink our own life story. By thoroughly exploring God's story, iGod explores the relational crisis in which we find ourselves and outlines how we can find personal freedom, lasting peace, and eternal hope through Jesus Christ.
In his new book, which has gained national attention, award-winning author Greg Mitchell probes a turning point in U.S. history: the suppression of film footage, for decades, shot by a U.S. Army unit in Hiroshima and Nagasaki -- with staggering consequences even today. This is a detective story, and one of the last untold stories of World War II, and it has far-reaching impact. The shocking cover-up even extended to Hollywood -- with President Truman censoring an MGM film. Mitchell, co-author of the classic "Hiroshima in America" and eleven other books, now reveals the full story, based on new research, from the Truman Library to Nagasaki. Along the way the book tells the story of our "nuclear entrapment" -- from Hiroshima to Fukushima. David Friend of Vanity Fair calls it "a new work of revelatory scholarship and insight by Greg Mitchell that will speak to all of those concerned about the lessons of the nuclear age." "Atomic Cover-up" is also now available in an e-book edition here at Amazon. How did this cover-up happen? Why? And what did the two military officers, Daniel McGovern and Herbert Sussan, try to do about it, for decades? There was no WikiLeaks then to air the film. "Atomic Cover-up" answers all of these questions in a quick-paced but often surprising narrative. You can watch a trailer for the book, including some of the suppressed footage, here: http://bit.ly/r0AlZL Mitchell's classic Random House book "The Campaign of the Century" won the Goldsmith Book Prize and has just been published for the first time as an e-book. Robert Jay Lifton, author of "Death in Life" (winner of the National Book Award) and numerous other acclaimed books, writes: "Greg Mitchell has been a leading chronicler for many years of Hiroshima and Nagasaki, and American behavior toward them. Now he has written the first book devoted to the suppression of historic film footage shot by Japanese and Americans in the atomic cities in 1945 and 1946. He makes use of key interviews and documents to record an extremely important part of atomic bomb history that deserves far more attention today.
In their first-ever book, Mitchell Moffit and Greg Brown, the [guys] behind the wildly popular YouTube channel AsapSCIENCE, answer your burning questions, explaining the true science of how things work."--P. 4 of cover.
Outlaws are plaguing the Santa Rosa area and Marshal Tim Cleary is sent there to investigate the theft of military rifles. He joins forces with Sheriff Lou Braga in an attempt to break up the gang and to determine the fate of Red Baxter, the freight company driver moving the rifles.Diaz, a delusional Mexican goat herder, claims to have seen the bandit leader and believes him to be the Devil.Now the two lawmen must try to decipher Diaz's terrified ravings and weave their way through false trails and desperate situations before they finally track unmask the Devil and bring retribution.
The end is here. Swayed by the demonic Strange Man, the townspeople have sacrificed their freedom for prosperity. Monsters lurk in every shadow and the few who oppose the new regime have been chased out of town, forced to wage their war in hiding. For ex-reverend Jeff Weldon and those under his care, it is a losing battle, but the tale begins to turn with the return of his brother Dras. Dras arrives at his hometown to find it has descended into darkness - but the worst is yet to come. The Strange Man's final plan is falling into place and the Dark Hour is close at hand. Dras, Jeff, and the last of Greensboro's protectors work frantically to unlicj the Strange Man's secrets and uncover the key to stopping the Dark Hour before all is lost. But when Dras discovers the fate of his best friend, Rosalyn Myers, he will realize that he has more to lose in this battle than he ever imagined. Dark Hour is the explosive final act in The Coming Evil Trilogy. All bets are off as the remnant of light clash with the armies of darkness. The final fates of Jeff, Isabella, Dras, and Rosalyn, along with all of Greensboro, will be decided in a desperate last stand.
There are plenty of books available for drummers and bassists separately, but few cater to the needs of these players as a unit. Get Locked fills that void by covering all the tools needed to become a solid rhythm section.
Military deserters rob a mail contractor and leave him to the mercy of Apache raiders in a remote corner of Arizona. The contractor's brother, Luke Adison, vows to track down those responsible. Soon the tables turn, however, as Luke is captured by the deserters. Will he manage to escape and avenge his brother - or will he learn the true secret behind the sinisterly named Murdering Wells?
Mickey Dole's gang have broken jail, killing and plundering in their bid for freedom and ranch-hand, Clem Shaw, joins a posse that includes a devious bounty-hunter and a reluctant lawman. As the hunt progresses, Clem realises that not all his enemies are in the fugitive gang which is now divided amongst itself.
The stagecoach run from Muddy Creek to Holford should have been an easy one. But since one of the passengers is being hunted by a Mexican revolutionary colonel who was swindled in an arms deal, things are unlikely to be that simple.
Jim and Barney are hot on the trail of a thief when they arrive at White Rock but they soon find themselves drawn into the mysterious community, which is claimed by white gold-seekers. Then, a dying renegade tells them the story of Crooked Foot's gold and the pair find themselves being hunted down without knowing why.
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