World Cities and Nation States takes a global perspective to show how national governments and states/provinces/regions continue to play a decisive, and often positive, partnership role with world cities. The 16 chapter book – comprised of two introductory chapters, 12 central chapters that draw on case studies, and two summary chapters - draws on over 40 interviews with national ministers, city government officials, business leaders and expert academics.
This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.
This text is one of the first introductory guides to the field of literary ecological criticism. It is the ideal handbook for all students new to the disciplines of literature and environment studies, ecology and green studies.
Power, pageantry, and pride Queen Victoria ruled the most powerful empire the world has ever seen, covering one fourth of the earth's land surface, reigning over subjects on every continent, and exercising undisputed mastery of the oceans in between. She was the "Grandmother of Europe," with descendants occupying the thrones of half a dozen nations, and more to come. The very era in which she lived already bore her name. In June 1897, her proud and prosperous nation marked her sixtieth year on the throne of England with the most lavish display of pomp, circumstance, wealth, and affection in its history. Twilight of Splendor presents a breathtaking portrait of a sovereign and her empire at the height of their global power. Focusing on the spectacle of Queen Victoria's Diamond Jubilee, it combines a thrilling account of that massive celebration with an intimate exploration of Victoria's world--her splendid palaces and possessions, the grand banquets and balls she hosted, her immense wealth, the politicians and courtiers who did her bidding, her confidence and assertiveness as a ruler, her surprising personal humility, and her perpetual state of mourning for her beloved husband, Prince Albert. Based on hundreds of published and unpublished sources from the period, including Queen Victoria's private correspondence and personal journals, Twilight of Splendor is must reading for Anglophiles, Victorian-history buffs, and anyone interested in the golden age of monarchy. * The first book to portray the queen and her court in the last years of her reign * Contrasts the queen's private and public images in her efforts to solidify the monarchy * Exposes the queen's difficult relations with her children * Explores the queen's relationship with her extended European royal relatives * Draws together for the first time hundreds of disparate sources * Includes a number of rare photographs complementing the text
“A sympathetic and believable portrait” of the American woman for whom King Edward VIII gave up the throne, with photos included (Christian Science Monitor). A woman's life can really be a succession of lives, each revolving around some emotionally compelling situation or challenge, and each marked off by some intense experience. It was the love story of the century—the king and the commoner. In December 1936, King Edward VIII abdicated the throne to marry “the woman I love,” Wallis Warfield Simpson, a twice-divorced American who quickly became one of the twentieth century's most famous personalities, a figure of intrigue and mystery, both admired and reviled. Wrongly blamed for the abdication crisis, Wallis suffered hostility from the Royal Family and much of the world. Yet interest in her story has remained constant, resulting in a small library of biographies that convey a thinly veiled animosity toward their subject. The truth, however, is infinitely more fascinating than the shallow, pathetic portrait that has often been painted. Using previously untapped sources, acclaimed biographer Greg King presents a complete and, for the first time, sympathetic portrait of the Duchess that sifts the decades of rumor and accusation to reveal the woman behind the legend. From her birth in Pennsylvania during the Gilded Age to her death in Paris in 1986, King takes the reader through a world of privilege, palaces, high society, and love with the accompaniment of hatreds, feuds, conspiracies, and lies. The cast of characters is vast: politicians and presidents, dictators and socialites. Twenty-four pages of photographs reveal the life of the Duchess in all its incomparable glamour and romance. “A wide, absurd cast of characters—led by the British royal family . . . Wallis’ lavish decorati
Globalization is irreversible and irresistible.' Tony Blair This book gives the lie to that claim. Economic globalization has never been an inevitable part of human history. It is eminently reversible and hugely resistible. Greg Buckman argues there are two broad approaches within the anti-globalization movement. One, perhaps the most widely supported and influential strand today, calls the Fair Trade and Back to Bretton Woods school. This argues for immediate reforms of the world's trading system, capital markets, and global institutions, notably the World Bank, IMF and WTO. The other, the Localization school, takes a more root and branch position and argues for the abolition of these institutions and outright reversal of globalization. Buckman explains the details of each school's outlook and proposals, their weaknesses, where they disagree, their common ground, and where they might come together in campaigns. This book gives the lie to the claim that globalization is 'irreversible and irresistible'. Greg Buckman argues there are two broad approaches within the anti-globalization movement, explaining the details of each school's outlook, their weaknesses, where they disagree, their common ground, and where they might come together in campaigns.
By the summer of 1943, the Third Reich’s fate seemed sealed. The combined might of Britain and the Commonwealth nations, the United States and the Soviet Union had made a Germany victory impossible. All that remained to decide was how the Allies should complete their victory. Would strategic bombing decide the outcome or would ground and air forces working together play the more significant role? Greg Baughen follows the air and land battles in Italy, France and Germany between 1943 and early 1944, as well as the equally bitter battles behind the scenes as army and air commanders debated and argued over how the war should be won. He charts the trials, tribulations, and successes of the bomber offensive and assesses whether, in the final analysis, the bomber strategy shortened or lengthened the war. He explains how army air support went backwards after the successes of the Desert Air Force, and how this led to a failure to support the troops landing on the D-Day beaches in Normandy. He also describes the subsequent revival of tactical air support and how it went on to play a key role in the subsequent campaigns but questions whether Eisenhower, Montgomery or Tedder ever fully understood how to make best use of the massive aerial forces available to them. Drawing on archive documents and accounts written at the time, the author tackles some fundamental defense issues. Was RAF independence a benefit or a hindrance to the Allied cause? To what extent was the War Office to blame for shortcomings in army air support? Did Britain understand the way the methods for waging war were evolving in the twentieth century? He takes a look at how the Air Ministry was interpreting the lessons being learned during the war. Were the defense policies of the twenties and thirties still valid? Had they ever been valid? This, then, is the story of the decisions and actions that the RAF followed in the months leading up to D-Day and the Normandy landings.
Calvinist Conformity in Post-Reformation England is the first modern full-scale examination of the theology and life of the distinguished English Calvinist clergyman Daniel Featley (1582-1645). It explores Featley's career and thought through a comprehensive treatment of his two dozen published works and manuscripts and situates these works within their original historical context. A fascinating figure, Featley was the youngest of the translators behind the Authorized Version, a protégé of John Rainolds, a domestic chaplain for Archbishop George Abbot, and a minister of two churches. As a result of his sympathies with royalism and episcopacy, he endured two separate attacks on his life. Despite this, Featley was the only royalist Episcopalian figure who accepted his invitation to the Westminster Assembly. Three months into the Assembly, however, Featley was charged with being a royalist spy, was imprisoned by Parliament, and died shortly thereafter. While Featley is a central focus of the work, this study is more than a biography. It uses Featley's career to trace the fortunes of Calvinist conformists--those English Calvinists who were committed to the established Church and represented the Church's majority position between 1560 and the mid-1620s, before being marginalized by Laudians in the 1630s and puritans in the 1640s. It demonstrates how Featley's convictions were representative of the ideals and career of conformist Calvinism, explores the broader priorities and political maneuvers of English Calvinist conformists, and offers a more nuanced perspective on the priorities and political maneuvers of these figures and the politics of religion in post-Reformation England.
This updated, new edition of Introducing Cultural Studies provides a systematic and comprehensible introduction to the concepts, debates and latest research in the field. Reinforcing the interdisciplinary nature of Cultural Studies, the authors first guide the reader through cultural theory before branching out to examine different dimensions of culture in detail – including globalisation, the body, geography, fashion, and politics. Incorporating new scholarship and international examples, this new edition includes: New and improved 'Defining Concepts', 'Key Influences', 'Example ', and 'Spotlight' features that probe deeper into the most significant ideas, theorists and examples, ensuring you obtain an in-depth understanding of the subject. A brand new companion website featuring a flashcard glossary, web links, discussion and essay questions to stimulate independent study. A new-look text design with over 60 pictures and tables draws all these elements together in an attractive, accessible design that makes navigating the book, and the subject, simple and logical. Introducing Cultural Studies will be core reading for Cultural Studies undergraduates and postgraduates, as well as an illuminating guide for those on Communication and Media Studies, English, Sociology, and Social Studies courses looking for a clear overview of the field.
John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and - more importantly - religious doubt.
In addition to providing an accessible introduction to postcolonial theory, the authors explore the enormous potential which postcolonial art offers educators—a wealth of material to draw upon for any rethinking of the school curriculum. Some of the artists discussed in this groundbreaking volume include: African-American critic and writer James BaldwinTrinidadian intellectual and activist C. L. R. JamesNovelist Wilson Harris of GuyanaAfrican-American novelist and Nobel laureate Toni MorrisonThe painter Arnaldo Roche-Rabell of Puerto RicoThe Australian artist Gordon BennettThe Haitian–Puerto Rican–American artist Jean-Michel BasquiatPlus a look at popular "world musics" from around the globe. “A seminal, cutting-edge work.... These insights will radically transform the pedagogical practices that now define schooling and education on a global landscape.” —Norman K. Denzin, University of Illinois at Urbana-Champaign “A landmark volume…for undergraduate and graduate students alike.” —William F. Pinar, Louisiana State University “If ever a book registered important advances in our thinking about the relationship among culture, power, and education, this is it.” —Michael W. Apple, University of Wisconsin–Madison
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.
Cinema has the capacity to enflame our passions, to arouse our pity, to inspire our love. Feeling Film is a book that examines the emotional encounters found in contemporary popular cinema cultures. Examining melodrama, film noir, comic book franchises, cult indie movies and romantic comedy within the context of a Jungian-informed psychology and contemporary movements in film-philosophy, this book considers the various kinds of feelings engendered by our everyday engagements with cinema. Greg Singh questions the popular idea of what cinema is, and considers what happens during the anticipation and act of watching a movie, through to the act of sharing our feelings about them, the reviewing process and repeat-viewing practices. Feeling Film does this through a critique of purely textual approaches, instead offering a model which emphasises lived, warm (embodied and inhabited) psychological relationships between the viewer and the viewed. It extends the narrative action of cinema beyond the duration of the screening into realms of anticipation and afterlife, in particular providing insight into the tertiary and participatory practices afforded through rich media engagement. In rethinking the everyday, co-productive relationship between viewer and viewed from this perspective, Feeling Film reinstates the importance of feelings as a central concern for film theory. What emerges from this study is a re-engagement of the place of emotion, affect and feeling in film theory and criticism. In reconsidering the duration of the cinematic encounter, Feeling Film makes a significant contribution to the understanding of the inter-subjective relationship between viewer and viewed. It takes post-Jungian criticism into the realms of post-cinema technologies and reignites the dialogue between depth psychology and the study of images as they appear to, and for, us. This book will make essential reading for those interested in the relationship between film and aspects of depth psychology, film and philosophy students at advanced undergraduate and postgraduate levels, film and cinema academics and cinephiles.
* Analyses the process of cultural event development, management and marketing and links these processes to their wider cultural, social and economic context * Provides a unique blend of practical and academic analysis, with a selection of major festivals and cities where ‘the event' has had an important element of development strategy * Examines the reasons why different stakeholders should collaborate, as well as the reasons why partnerships succeed or fail
Trade, along with the free movement of capital, is at the heart of today's international economy. But international trade is an intensely political and contested subject. In this book, Greg Buckman details possible future directions in global energy supplies and balance-of-payments imbalances. He argues that, just as current trading arrangements have been the product of past decisions emerging out of apparently unrelated considerations, so factors like future fossil fuel costs, global warming, and the economic imbalances between North and South are likely to impel a radical reshaping of the WTO and the principles enshrined in its agreements as well as the global trading system in general. A key contribution to thinking about possible trade policy reforms are the reforms and alternatives - themselves not always agreed or sufficiently thought through -- advocated by the global justice movement. This book outlines these diverse proposals to make global trade more sustainable in some detail. This book has been written to be both informative and empowering. It is an important contribution to clearer thinking, more effective campaigning, and fundamental policy reform in the field of international trade.
While exploring the popular references to the term "Quality of Life," this book also compares the technical meanings in medicine, the social sciences and in economic and social planning. Methods of measuring quality of life in these and other fields are reviewed to draw out elements which enhance the others.
This book considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s,focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students andscholars of modernism, intermedia art and British literature.
Message Received brings together the most recent research findings of the Glasgow Media Group. It focuses on major public issues such as the impact of fictional violence on children and media coverage of ethnic minorities, the developing world and disasters. It examines media representations of mental illness and public understanding of risks about this and about other areas such as health and food safety. The Group has also studied controversies in the media such as the BSE crisis and other major events such as the collapse of communism in Eastern Europe.
Popular film as a medium of communication, expression and storytelling has proved one of the most durable and fascinating cultural forms to emerge during the twentieth century, and has long been the object of debate, discussion and interpretation. Film After Jung provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience. This book includes: an introduction to film scholarship discussions of key Jungian concepts Post-Jungian film studies beyond film. It also considers the potential for post-Jungian contributions to film studies, and the ways in which these can help to enrich the lives of those undergoing clinical analysis. Film After Jung encourages students of film and psychology to explore the insights and experiences of everyday life that film has to offer by applying Post-Jungian concepts to film, image construction, narrative, and issues in cultural theory. It will enhance the film student’s knowledge of film engagement as well as introducing the Jungian analyst to previously unexplored traditions in film theory.
Alexander Korda's masterpiece "The Private Life of Henry VIII" was arguably the most important British film of the pre-war period and a phenomenal, critical and box-office success. Greg Walker's accessible and thoroughly researched book examines the film itself, its makers and its place in the cinematic and cultural history of the period. He examines Korda's subtle treatment of national and "international" identity, his representation of British history, use of modern stereotypes, and discusses the representation of gender and sexuality in the film, including that of Henry's wives and Laughton's award-winning central performance.
In a dramatically different tale of espionage and conspiracy in World War II, Shadow Warriors of World War II unveils the history of the courageous women who volunteered to work behind enemy lines. Sent into Nazi-occupied Europe by the United States' Office of Strategic Services (OSS) and Britain's Special Operations Executive (SOE), these women helped establish a web of resistance groups across the continent. Their heroism, initiative, and resourcefulness contributed to the Allied breakout of the Normandy beachheads and even infiltrated Nazi Germany at the height of the war, into the very heart of Hitler's citadel—Berlin. Young and daring, the female agents accepted that they could be captured, tortured, or killed, but others were always readied to take their place. Women of enormous cunning and strength of will, the Shadow Warriors' stories have remained largely untold until now.
Hunting for Empire offers a fresh cultural history of sport and imperialism. Greg Gillespie integrates critical perspectives from cultural studies, literary criticism, and cultural geography to analyze the themes of authorship, sport, science, and nature. In doing so he produces a unique theoretical lens through which to study nineteenth-century British big-game hunting and exploration narratives from the western interior of Rupert's Land. Sharply written and evocatively illustrated, Hunting for Empire will appeal to students and scholars of culture, sport, geography, and history, and to general readers interested in stories of hunting, empire, and the Canadian wilderness.
Seeking a broad reexamination of visual culture through the lenses of ecocriticism, environmental justice, and animal studies, this compendium offers a diverse range of art-historical criticism formulated within an ecological context. Picture Ecology brings together scholars whose contributions extend chronologically and geographically from 11th-century Chinese painting to contemporary photography of California wildfires. The book's 17 interdisciplinary essays provide a dynamic, cross-cultural approach to an increasingly vital area of study, emphasizing the environmental dimensions inherent in the content and materials of aesthetic objects. Picture Ecology provides valuable new approaches for considering works of art, in ways that are timely, intellectually stimulating, and universally significant.
The Ecology of Sulawesi is a comprehensive ecological survey of one of Indonesia's least populated and most diverse islands. It is hoped that it will prove useful to resource managers, ecologists, environmental scientists and local government personnel, and be enlightening to Sulawesi's inhabitants and visitors. Sulawesi is one of the least-known islands of Indonesia, and wise environmental management, including the proper assessment of environmental management, including the proper assessment of environmental impacts arising from development projects and other activities, is currently very difficult.
Lonely Planet: The world's number one travel guide publisher* Lonely Planet's England is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Ponder the mysteries of Stonehenge, visit Shakespeare's home town and take in a London show - all with your trusted travel companion. Get to the heart of England and begin your journey now! Inside Lonely Planet's England: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights provide a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, cuisine, politics Covers London, Newcastle, Lake District, Cumbria, Yorkshire, Manchester, Liverpool, Birmingham, Midlands, the Marches, Nottingham, Cambridge, East Anglia, Oxford, Cotswolds, Canterbury, Devon, Cornwall and more The Perfect Choice: Lonely Planet's England is our most comprehensive guide to England, and is perfect for discovering both popular and offbeat experiences. Looking for just the highlights? Check out Pocket London, Pocket Bath, Bristol & the Southwest, Pocket Oxford & the Cotswolds and Pocket The Lake District, our small, handy-sized guides featuring the top sights and attractions for a shorter visit or weekend away. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *Source: Nielsen BookScan: Australia, UK, USA, 5/2016-4/2017 eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
Created for map lovers by map lovers, this rich book explores the intriguing stories behind maps across history and illuminates how the art of cartography thrives today. In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps. This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.
A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists. Michael Powell and Emeric Pressburger are widely hailed as two of the greatest filmmakers in British cinema history. The release of their first movie, The Spy in Black, barely preceded the beginning of World War Two, and a number of their early masterworks, including The Life and Death of Colonel Blimp, A Canterbury Tale, and A Matter of Life and Death, were produced in the service of the war effort. Through exploring the relationship between art and propaganda, this book shows that Powell and Pressburger saw no contradiction between their aesthetic ambitions and their cinematic war work: propaganda imperatives were highly conducive to their objectives as both commercial cinema practitioners and artists. Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburger's wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with developing notions of what constitutes effective propaganda; to accomplished, and sometimes controversial, propagandists whose movies center upon Britain's relations with its enemies and allies; to filmmakers whose responsiveness to the propaganda requirements of the late war is matched by a focus, shared by the Ministry of Information, on what the post-war future would bring.
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