Greg Livingstone has spent a lifetime planting churches in Muslim communities and can testify to the life-changing power of the gospel in even the most unpromising circumstances. This is his autobiography. Unwanted at birth and born out of wedlock no-one would have considered that Greg Livingstone would become a pioneer in missions to unreached Muslim peoples. You've Got Libya charts his journey and his adventures. This first-hand narrative is full of compelling humor and self-depreciating honesty as Livingstone travels all over the world proclaiming the Gospel. The result is a page turning tour de force that urges the reader to pursue God unreservedly and to join with Him in the adventure of pursuing the lost. Greg's burden for the millions of Muslims who had no gospel witness amongst them led to the launching of Frontiers, a mission agency focusing exclusively on church planting amongst Muslim communities. Today, Frontiers is a movement of more than 1,000 field workers in nearly 50 countries.
A blueprint for church planting in Muslim cities anywhere in the world that is biblical and culturally appropriate. The experiences of 100 missionaries provide a guide to evangelizing and discipling.
In The Seeker's Bible, Greg Laurie introduces seekers to God and his Word. Readers will find answers to such questions as: “What is the meaning of life,” “What happens when I die,” and “Can I really know God?” The complete New Testament, in the New Living Translation and the easy-to-carry size makes The Seeker's Bible a great tool for introducing people to God.
This book clearly portrays that God`s primary purpose in giving us The Book of Acts is to show how He intends to fulfil His purposes in calling people whose hearts are attuned to be His apostles to `accomplish His purposes in our generation`. The Book of Acts is indeed Luke`s `earliest church history`. Luke`s story of the life of Christ, and now the growth of the Church, is meant to connect with the Old Testament story.
The story of Jesus Christ did not end at the cross. In fact, that was only the beginning. Why the Resurrection? explains the significance of Christ's resurrection and provides a resounding answer to the question of life after death. This book is a companion book to Why the Passion?
Greg Livingstone has spent a lifetime planting churches in Muslim communities and can testify to the life-changing power of the gospel in even the most unpromising circumstances. This is his autobiography. Unwanted at birth and born out of wedlock no-one would have considered that Greg Livingstone would become a pioneer in missions to unreached Muslim peoples. You've Got Libya charts his journey and his adventures. This first-hand narrative is full of compelling humor and self-depreciating honesty as Livingstone travels all over the world proclaiming the Gospel. The result is a page turning tour de force that urges the reader to pursue God unreservedly and to join with Him in the adventure of pursuing the lost. Greg's burden for the millions of Muslims who had no gospel witness amongst them led to the launching of Frontiers, a mission agency focusing exclusively on church planting amongst Muslim communities. Today, Frontiers is a movement of more than 1,000 field workers in nearly 50 countries.
This is a book about a big Old English Sheepdog who lives in my house and has certain ambitions. I talk to him and he with me. He comes up with these job ideas wearing hats of items of the job, ( ww1 helmet ). I listen and humorously try to talk him out of these dreams. A book for any animal lover and a easy read that can be put down and picked up at any time. The pictures are real as is Winston himself.
Greg du Toit recounts his fascinating life having spent decades as an African Wildlife Photographer, including incredible once-in-a-lifetime experiences like photographing lions from the middle of a watering hole. This memoir is a must for anyone who dreams of Africa. Packed with adrenalin-fuelled adventures, humour and true-life campfire tales, Wilderness Dreaming is an endearingly honest memoir of one photographer’s unforgettable quest for his own lost Africa. ‘Putting his heart, soul and camera on the line, writer and photographer Greg du Toit takes us deep into Africa’s wild places. You will cherish it!’ JENNY CRWYS-WILLIAMS ‘I often think about the wild life my grandfather lived. The dreams dancing across these pages will evoke the same nostalgia in my children.’ KIM WOLHUTER 'Wilderness Dreaming is a delightful read, full of adventure and pranks that remind me of my own youth. I found the passion of Greg du Toit in his pursuit of his great love of the outdoors quite extraordinary. This is not a coffee table book but a keeper for every bookshelf to tell the story of how life is in the bush.' Duncan N. Greg du Toit recounts his fascinating life having spent decades as an African Wildlife Photographer, including incredible once-in-a-lifetime experiences like photographing lions from the middle of a watering hole. This autobiography is a must for anyone who dreams of Africa. Extract from the book: The human mind is remarkable. In what I am certain are the final moments of my life, my mind draws me out of my body – out from the perilous situation I am in. Perhaps I am on my way to heaven and God is simply sparing me the pain of experiencing being torn apart? But no, all of a sudden my vertical travel stops – abruptly. It seems the lift has gotten stuck on its way up and has left me suspended, looking down at myself and my current precarious position, sitting in a waterhole, fearing for my life. Twelve months and 270 hours have culminated in this moment. Like Superman stuck to a flytrap, I hover above my waterhole. Arms outstretched and my legs spread-eagled, I watch my desperate attempt to escape being prey play out below me. Gazing down, I see the Great Rift Valley sprawled across Africa. In its vastness my waterhole is a mere puddle, with a barely perceptible dot in the middle of it. That dot is me. I am all alone and suffering the close attention of two lionesses, whose flattened ears and twitching tails speak volumes.
Greg du Toit recounts his fascinating life having spent decades as an African Wildlife Photographer, including incredible once-in-a-lifetime experiences like photographing lions from the middle of a watering hole. This memoir is a must for anyone who dreams of Africa. Packed with adrenalin-fuelled adventures, humour and true-life campfire tales, Wilderness Dreaming is an endearingly honest memoir of one photographer’s unforgettable quest for his own lost Africa. ‘Putting his heart, soul and camera on the line, writer and photographer Greg du Toit takes us deep into Africa’s wild places. You will cherish it!’ JENNY CRWYS-WILLIAMS ‘I often think about the wild life my grandfather lived. The dreams dancing across these pages will evoke the same nostalgia in my children.’ KIM WOLHUTER 'Wilderness Dreaming is a delightful read, full of adventure and pranks that remind me of my own youth. I found the passion of Greg du Toit in his pursuit of his great love of the outdoors quite extraordinary. This is not a coffee table book but a keeper for every bookshelf to tell the story of how life is in the bush.' Duncan N. Greg du Toit recounts his fascinating life having spent decades as an African Wildlife Photographer, including incredible once-in-a-lifetime experiences like photographing lions from the middle of a watering hole. This autobiography is a must for anyone who dreams of Africa. Extract from the book: The human mind is remarkable. In what I am certain are the final moments of my life, my mind draws me out of my body – out from the perilous situation I am in. Perhaps I am on my way to heaven and God is simply sparing me the pain of experiencing being torn apart? But no, all of a sudden my vertical travel stops – abruptly. It seems the lift has gotten stuck on its way up and has left me suspended, looking down at myself and my current precarious position, sitting in a waterhole, fearing for my life. Twelve months and 270 hours have culminated in this moment. Like Superman stuck to a flytrap, I hover above my waterhole. Arms outstretched and my legs spread-eagled, I watch my desperate attempt to escape being prey play out below me. Gazing down, I see the Great Rift Valley sprawled across Africa. In its vastness my waterhole is a mere puddle, with a barely perceptible dot in the middle of it. That dot is me. I am all alone and suffering the close attention of two lionesses, whose flattened ears and twitching tails speak volumes.
Pedagogy is often glossed as the ‘art and science of teaching’ but this focus typically ties it to the instructional practices of formalised schooling. Like the emerging work on ‘public pedagogies’, the notion of cultural pedagogies signals the importance of the pedagogic in realms other than institutionalised education, but goes beyond the notion of public pedagogies in two ways: it includes spaces which are not so public, and it includes an emphasis on material and non-human actors. This collection foregrounds this broader understanding of pedagogy by framing enquiry through a series of questions and across a range of settings. How, for example, are the processes of ‘teaching’ and ‘learning’ realised within and across the pedagogic processes specific to various social sites? What ensembles of people, things and practices are brought together in specific institutional and everyday settings to accomplish these processes? This collection brings together researchers whose work across the interdisciplinary nexus of cultural studies, sociology, media studies, education and museology offers significant insights into these ‘cultural pedagogies’ – the practices and relations through which cumulative changes in how we act, feel and think occur. Cultural Pedagogies and Human Conduct opens up debate across disciplines, theoretical perspectives and empirical foci to explore both what is pedagogical about culture and what is cultural about pedagogy.
After two decades of evolution and transformation, London had become one of the most open and cosmopolitan cities in the world. The success of the 2012 Olympics set a high water-mark in the visible success of the city, while its influence and soft power increased in the global systems of trade, capital, culture, knowledge, and communications. The Making of a World City: London 1991 - 2021 sets out in clear detail both the catalysts that have enabled London to succeed and also the qualities and underlying values that are at play: London's openness and self-confidence, its inventiveness, influence, and its entrepreneurial zeal. London’s organic, unplanned, incremental character, without a ruling design code or guiding master plan, proves to be more flexible than any planned city can be. Cities are high on national and regional agendas as we all try to understand the impact of global urbanisation and the re-urbanisation of the developed world. If we can explain London's successes and her remaining challenges, we can unlock a better understanding of how cities succeed.
With all our contemporary connectivity, are we really connected? What does the nature of connectivity tell us about interpersonal and community relationships? What ethical concerns are raised through an always-on culture? Communication in today’s world is characterised by a condition of persistent, semi-permanent connectivity, which seems to bring us closer together, but which can also be profoundly alienating. The Death of Web 2.0 takes a retrospective look at a moment in recent media history that has had, and will continue to have, a lasting impact upon the predominant attitude towards cultures of connectivity. Greg Singh draws from a range of approaches, intellectual traditions and scholarly disciplines to engage key questions underpinning the contemporary communications media ecosystem. Bringing together influences from communitarian ethics, recognition theory and relational and depth psychology, Singh synthesises key approaches to produce a critical inquiry that projects the tensions at the heart of connectivity as a principle of Web 2.0. He argues that Web 2.0 is a cultural moment that is truly over, and that what is popularly described as 'Web 2.0' is an altogether different set of principles and practices. The Death of Web 2.0 recognises the consequences of our 'always-on' culture, where judgments are made quickly and where impacts can be far-reaching, affecting our relationships, wellbeing, mental health and the health of our communities, and it concludes by asking what an ethics of connectivity would look like. This unique interdisciplinary work will be essential reading for academics and students of Jungian and post-Jungian studies, media and cultural studies and psychosocial studies as well as anyone interested in the social implications of new media.
High Dynamic Range Imaging, Second Edition, is an essential resource for anyone working with images, whether it is for computer graphics, film, video, photography, or lighting design. It describes HDRI technology in its entirety and covers a wide-range of topics, from capture devices to tone reproduction and image-based lighting. The techniques described enable students to produce images that have a dynamic range much closer to that found in the real world, leading to an unparalleled visual experience. This revised edition includes new chapters on High Dynamic Range Video Encoding, High Dynamic Range Image Encoding, and High Dynamic Range Display Devices. All existing chapters have been updated to reflect the current state-of-the-art technology. As both an introduction to the field and an authoritative technical reference, this book is essential for anyone working with images, whether in computer graphics, film, video, photography, or lighting design. New material includes chapters on High Dynamic Range Video Encoding, High Dynamic Range Image Encoding, and High Dynammic Range Display Devices Written by the inventors and initial implementors of High Dynamic Range Imaging Covers the basic concepts (including just enough about human vision to explain why HDR images are necessary), image capture, image encoding, file formats, display techniques, tone mapping for lower dynamic range display, and the use of HDR images and calculations in 3D rendering Range and depth of coverage is good for the knowledgeable researcher as well as those who are just starting to learn about High Dynamic Range imaging The prior edition of this book included a DVD-ROM. Files from the DVD-ROM can be accessed at: http://www.erikreinhard.com/hdr_2nd/index.html
Each of James Joyce's major works appeared in a year defined by armed conflict in Ireland or continental Europe: Dubliners in 1914 at the outbreak of the First World War; A Portrait of the Artist as a Young Man in the same year as the 1916 Easter Rising; Ulysses in February 1922, two months after the Anglo-Irish Treaty and a few months before the outbreak of the Irish Civil War; and Finnegans Wake in 1939, as Joyce complained that the German army's westward advances upstaged the novel's release. In Joyce and Militarism, Greg Winston considers these masterworks in light of the longstanding shadows that military culture and ideology cast over the society in which the writer lived and wrote. The first book-length study of its kind, this articulate volume offers original and interesting insights into Joyce's response to the military presence in everything from education and athletics to prostitution and public space.
The concept of heritage relates to the ways in which contemporary society uses the past as a social, political or economic resource. However, heritage is open to interpretation and its value may be perceived from differing perspectives - often reflecting divisions in society. Moreover, the schism between the cultural and economic uses of heritage also gives rise to potential conflicts of interest. Examining these issues in depth, this book is the first sustained attempt to integrate the study of heritage into contemporary human geography. It is structured around three themes: the diversity of use and consumption of heritage as a multi-sold cultural and economic resource; the conflicts and tensions arising from this multiplicity of uses, producers and consumers; and the relationship between heritage and identity at a variety of scales.
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