With a rugged coast and more than four thousand offshore islands, Maine's dark waters attracted sea raiders like Dixie Bull from the 1600s through colonial times. Pirate treasure still awaits discovery in Phippsburg and Machias, and pirate deceit prompted a massacre in ancient Fort Loyall. The infamous Captain Kidd may have prowled the waters off Deer Isle, while farther down the coast a woman and a bloodthirsty band of cutthroats lured ships to disaster at Isles of Shoals."--Supplied by publisher
The pine-forested rocky coast from Boothbay to Southport hides dark mysteries and eerie haunts. Meet the ghosts of Mainers past who just could not leave this picturesque shore life, even in death. The soul of a lighthouse keeper's wife seems to linger on Burnt Island. The spirits of the Opera House remain hidden behind the curtain but come out to play when the living are away. One local might even have returned from the grave to greet his neighbors on a brisk spring afternoon. Investigative reporter Greg Latimer takes a journey to the Boothbay region's haunted side, where the ethereal residents are unrestrained by mortal bonds.
Volume three of the official history of Canada's Department of External Affairs offers readers an unparalleled look at the evolving structures underpinning Canadian foreign policy from 1968 to 1984. Using untapped archival sources and extensive interviews with top-level officials and ministers, the volume presents a frank "insider's view" of work in the Department, its key personalities, and its role in making Canada's foreign policy. In doing so, the volume presents novel perspectives on Prime Minister Pierre Trudeau and the country's responses to the era's most important international challenges. These include the October Crisis of 1970, recognition of Communist China, UN peacekeeping, decolonization and the North-South dialogue, the Middle East and the Iran Hostage crisis, and the ever-dangerous Cold War.
For Peter James McDonough, life is simple. He is wealthy, smart and a speed freak. He pushes the envelope but never loses control. Then one day, shots ring out, shattering the tense rhythm of a sailboat race on San Francisco Bay. PJ and his crew suddenly find themselves targets in a game played by international drug smugglers and killers. Their lives will be changed forever, if they can survive. Using high tech boats, aircraft and weapons, the crew must confront a Colombian drug lord, the depths of contemporary criminal greed and cruelty, and the edges of friendship, teamwork and courage. Along the way, PJ’s growing romance with the exotic Kathryn reveals mystical connections to ancient Indian beliefs that connect her past and his future. A roller coaster adventure, a love story and a high-tech speed read, Crew will capture your imagination and keep you up late turning pages. Who has your six in the heart of danger? Your Crew, that’s who!
Why are people confused about Christianity? Why do Christians themselves struggle with disappointment while society at large is so adverse to the teachings of the faith? If the Angelic Postman Never Knocks on My Door cuts through the dark clouds of confusion in the public square and suggests this confusion is largely because Christians themselves have lost their own message and, with it, their true identity. A large chunk of the church, unfaithful and backslidden, is declining rapidly. Desperate to reverse the trend, it dabbles in heresy and apostasy as it seeks to accommodate a fallen, corrupt, and broken world that is at best indifferent but which too often responds with militant intolerance. The result is that the light of the church is fading while the surrounding world darkens. Against this backdrop flows the free prose of this lucid monologue. Greg Obong-Oshotse’s collection is a first-person reflection on what Christian commitment looks like to a true disciple of Christ. It is unashamed of the gospel, unperturbed by political correctness, and relentlessly Biblical. Ask yourself: are you near to God or far away from Him? Are you a true or false disciple? This book will take your measurement.
A detailed study of the interaction between drama and politics in the reign of Henry VIII. The subject is addressed both in general terms and through a series of case-studies of individual early Tudor plays. Through its innovative use of dramatic texts as historical source material, the book provides illuminating insights into the political and cultural history of the Henrician period, and into the perceived character of the King himself. It focuses on the troubled religious and political history of the reign, the culture of the Court, and the personality and governmental style of its head. In doing so the book argues for a reassessment of the reign, which places the King once more at the centre of affairs, and acknowledges the determining effect which this egotistical, charismatic but, above all, pragmatic monarch exercised on the artistic culture, as much as on the politics, of the Court. The book also demonstrates the close and specific links between the drama and the politics of the reign, through a detailed study of a number of key works, links which have hitherto been viewed only as general or peripheral.
The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories of the Nebula Awards, voted on by the members of the Science Fiction and Fantasy Writers of America (SFWA). The editor, selected by SFWA’s anthology Committee (chaired by Mike Resnick), is American science fiction and fantasy writer Greg Bear, author of over thirty novels, including the Nebula Award-winning Darwin’s Radio and Moving Mars. This year’s volume includes the winners of the Andre Norton, Damon Knight Memorial Grand Master, Rhysling, and Dwarf Stars Awards, as well as the Nebula Award winners, and features Ann Leckie, Nalo Hopkinson, Rachel Swirsky, Aliette de Bodard, and Vylar Kaftan, with additional articles and poems by authors such as Robin Wayne Bailey, Samuel R. Delany, Terry A. Garey, Deborah P Kolodji, and Andrew Robert Sutton.
Songwriter's Market is packed with insider information about the music industry that can spell the difference between success and failure. You'll find support and encouragement through listings for support organizations, online resources, as well as articles and interviews with industry insiders. With completely updated listings for music publishers, record companies, managers, booking agents, and record producers, as well as information about how the music industry works and how to protect yourself from the scam artists of the industry, this helpful guide is every musician's best friend.
An extraordinary novel of three people caught up in the turmoil of the late eighteenth century, their lives intertwined in an age of war and revolution Bedlam's eighteenth-century London is a city teetering between darkness and light, struggling to find its way to a more just and humane future. But in its darkest corners, where noblemen, pickpockets, royalists, and republicans jostle one another for power and where corruption is all in a day's work, Greg Hollingshead finds humanity, truth, decency, and forgiveness. Conspiracies, plots, and paranoia sweep across England in the aftermath of the French Revolution, landing James Tilly Matthews in Bethlem Hospital, a notorious, crumbling home for the insane. Although he is clearly delusional, Matthews appears to be incarcerated for political reasons. Margaret, his beloved wife, spends years trying to free her often lucid husband, but she is repeatedly blocked by her chief adversary, John Haslam, Bethlem's apothecary and chief administrator. Haslam, torn between his conscience and a desire to further his career through studying his increasingly famous patient, becomes another puppet in a game governed by shifting rules and shadowy players. Enlivened with wit and intellectual daring and written in prose that resonates with time and place, Bedlam sweeps the reader into a strange yet somehow recognizable world. From the enduring love of Matthews and his wife, to the despair of Bethlem's inmates, to the moral agonies of John Haslam, Greg Hollingshead's eye for rendering the human condition has never been finer. This is a novel that pulses with insight and compassion, in which imagination bridges the chasms between fantasy and reality, love and hate, and loss and reconciliation.
Songwriter's Market is packed with insider information about the music industry that can spell the difference between success and failure. You'll find support and encouragement through listings for support organizations, online resources, as well as articles and interviews with industry insiders. With completely updated listings for music publishers, record companies, managers, booking agents, and record producers, as well as information about how the music industry works and how to protect yourself from the scam artists of the industry, this helpful guide is every musician's best friend.
“This provocative, ambitious, and important book rewrites U.S. history, placing foundational leaders, unheralded prophets, insurgent social movements, pivotal judicial decisions, and central cultural values within an unfolding story of ongoing appeals to interracial mixing as a positive good. Deeply researched, deftly argued, and impressively able to move beyond the two categories of black and white, The United States of the United Races makes the mixed race movements of the recent past resonate with their many antecedents, showing the complex ways in which an emphasis on mixture has both deployed and destabilized racial categories.” —David Roediger, co-author of The Production of Difference Barack Obama’s historic presidency has re-inserted mixed race into the national conversation. While the troubled and pejorative history of racial amalgamation throughout U.S. history is a familiar story, The United States of the United Races reconsiders an understudied optimist tradition, one which has praised mixture as a means to create a new people, bring equality to all, and fulfill an American destiny. In this genealogy, Greg Carter re-envisions racial mixture as a vehicle for pride and a way for citizens to examine mixed America as a better America. Tracing the centuries-long conversation that began with Hector St. John de Crevecoeur’s Letters of an American Farmer in the 1780s through to the Mulitracial Movement of the 1990s and the debates surrounding racial categories on the U.S. Census in the twenty-first century, Greg Carter explores a broad range of documents and moments, unearthing a new narrative that locates hope in racial mixture. Carter traces the reception of the concept as it has evolved over the years, from and decade to decade and century to century, wherein even minor changes in individual attitudes have paved the way for major changes in public response. The United States of the United Races sweeps away an ugly element of U.S. history, replacing it with a new understanding of race in America. Greg Carter is Assistant Professor of History at the University of Wisconsin-Milwaukee.
Captain Bligh and the mutiny on the Bounty have become proverbial in their capacity to evoke the extravagant and violent abuse of power. But William Bligh was one of the least violent disciplinarians in the British navy. It is this paradox which inspired Greg Dening to ask why the mutiny took place. His book explores the theatrical nature of what was enacted in the power-play on deck, on the beaches at Tahiti and in the murderous settlement at Pitcairn, on the altar stones and temples of sacrifice, and on the catheads from which men were hanged. Part of the key lies in the curious puzzle of Mr Bligh's bad language.
The purpose of economic evaluation is to inform decisions intended to improve healthcare. The new edition of Methods for the Economic Evaluation of Health Care Programmes equips the reader with the necessary tools and understanding required to undertake evaluations by providing an outline of key principles and a 'tool kit' based on the authors' own experiences of undertaking economic evaluations. Building on the strength of the previous edition, the accessible writing style ensures the text is key reading for the non-expert reader, as no prior knowledge of economics is required. The book employs a critical appraisal framework, which is useful both to researchers conducting studies and to decision-makers assessing them. Practical examples are provided throughout to aid learning and understanding. The book discusses the analytical and policy challenges that face health systems in seeking to allocate resources efficiently and fairly. New chapters include 'Principles of economic evaluation' and 'Making decisions in healthcare' which introduces the reader to core issues and questions about resource allocation, and provides an understanding of the fundamental principles which guide decision making. A key part of evidence-based decision making is the analysis of all the relevant evidence to make informed decisions and policy. The new chapter 'Identifying, synthesising and analysing evidence' highlights the importance of systematic review, and how and why these methods are used. As methods of analysis continue to develop, the chapter on 'Characterising, reporting and interpreting uncertainty' introduces the reader to recent methods of analysis and why characterizing uncertainty matters for health care decisions. The fourth edition of Methods for the Economic Evaluation of Health Care Programmes has been thoroughly revised and updated, making it essential reading for anyone commissioning, undertaking, or using economic evaluations in health care, including health service professionals, health economists, and health care decision makers.
John Heywood was an important literary and theatrical pioneer in his own right, but he is also a revealing lens through which to view the wider tumultuous history of the sixteenth century. He was, through the period from the mid-1520s to the 1560s, as near to a celebrity as Tudor England possessed, famed for his 'merry' persona and good humour. But his public image concealed a deeper engagement with religious and political history. Enduringly resistant to extremism, he variously entertained, counselled, and cautioned his readers and audiences through four reigns, finding himself, as regimes changed and religious policies shifted, successively celebrated, marginalised, anathematised, condemned to death, recuperated, and celebrated once more before finally retreating into exile on the Continent in 1564. He produced plays at the courts of Henry VIII, Edward VI, Mary and Elizabeth, performed and taught keyboard music, wrote lyric poetry and songs, and from the mid-sixteenth century turned to collecting and publishing highly successful volumes of proverbs and epigrams for which he was remembered well into the seventeenth century. Each of these works provides a subtle, often courageously critical engagement with the politics of its moment. To study Heywood's career takes us beyond the clich�s of popular history, beyond Shakespeare and the Elizabethan playhouses, beyond the canonical Henrician court poets and the writers of the Elizabethan 'Golden Age', beyond even the experiences of the century's chief ministers, intellectuals, and martyrs, to a theatrical and literary world less visible in the conventional sources. It opens a window on a culture in which the actions of monarchs, their councillors, and their victims were witnessed and reflected upon at one remove from the centres of power. And it allows us to re-examine the significance of an individual who deserves our attention, not only for his considerable artistic achievements, but also for the determination with which, often against the odds, he used his talents in pursuit of wider humanist cultural principles for over half a century.
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