Experience the wildlife of Texas, up-close and personal, through the eyes of one of the country’s most talented nature photographers. Where else can you look a coyote in the eye while it licks its chops? Spy the long tongue of a Nine-banded Armadillo as it drinks? Watch a rare Blue-faced Ringtail dragonfly eating its prey? Glimpse a Sanderling’s feet spread midair as it scurries down the beach? See an American White Pelican’s pouch turned inside-out as it yawns? Award-winning photographer Greg Lasley has been taking pictures of wildlife for thirty years, and although he has photographed some of the most exotic creatures and remote places on earth, in Greg Lasley’s Texas Wildlife Portraits he gives homage to his favorite place for photography: his home state. With more than a hundred stunning color photographs, this book reflects Lasley’s penchant for the state’s insect life, especially dragonflies, as well as his long affection for Texas birds. In addition, many hours of patient waiting or the happenstance of a chance encounter have yielded fine images of Texas mammals and reptiles in their habitats. Veteran Texas naturalists John and Gloria Tveten open the text with an introduction to the man behind the camera. From there, photographer’s comments and insightful photo captions help vividly re-create the moment each image was shot—what the animal was doing, what the photographer was thinking.
Experience the wildlife of Texas, up-close and personal, through the eyes of one of the country’s most talented nature photographers. Where else can you look a coyote in the eye while it licks its chops? Spy the long tongue of a Nine-banded Armadillo as it drinks? Watch a rare Blue-faced Ringtail dragonfly eating its prey? Glimpse a Sanderling’s feet spread midair as it scurries down the beach? See an American White Pelican’s pouch turned inside-out as it yawns? Award-winning photographer Greg Lasley has been taking pictures of wildlife for thirty years, and although he has photographed some of the most exotic creatures and remote places on earth, in Greg Lasley’s Texas Wildlife Portraits he gives homage to his favorite place for photography: his home state. With more than a hundred stunning color photographs, this book reflects Lasley’s penchant for the state’s insect life, especially dragonflies, as well as his long affection for Texas birds. In addition, many hours of patient waiting or the happenstance of a chance encounter have yielded fine images of Texas mammals and reptiles in their habitats. Veteran Texas naturalists John and Gloria Tveten open the text with an introduction to the man behind the camera. From there, photographer’s comments and insightful photo captions help vividly re-create the moment each image was shot—what the animal was doing, what the photographer was thinking.
Birds of North Texasis a 12-panel, folding, laminated, waterproof guide to the common and notable birds species of north Texas, including the Dallas and Fort Worth areas, south to about Waco and west toward Wichita Falls and other nearby areas. The guide is geared toward the beginning to intermediate bird watcher or nature observer and provides some of the basic information helpful to identify the 123 species covered. Each species is illustrated with a color photo, typically of a male, and contains basic information about the size of the bird, its habitat, identifying features and season to be expected. This handy guide will easily fit into a shirt pocket or glove compartment so you will always have the information with you.
Folklorist Wayland Hand once called Mary Alicia Owen “the most famous American Woman Folklorist of her time.” Drawing on primary sources, such as maps, census records, court documents, personal letters and periodicals, and the scholarship of others who have analyzed various components of Owen’s multifaceted career, historian Greg Olson offers the most complete account of her life and work to date. He also offers a critical look at some of the short stories Owen penned, sometimes under the name Julia Scott, and discusses how the experience she gained as a fiction writer helped lead her to a successful career in folklore. Olson begins with an in-depth look at St. Joseph, Missouri, the place where Owen lived most of her life. He explores the role that her grandparents and parents had in transforming the small trading village into one of the American West’s most exciting boomtowns. He also examines the family’s position of affluence and the effect that the devastation of the Civil War had on their family life and their standing within the community. He describes the interaction of Owen with her two younger sisters, both of whom had interesting and, for women of the time, unconventional careers. Olson analyzes many of the nineteenth-century theories, stereotypes, and popular beliefs that influenced the work of Owen and many of her peers. By taking a cross-disciplinary look at her works of fiction, poetry, folklore, history, and anthropology, this volume sheds new light on elements of Owen’s career that have not previously been discussed in print. Examples of the romance stories that Owen wrote for popular magazines in the 1880’s are identified and examined in the context of the time in which Owen wrote them. This groundbreaking biography shows that Owen was more than just a folklorist—she was a nineteenth-century woman of many contradictions. She was an independent woman of many interests who possessed a keen intellect and a genuine interest in people and their stories. Specialists in folklore, anthropology, women’s studies, local and regional history, and Missouriana will find much to like in this thoroughly researched study.
For some football teams, success is about never falling. For others, it is about always getting back up. When Messmer, a predominately black Milwaukee high school, and Shorewood, a white suburban high school, decided to field a joint football team, it tested more than just the players' football prowess. This is the story of that season of dreams. Although the team's won-loss record was dismal, the players gained much more through their understanding of people of another background and race.
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