Montana fisherman Greg Keeler tells a laugh-out-loud funny yet sardonically raw-to-the-bone memoir about a boy who gives himself over to his obsession with fish as an escape from the trials of growing up....
Trash Fish is the story of a boy who gives himself over to his obsession with fish as an escape from the trials of growing up. Time and again, as his life unfolds to reveal his failings and foibles to those around him, he returns to the fish, which cast him a lifeline of their own. Laugh–out–loud funny yet sardonically raw to the bone, Keeler tells a whole whirlpool of a story—the women, the Peace Corps, the teaching jobs, the marriage and children, and, of course, the rod and reel. Eventually, however, his serene fishing life becomes contaminated with real–world influences: a polite society of angling purists insists that he choose between flies and bait, while his alter ego (and nemesis) begins to use fishing as an excuse to cheat on his wife. Ultimately, Keeler's fisherman must acknowledge that he can't escape down the river bend, and that in order to experience true love, he must accept the complexities within himself and within the people on land around him.
While teaching English at Montana State University, Greg Keeler met Trout Fishing in America author Richard Brautigan in 1978, and opened a wildly memorable chapter in his own life. Having secluded himself on a 40-acre ranch in Paradise Valley, Montana, in the mid-1970s, Brautigan needed a friend with whom to talk and fish and carouse. Attracted like a moth to the flame, Keeler became that friend and confidant, driver and clumsy co-conspirator in a number of escapades on the trout streams and rivers, at bars and cafes, and along the back roads of Montana. Together they waltzed through many late nights, till Brautigan took his own life in Bolinas, California, in 1984. Twenty years after Brautigan's death, Greg Keeler recalls those times with haunting clarity. Waltzing with the Captain is darkly funny and poignant in its revealing portrait of an important contemporary American writer, and in its candid story of an often-tested and bumbling friendship between two poets."--P. [4] of cover.
Montana fisherman Greg Keeler tells a laugh-out-loud funny yet sardonically raw-to-the-bone memoir about a boy who gives himself over to his obsession with fish as an escape from the trials of growing up....
For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.
Greg Olson, author of David Lynch: Beautiful Dark, the essential book on Lynch' s life and art, has resided in the Twin Peaks region of the Northwest for decades, and David Lynch spent youthful years in the Northwest; both of their fathers were woodsmen. Lynch believes that the world hums with spirituality, and over a thirty-year span Lynch and Mark Frost created forty-eight hours of Twin Peaks TV and film, hypnotic cinematic music immersed in the depths and divine heights of human nature, an artistic song of the forest, America, the world, the cosmos. David Lynch is an international icon of visionary artistic innovation, humanistic thought and philanthropy, and spiritual exploration, and Twin Peaks: The Return is his magnum opus, a mytho-poetic summation of his deepest beliefs and concerns. Author Olson, in his characteristically intimate and personal way, traces the Twin Peaks currents of Lynch' s emotional-visceral storytelling, themes, imagery and sound: the way the artist and viewer share an electrified circuit of mystery and understanding. Olson details Lynch' s kinship with transcendence-seeking artists like William Blake, Walt Whitman, Jean Cocteau, Philip K. Dick and the post-World War II mystical Northwest painters. Small town values, coffee culture, the color pink, the Bible, Vedic literature, Marvel Comics Superheroes, and a Parisian camera crew wanting Olson to guide them throughTwin Peaks territory all make appearances. Olson' s chronicle includes personal interaction with Lynch, his colleagues, and the artist' s inner world of karmic balancing, reincarnation, spiritual evolution, and veneration of women. Twin Peaks centers on the abiding presence of a lost woman, Laura Palmer, the downward, then upward arc of her life, afterlife, and goddess potential. Olson. Lynch and Twin Peaks have been on parallel tracks for decades. Olson' s longtime love, Linda Bowers, died shortly before Twin Peaks: The Return aired, and his lived experience with Lynch' s art speaks to the healing power of artistic engagement.
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