This volume explores how postcolonial historical fiction can be a valuable resource for thinking about the prehistory of our present. It examines how novels from, and about, the Atlantic and Indian Ocean worlds present specific historical and oceanic instances of colonialism and highlights the continuities between the colonial era and our own.
American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold new reading of canonical modernism in the United States.
Murdering Masculinities offers a provocative new reading of crime fiction that changes the way we think about masculinity, psychoanalytic theory, and the potentials of popular fiction. Greg Forter contends that the American crime novel is a more aesthetically complex and politically progressive form than has generally been assumed. While there are many crime novels that celebrate male power and an invulnerable male self, he focuses on a subtradition that seeks instead to murder masculinity-to encourage male readers and characters alike to embrace desires for self-dissolution that conventional masculinity disavows as feminine.
American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold reading of canonical modernism in the United States.
Murdering Masculinities offers a provocative new reading of crime fiction that changes the way we think about masculinity, psychoanalytic theory, and the potentials of popular fiction. Greg Forter contends that the American crime novel is a more aesthetically complex and politically progressive form than has generally been assumed. While there are many crime novels that celebrate male power and an invulnerable male self, he focuses on a subtradition that seeks instead to murder masculinity-to encourage male readers and characters alike to embrace desires for self-dissolution that conventional masculinity disavows as feminine.
This bold and ambitious volume argues that postcolonial historical fiction offers readers valuable resources for thinking about history and the relationship between past and present. It shows how the genre's treatment of colonialism illustrates continuities between the colonial era and our own and how the genre distils from our colonial pasts the evanescent, utopian intimations of a properly postcolonial future. Critique and Utopia in Postcolonial Historical Fiction arrives at these insights by juxtaposing novels from the Atlantic world with books from the Indian subcontinent. Attending to the links across these regions, the volume develops luminous readings of novels by Patrick Chamoiseau, J. G. Farrell, Amitav Ghosh, Marlon James, Hari Kunzru, Toni Morrison, Marlene van Niekerk, Arundhati Roy, Kamila Shamsie, and Barry Unsworth. It shows how these works not only transform our understanding of the colonial past and the futures that might issue from it, but also contribute to pressing debates in postcolonial theory—debates about the politics of literary forms, the links between cycles of capital accumulation and the emergence of new genres, the meaning of 'working through' traumas in the postcolonial context, the relationship between colonial and panoptical power, the continued salience of hybridity and mimicry for the study of colonialism, and the tension between national liberation struggles and transnational forms of solidarity. Beautifully written and meticulously theorized, Critique and Utopia in Postcolonial Historical Fiction will be of interest to students of world literature, Marxist critics, postcolonial theorists, and thinkers of the utopian.
HUGO AWARD FINALIST • “WOW! What a splendid (scary) notion: a human upgrade! What a superb plot! Darwin's Radio is bloody damned good.”—Anne McCaffrey “Virus hunter” Christopher Dicken is a man on a mission, following a trail of rumors, government cover-ups, and dead bodies around the globe in search of a mysterious disease that strikes only pregnant women and invariably results in miscarriage. But when Dicken finds what he’s looking for, the answer proves to be stranger—and far deadlier—than he ever could have imagined. Something that has slept in human DNA for millions of years is waking up. Molecular biologist Kaye Lang has spent her career tracing ancient retroviruses in the human genome. She believes these microscopic fossils can come to life again. But when Dicken’s discovery becomes public, Lang’s theory suddenly turns to chilling fact. As the outbreak of this terrifying disease threatens to become a deadly epidemic, Dicken and Lang must race against time to assemble the pieces of a puzzle only they are equipped to solve—an evolutionary puzzle that will determine the future of the human race . . . if a future exists at all. Praise for Darwin’s Radio “Bear is one of our very best, and most innovative, speculative writers.”—New York Daily News “Superb . . . Bear's novel is frighteningly believable with a lot of clearly explained hard science, but the personal struggles of the well-realized characters keep everything on a human level.”—Focus “Bear is a writer of passionate vision.”—Locus “Darwin’s Radio scores a high rating on the thrill monitor.”—Birmingham Post (England) “Absorbing and ingenious.”—Kirkus Reviews
Trim Complete" covers those important finishing touches that give a house a one-of-a-kind personality: trim and modling. An expert carpenter, Greg Kossow presents a vibrantly visual guide that details every possible project, from the most basic baseboards, to the most complicated casings. He tackles real-world situations with authoritative advice, never failing to address how to solve problems when things do go wrong. The book's ingenious design makes it a snap to find the relevant information for each project and Kossow includes a crystal-clear table of contents. Plus, unlike most other books that only deal with basic carptnetry, "Trim Complete" includes hard-to-find advice on complex crown molding and making custom modling.
#1 New York Times bestselling author Greg Iles takes readers on a daringly executed roller-coaster ride as a family under attack takes justice into their own hands. It begins on a perfect night, with a perfect family about to be trapped in a perfect crime... Will Jennings is a successful young doctor in Jackson, Mississippi, with a thriving practice, a beautiful wife, and a five-year-old daughter he loves beyond measure. But Will and his family are being watched by a con man and psychopath who may be a genius. A man who has never been caught and whose victims have never talked to the police. A man whose life's work strikes at the heart of every family's unspoken fear: the unstoppable kidnapping. But this time he's picked the wrong family to terrorize. Because Will and Karen Jennings aren't going to watch helplessly as he victimizes them. They aren't going to let him get away with it. They're going to fight back...
The #1 New York Times bestselling author of the Penn Cage series explores the dangers of obsession in this gripping psychological thriller. John Waters is a successful businessman and a happy family man—but his life comes crashing down around him with one word from a beautiful stranger: “Soon.” Suddenly, he is face to face with a memory from his past—of an obsession that he thought he had escaped. One that now plunges him into the darkest side of love and passion... “This novel should come with a red wrapper marked DANGER: HIGH EXPLOSIVES.”—Stephen King
A must-have manual for finding your way back to an even more rocking you. Greg and his wife, Amiira, share their hilarious and helpful roadmap for getting past the heartache and back into the game. From Greg Behrendt, the co-author of the smash two-million copy bestseller He’s Just Not That Into You, comes It’s Called a Breakup Because It’s Broken. There’s no doubt about it—breakups suck. But in the first few hours or days or weeks that follow, there’s one important truth you need to recognize: Some things can’t and shouldn’t be fixed, especially that loser who dumped you or forced you to dump him. Starting right here, right now, it’s time to dry your tears, and open this book to Chapter One–and start turning your breakup into a breakover. The ultimate survival guide to getting over Mr. Wrong and reclaiming your inner Superfox. From how to put yourself through “he-tox,” to how to throw yourself a kick-ass pity party, and reframing reality— seeing the relationship for what it was. Complete with an essential workbook to help you put your emotions down on paper and heal.
Cheryl Crane's new mountain bike racing team takes a back seat to Will Ross's troubles with a crooked agent, $4.5 million stolen from the mob, and a relentless environmentalist.
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