. . . history is my passion. Writing it, teaching it, reading it fills the days and years of my life. In all passions, there is pain and pleasure.' Greg Dening In this collection of writings-some new, some previously published-Greg Dening reflects on his experiences both as a historian and a participant in history. Performances brings together the personal and the scholarly, demonstrating how our lives are saturated with history, how we can only understand our present through our consciousness of the past and how in thinking about the past we mirror the time and place of our own living. Each of these essays can be enjoyed on its own, yet throughout them all run the common themes of the intricate relationships between past and present, the personal and the political, historical research and the imagination. Dening writes with elegance and candour, inviting readers to reflect upon their own participation in the 'performance' of history.
Reading is a dance on the beaches of the mind, writes Greg Dening. His reading-dances are about the pain of cross-cultural encounters, of loomings beyond the horizons of discipline, gender and race, of the pleasures of a hundred texts. In Readings/Writings his aim is to cultivate our imaginations so that we might see further, understand more deeply and hear more acutely. This book opens with Dening's extraordinary piece, 'Memorial', a deeply moving reading of the Vietnam Veterans Memorial in Washington, DC. Dening's profound yet lucid reflections on the meanings contained in this stark, simple memorial set the tone for the book.
Captain Bligh and the mutiny on the Bounty have become proverbial in their capacity to evoke the extravagant and violent abuse of power. But William Bligh was one of the least violent disciplinarians in the British navy. It is this paradox which inspired Greg Dening to ask why the mutiny took place. His book explores the theatrical nature of what was enacted in the power-play on deck, on the beaches at Tahiti and in the murderous settlement at Pitcairn, on the altar stones and temples of sacrifice, and on the catheads from which men were hanged. Part of the key lies in the curious puzzle of Mr Bligh's bad language.
Two Parish Priests of North Sydney, Peter Quin SJ and Tony Smith SJ, helped in the collection of materials for this small celebration of the first Parish of the North Shore.
In this intriguing thing called Life, we encounter situations that cause us to act without using our conscious mind. These short stories are to help stimulate your mind, body and spirit. I want you to look at your life in a different way and learn from the mistakes I've made.
Captain Bligh and the mutiny on the Bounty have become proverbial in their capacity to evoke the extravagant and violent abuse of power. But William Bligh was one of the least violent disciplinarians in the British navy. It is this paradox which inspired Greg Dening to ask why the mutiny took place. His book explores the theatrical nature of what was enacted in the power-play on deck, on the beaches at Tahiti and in the murderous settlement at Pitcairn, on the altar stones and temples of sacrifice, and on the catheads from which men were hanged. Part of the key lies in the curious puzzle of Mr Bligh's bad language.
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