Grazia Deledda is one of the most important women writers of the twentieth century. Her depiction of the primitive and isolated communities of northern Sardinia in a perceptive, intense and individual style gained her the Nobel Prize for Literature in 1927. 'The interest in La Madre lies in the presentation of sheer instinctive life. The love of the priest for the woman is sheer instinctive passion, pure and undefiled by sentiment. The instinct of direct sex is so strong and so vivid, that only the bling instinct of mother obedience, the child instinct, can overcome it.' D. H. Lawrence ‘ Deledda’s talent for capturing the internal torment of her characters, and the inspired use of the dual perspective of Paul and his titular mother, saw her win the 1927 Nobel Literature Prize, and ensures the novella remains a compelling and refreshing read today.' Alex Payne in Buzz Magazine
The author interweaves into the novel leitmotifs of Sardinian folklore, health issues, banditry, illegitimacy, prostitution, and the social mores of the late nineteenth century with all the attendant public opprobrium.".
A novel of love and redemption by the Nobel-laureate Grazia Deledda. Set in the mountains of the Italian island of Sardinia, Deledda chronicles the decline of a once-prominent family. An adopted daughter tries to save them by murdering a wealthy relative only adding to their woes"--
The ancient traditions of Sardinia feature heavily in this early collection. The stories collected in The Queen of Darkness, published in 1902 shortly after Deledda’s marriage and move to Rome, reflect her transformation from little-known regional writer to an increasingly fêted and successful mainstream author. The two miniature psycho-dramas that open the collection are followed by stories of Sardinian life in the remote hills around her home town of Nuoro. The stark but beautiful countryside is a backdrop to the passions, misadventures and injustices which shape the lives of its rugged but all too human inhabitants. Graham Andersopn's translation was longlisted for The Women in Translation Prize.
A native of Sardinia, Grazia Deledda’s novels are mostly set in the rugged hills around her home town of Nuoro. Her characters reflect the difficult lives of people still constrained by ancient customs and practices. Her voice is powerful, her tone often sombre. But her wide-ranging talent had a sunnier side, revealed in many of her later works. The Christmas Present, first published in 1930, brings together a collection of folk tales, children’s stories and personal reminiscences that portray with humour and affection the lighter side of Sardinian life. This is a book that will charm and delight, opening a window on to the Sardinia of old and the formative influences on a Nobel laureate.
The struggles of both Marianna and Simone with their own consciences, with their nearest and dearest and with what they feel is most likely to make them happy are what this book is about and Deledda tells her story very well. We can sympathise with Marianna and Simone while recognising, even if not agreeing with the opposing view, even if this is set well over a hundred years ago in a society with different mores from ours.' John Alvey in The Modern Novel 'Richly imagined and uncompromising in its powerful descriptions, Marianna Sirca is an engrossing novel that vividly evokes a time and place far removed from the modern world. It left me curious to read more of Deledda’s extensive body of work.' Aneesa Abbas Higgins in The Riveter
Anche le burrasche sono buone per i poveri. Il mare, come un padrone rabbioso che impone alla serva di fare una buona pulizia alla casa, rigetta a terra tutti i detriti che non gli garbano: e questi rifiuti formano la ricchezza dei poveretti della spiaggia. Ecco, per esempio, il signor Milio, proprio il signor Milio in persona, antico proprietario di un piccolo cantiere, percorrere il lido quanto è lungo, dallo sbocco del fiume al molo, con un suo misterioso sacchetto, bianco come la fodera di un guanciale: e come un guanciale la foderetta si gonfia, ma di bitorzoli duri che sembrano davvero batuffoli di lana schiacciata. Ognuno di questi bitorzoli neri è costato un ripiegamento della sch...
The Church of Solitude tells the story of Maria Concezione, a young Sardinian seamstress living with breast cancer at the cusp of the twentieth century. Overwhelmed by the shame of her diagnosis, she decides that no one can know what has happened to her, but the heavy burden of this secrecy changes her life in dramatic ways and almost causes the destruction of several people in her life. This surprising novel paints the portrait of a woman facing the unknown with courage, faith, and self-reliance, and is the last and most autobiographical work of Grazia Deledda, who died of breast cancer in 1936, shortly after its publication. An afterword by the translator offers additional information on the author and examines the social and historical environment of that time.
With an Introduction by D.H. Lawrence. (Awarded the Nobel Prize 1928). An unusual book, both in its story and its setting in a remote Sardinian hill village, half civilised and superstitious. The action of the story takes place so rapidly and the actual drama is so interwoven with the mental conflict, and all so forced by circumstances, that it is almost Greek in its simple and inevitable tragedy.
Cosima" tells the story of an aspiring writer growing up in Nuoro, Sardinia during the last decades of the nineteenth century when formal education for women was rare and literary careers unheard-of. Based on Deledda's own life, the work describes a young woman's struggle against the dismay and disapproval of her family and friends at her creative ambitions. Yet it also reads like a charming fable with details of family life, rural traditions and wild bandits, and it is as much a novel of memory as of character or action. Deledda's characters are poor country folk driven by some predetermined force. Their loves are tragic, their lives as hard and as rigidly controlled as nature itself in the hills of Sardinia. Deledda creates memorable figures who play out their lives against this backdrop of mountains and bare plains, sheepfolds and vineyards. Shimmering in the distance is the sea and escape - for a few - to the Continent or America. In 1926 Grazia Deledda became the second woman and the second Italian to receive the Nobel Prize for Literature. She wrote thirty-three novels, including "Reeds in the Wind," and many books of short stories, almost all set on Sardinia. Her work has become well known to English-speaking readers through Martha King's translations for Italica Press.
Marianna on 30-vuotias sardinialainen nainen, joka ei suostu järjestettyyn avioliittoon ja perinteiseen elämään. Kun hän rakastuu nuorempaan Simone Soleen, joka on kaiken lisäksi pulassa lain kanssa, skandaalin ainekset ovat kasassa. Italialaisen Grazia Deleddan Marianna vuodelta 1915 on kuvaus sardinialaisten arvoista sekä epätavallinen rakkaustarina, joka sotii perheen vaikutusvaltaa vastaan. Grazia Deledda (1871–1936) oli italialainen kirjailija, jolle myönnettiin Nobelin kirjallisuuspalkinto vuonna 1926. Deleddan ihmisyyden teemoja käsittelevät teokset sijoittuvat usein kirjailijan kotiseudulle Sardiniaan. Hänen tunnetuimpia teoksia ovat muun muassa Marianna (1915) ja Äiti (1920).
Deledda (1871-1936) was a Sardinian-born author who received the Nobel Prize for Literature in 1926, the first Italian woman to be awarded the honour. This novel was first published in the original Italian as La madre in 1920 and appeared in this English translation in 1922.
Neljääkymmentä ikävuotta lähestyvä Annesa asuu Italian Sardiniassa. Hän viettää aikaansa hoitamalla kasvattiperheensä vaaria. Annesa on kihloissa nuoren rengin Gantinen kanssa, mutta huomaa pian tuntevansa vetoa perhepiirissä olevaan vastustamattomaan don Pauloon. Keneen Annesa voi luottaa, ja tulisiko hänen kuunnella tunteitaan vai järkeään? Grazia Deleddan romaani Muratti vuodelta 1908 on monisyinen rakkauskertomus, jossa kysymys hyvästä ja pahasta kietoutuu velvollisuuden ja perhesiteiden maailmaan. Grazia Deledda (1871–1936) oli italialainen kirjailija, jolle myönnettiin Nobelin kirjallisuuspalkinto vuonna 1926. Hän käsittelee teoksissaan ihmisyyden teemoja ja sijoittaa tarinansa usein kotiseudulleen Sardiniaan. Deleddan tunnetuimpia teoksia ovat muun muassa Marianna (1915) ja Äiti (1920).
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