A teenage girl embarks on an adventure across America and down the Mississippi in this YA historical novel by the author of Together Apart. 1896. With a long list of her mother’s dos and don’ts swirling in her head, fourteen-year-old Megan Barnett boards the eastbound train for Burlington, Iowa. Her destination, the Mississippi River, is twenty-four hours and a host of unfamiliar seatmates away. The most pleasant of these characters is Horace, an engineering student whose passion for newspapers, combined with a sharp curve of the tracks, land him nearly in Megan’s lap. The parade of interesting strangers—some of whom aren’t what they seem—doesn’t end with Megan’s arrival in Burlington. There she joins her sister’s family on a riverboat called the Oh My. River travel, as Megan quickly learns, is fraught with danger, both on the water and off. A keen eye for seeing beneath the surface of things can make all the difference. Leaving a trail of discarded rules and newspaper headlines in her wake, Megan takes on the river and reaps its rewards.
According to the National Highway Traffic Safety Administration, “of the nearly 9.1 million passenger car, SUV, pickup and van crashes in 2010, only 2.1% involved a rollover. However, rollovers accounted for nearly 35% of all deaths from passenger vehicle crashes. In 2010 alone, more than 7,600 people died in rollover crashes.” Rollover accidents continue to be a leading contributor of vehicle deaths. While this continues to be true, it is pertinent to understand the entire crash process. Each stage of the accident provides valuable insight into the application of reconstruction methodologies. Rollover Accident Reconstruction focuses on tripped, single vehicle rollover crashes that terminate without striking a fixed object. Topics featured in this book include: • Analysis methods through various accident phases, including advanced simulation • Vehicle event data recorder usage • Occupant ejection during rollover crash The goal of this title is to break down the various phases of a rollover crash to analyze each stage for use in the reconstruction process - to the greater understanding of crash analysts, consultants and safety engineers alike.
This agenda setting text explores a broad range of value perspectives and their impact on and contribution to social work thinking on ethics. Including new perspectives, such as Islam, and drawing on international contributors, this is essential reading for all social work students studying ethics and values.
A guide to the literature written in English from the death of Chaucer to the early sixteenth century from one of the period's pre-eminent literary scholars. Includes a valuable chronology, an informative introductory survey, and detailed sections on prose, poetry, Scottish writing, and drama.
The women's health movement shocked and scandalised when it burst into Australian politics in the early 1970s. It cast the light of day onto taboo subjects such as sexual assault, abortion and domestic violence, provoking outrage and condemnation. Some of the services women created for themselves were subjected to police raids; sex education material was branded 'indecent'. Moreover, women dared to criticise revered institutions, such as the medical system. Yet for all its perceived radicalism, the movement was part of a much broader and relatively conventional international health reform push, which included the 'new' public health movement, the community health centre movement and, in Australia, the Aboriginal health movement, all of which were critical of the way medical systems had been organised during the 20th century. The women who joined the movement came from diverse backgrounds and included immigrant and refugee women, Aboriginal women and Anglo women. Initially, groups worked separately for the most part but as time went on, they found ways to cooperate and collaborate. This book presents an account of the ideas, the diverse and shared efforts and the enduring hard work of women's health activists, drawn together in one volume for the first time. This relentless activism gradually had an impact on public policy and slowly brought forth major attitudinal changes. The book also identifies the opportunities for health reform that were created along the way, opportunities which deserve to be more fully embraced.
This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore’s trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore’s approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.
The first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.
Known for her original plots, deft characterization, and lyrical voice, Juliana Gray presents an extraordinary novel of an uncommon pursuit… February, 1906. As the personal secretary of the recently departed Duke of Olympia—and a woman of scrupulous character—Miss Emmeline Rose Truelove never expected her duties to involve steaming through the Mediterranean on a private yacht, under the prodigal eye of one Lord Silverton, the most charmingly corrupt bachelor in London. But here they are, improperly bound on a quest to find the duke’s enigmatic heir, current whereabouts unknown. An expert on anachronisms, Maximilian Haywood was last seen at an archaeological dig on the island of Crete. And from the moment Truelove and Silverton disembark, they are met with incidents of a suspicious nature: a ransacked flat, a murdered government employee, an assassination attempt. As they travel from port to port on Max’s trail, piecing together the strange events of the days before his disappearance, Truelove will discover the folly of her misconceptions—about the whims of the heart, the motives of men, and the nature of time itself…
A grand narrative history of the boundary that began as a simple demarcation between the feuding Pennsylvania and Maryland colonies but became a byword for the fundamental national division between the slavery-preserving South and abolitionist North"--
This collection is concerned with the problems and pleasures of writing literary biography in the context of South African writing. Stephen Gray's introduction outlines the choice faced by the researcher: between writing revisionist history (à la Strachey) and the personal bias the portraitist must take into account when conducting the retrieval especially of lost and enigmatic figures (à la Symons). Concentrating on the unattached irregulars of the arts in South Africa - often the arts of their times - Gray stresses the value of the free-lance figure in the formation of an evolving colonial and post-colonial literature. Subjects included are: Charles Maclean, alias John Ross, who recorded his experiences of the Zulu King Shaka in Natal's first captivity narrative; Douglas Blackburn, rated as the successor of Swift for his satires of the Anglo-Boer War conflict; Beatrice Hastings, polymath journalist whose lovers included Katherine Mansfield and Amedeo Modigliani; Stephen Black, founder of indigenous South African drama in English; Edward Wolfe, the Bloomsbury painter who began as a child-actor in the mining town of Johannesburg; Bessie Head, who became the Botswana-based wise-woman of African literature before her untimely death in 1986, yet never knew her own origins; Etienne Leroux, the Free State rancher who, in Afrikaans, wrote much-banned postmodernist novels; Mary Renault whose bestselling novels set in Ancient Greece peculiarly represented the shutdown of democracy in apartheid South Africa; Sipho Sepamla, stalwart of the Soweto Poetry school which came to prominence after the 1976 Soweto uprising; and Richard Rive, novelist, cultural commentator and liberation icon, murdered in his prime. The portrait gallery of the figures who have shaped and defined the role of literature in South Africa is both revealing and provocative, showing the route taken by some lesser-known talents in their struggle to establish the rights of authors in an often indifferent or repressive state.
Nuns have often been portrayed as nascent feminists wielding an exceptional amount of power. In this formative study of the Congrégation de Notre-Dame - a religious community of uncloistered women established in Montreal in 1657 - Colleen Gray presents a more nuanced view of the foundations and exercise of power within the convent.
Suffering from a terminal illness, Miss Honey Gillette is a world famous/blues singer who believes God has sent her home to die. Or, has God sent Miss Honey home to Plattstown to meet Ruby Martinson, a ten-year-old miracle child? Eventually, Ruby Martinson becomes Miss Ruby Midnight, a jazz singer who in the 1940s sends the jazz world into a tailspin with her vocal gifts. But more importantly, Ruby has come to Chicago to establish herself, and where she is to meet Jimmy “Darkboy” Slade,” a jazz drummer of excellence. They fall in love, Miss Ruby Midnight and Jimmy “Darkboy” Slade. But how, then, can love and jazz coexist in a profession where fame demands so damn much for those who want it?
In their day-to-day practice, social work and human services practitioners frequently find themselves in confusing ethical quandaries, trying to balance the numerous competing interests of protecting children from harm and promoting family and community capacity. This book explores the ethical issues surrounding child protection interventions and offers a process-oriented approach to ethical practice and decision making in child protection and family welfare practice. Its aim is to prepare students and early-career professionals for roles in the complex and challenging work of child protection and family support. Beginning with a critical analysis and appreciation of the diverse organisational and cultural contexts of contemporary child protection and ethical decision-making frameworks, the authors outline a practical ‘real-world’ model for reshaping frontline ethical practice. Moving away from a focus on the child apart from the family, the authors recognise that child safeguarding affects the lives, not just of children, but also of parents, grandparents and communities. Working Ethically in Child Protection eschews dominant rational-technical models for relational ones that are value centred and focus on family well-being as a whole. Rather than a single focus on assessing risk and diagnosing deficit, this book recognises that our child protection systems bear down disproportionately on those from disadvantaged and marginalised communities and argues that what is needed is real support and practical assistance for poor and vulnerable parents and children. It uses real-world case examples to illustrate the relevant ethical and practice principles, and ways in which students and practitioners can practise ethically when dealing with complex, multi-faceted issues.
This is a register of the characters in the fiction of Charles Dickens – a catalogue of the men, women and children who people his stories. Perhaps the first attempt this century, Dickens Study Guide brings together the works of Charles Dickens in such a way that the reader can find out in a moment how Little Em’ly lost her virtue and what happened to Bill Sikes or the Artful Dodger. Dealing with over 200 characters across all fifteen novels and three short works, the book contains a key, register and concise accounts of each man, woman and child, who they are and how they influence the plot. Providing descriptions used by Dickens himself and without fussy 'literary' interpretation, this is intended as a practical work of reference. Finishing off with a quiz that puzzle-setters and crossword enthusiasts will love, Dickens Study Guide is the ideal companion for students and indeed any lover of Dickens who wants to look up quickly why Peggotty laughed when told that "Barkis is willin’…
- NEW! Enhanced evidence-based practice focus equips you to apply the latest research findings to clinical practice. - NEW! Streamlined research examples serve as concise and clinically relevant exemplars of key contents. - NEW! Mixed-methods content focuses on need-to-know material on mixed-methods research, which is growing significantly in popularity. - NEW! Improved legibility, usability, visual appeal, and readability meets the needs of visual learners with easy-to-understand content.
Designated a Doody's Core Title! "As a gerontological clinical educator/research nurse, I will often use this as a reference. The format and the content are good, and the explanations of how to best use the evidence simplify the process of sifting through mountains of information to figure the best practice." Score: 97, 5 stars --Doody's "This third edition holds the promise of bringing yet another level of depth and sophistication to understanding the best practices for assessment, interventions, and anticipated outcomes in our care of older adultsÖ. Evidence-Based Geriatric Nursing Protocols for Best Practice is intended to bring the most current, evidence-based protocols known to experts in geriatric nursing to the audience of students, both graduate and undergraduate, practitioners at the staff level from novice to expert, clinicians in specialty roles (educators, care managers, and advanced practice nurses), and nursing leaders of all levelsÖ.We owe a debt of gratitude to the many authors and the editors for bringing this work to us."--from the preface by Susan Bowar-Ferres, PhD, RN, CNAA-BC, Senior Vice President & Chief Nursing Officer, New York University Hospitals Center "The greatest beneficiaries of these new practice protocols, however, will be the older adults and their family members who stand to benefit from the greater consistency in care and improved outcomes from care based on the best evidence that is tempered with the expertise of advanced clinician-scholars."--from the foreword by Eleanor S. McConnell, RN, PhD, APRN, BC, Associate Professor and Director, Gerontological Nursing Specialty; Clinical Nurse Specialist, Durham Veterans Administration Medical Center; Geriatric Research, Education and Clinical Center This is the third, thoroughly revised and updated edition of the book formerly entitled Geriatric Nursing Protocols for Best Practice. The protocols address key clinical conditions and circumstances likely to be encountered by a hospital nurse caring for older adults. They represent "best practices" for acute care of the elderly as developed by nursing experts around the country as part of the Hartford Foundation's Nurses Improving Care to the Hospitalized Elderly project (NICHE). This third edition includes 17 revised and updated chapters and more than 15 new topics including critical care, diabetes, hydration, oral health care, palliative care, and substance abuse. Each chapter includes educational objectives, assessment of the problem, nursing intervention or care strategies, and references; most chapters have case studies.
Tannadee, a picturesque village in the Scottish Highlands, finds itself suddenly forced to fight for its life when Gordon Weever, a billionaire bully, reveals plans to build an exclusive golf resort nearby. Though most of the locals oppose him, Weever pushes on, employing dirty tricks and splashing cash. He trashes a rare woodland, he annexes land. Somebody needs to stop him. But who? Step up local teacher, Chizzie Bryson with his out-of-the-box idea for the villagers to compete in a Highland Games to raise funds – with a surprising ally. Weever’s own daughter rejects her father’s rapacious antics, time after time attempting to remodel him into someone she can respect... and failing. The time of the Highland Games dawns, and a diverse range of local characters compete on behalf of Tannadee including a greasy wrestler, a hypochondriac miler, a suicidal hill runner, a pretty-boy hammer thrower, a hen-pecked cyclist, and a wild-boy sprinter. Can good morals and fairness win the day? And can they be the iceberg to sink Weever’s titanic ego once and for all?
Literary fantasy fiction with a metaphysical New Age theme. The plot incorporates the African Ubuntu philosophy with those for sustainable living. Addresses urgent topical issues in an entertaining thought provoking way. “This place is about much more than just getting away from it all… The land’s a gift; the moment’s a gift, as are the beautiful stars and the good warm fire. When we’re united in loving appreciation of these simple blessings, nothing can divide us… That’s why all of us are here: to live out these ancient truths.” When a string of coincidences allow Ellen Turner to begin building her dream village, not everyone is supportive. With far more at stake than she ever envisaged, how will her self-sufficient system play out in the real world? What will become of those forced to seek shelter in the little community, and in what ways are they already written into its story? Just how important will a mysterious source of wisdom prove to be? And what happens when Ellen’s troubled past finally catches her up? Aimed at today’s flourishing western spiritual community The Village brings to life the welcome possibility of positive world change for those who search for it.
In Intersectional Tech: Black Users in Digital Gaming, Kishonna L. Gray interrogates blackness in gaming at the intersections of race, gender, sexuality, and (dis)ability. Situating her argument within the context of the concurrent, seemingly unrelated events of Gamergate and the Black Lives Matter movement, Gray highlights the inescapable chains that bind marginalized populations to stereotypical frames and limited narratives in video games. Intersectional Tech explores the ways that the multiple identities of black gamers—some obvious within the context of games, some more easily concealed—affect their experiences of gaming. The normalization of whiteness and masculinity in digital culture inevitably leads to isolation, exclusion, and punishment of marginalized people. Yet, Gray argues, we must also examine the individual struggles of prejudice, discrimination, and microaggressions within larger institutional practices that sustain the oppression. These “new” racisms and a complementary colorblind ideology are a kind of digital Jim Crow, a new mode of the same strategies of oppression that have targeted black communities throughout American history. Drawing on extensive interviews that engage critically with identity development and justice issues in gaming, Gray explores the capacity for gaming culture to foster critical consciousness, aid in participatory democracy, and effect social change. Intersectional Tech is rooted in concrete situations of marginalized members within gaming culture. It reveals that despite the truths articulated by those who expose the sexism, racism, misogyny, and homophobia that are commonplace within gaming communities, hegemonic narratives continue to be privileged. This text, in contrast, centers the perspectives that are often ignored and provides a critical corrective to notions of gaming as a predominantly white and male space.
Authors of the Middle Ages is a series designed for research and reference. The aim is to combine, in one compact work, a biography of a medieval author with all the information needed for further research. The series is divided into two sub-series. The first, edited by M.C. Seymour, focuses on EnglishWriters of the Late Middle Ages and the second, edited by Patrick Geary, deals with Historical and Religious Writers of the Latin West. William Caxton was the first English printer and publisher of printed books. He translated many books into English and by the prologues and epilogues added to many of his printed works he helped to establish literary tastes and fashions at the end of the medieval period. The life of Reginald Peacock, bishop, heretic and author, reflects the many controversies of 15th-century England. Drawing on many contemporary sources and based on fresh research. Wendy Scase offers a new interpretation of an enigmatic writer. Douglas Gray traces the lives of the two poets Robert Henryson and William Dunbar. Among the several distinguished poets of late-medieval Scotland. Henryson stands out for his humanity, learned wit and imaginitive power; while Dunbar was one of the most spectacular, flamboyant and versatile Scottish poets of the Middle Ages. This study gives an account of the little that is known of their lives and extensively details both their works and later scholarship. John Capgrave (1393-1464) was an Augustinian friar, Cambridge theologian, hagiographer and chronicler who became Prior Provincial of his order. His life, presented here in the light of fresh research and with full documentation, illuminates the importance of the order in the troubled times of mid 15th-century England.
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