Robertson Davies (1913–1995), one of Canada’s most distinguished authors of the twentieth century, was known for his work as a novelist, playwright, critic, journalist, and professor. This descriptive bibliography is dedicated to his writing career, covering all publications from his first venture into print at the age of nine to works published posthumously to 2011. Entries include each of Davies’ signed publications and those pseudonymous or anonymous writings he acknowledged having written. Included are his plays, novels, journalism, academic writing, translations, interviews, speeches, lectures, unsigned articles and editorials, films, audio recordings, and multimedia editions. Also listed is a generous sampling of unsigned articles and editorials. Using Davies’ archives and the archives of other authors, organizations, and publishers, Carl Spadoni and Judith Skelton Grant present A Bibliography of Robertson Davies to serve the research demands of Canadian literature and book history scholars.
Written by Judith Skelton Grant, A Meeting of Minds is the definitive account of Massey College s first fifty years, its many traditions, and the hundreds of fellows who have passed through its halls.
Last Weapons explains how the use of hunger strikes and fasts in political protest became a global phenomenon. Exploring the proliferation of hunger as a form of protest between the late-nineteenth and mid-twentieth centuries, Kevin Grant traces this radical tactic as it spread through trans-imperial networks among revolutionaries and civil-rights activists from Russia to Britain to Ireland to India and beyond. He shows how the significance of hunger strikes and fasts refracted across political and cultural boundaries, and how prisoners experienced and understood their own starvation, which was then poorly explained by medical research. Prison staff and political officials struggled to manage this challenge not only to their authority, but to society’s faith in the justice of liberal governance. Whether starving for the vote or national liberation, prisoners embodied proof of their own assertions that the rule of law enforced injustices that required redress and reform. Drawing upon deep archival research, the author offers a highly original examination of the role of hunger in contesting an imperial world, a tactic that still resonates today.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
This all-in-one commentary bundle on the book of Matthew features volumes from the NIV Application Commentary Series, Zondervan Exegetical Commentary Series, and Story of God Bible Commentary Series. Each volume provides new and unique insights from leading biblical scholars Michael Wilkins, Grant Osborne, and Scot McKnight. The unique features from each volume along with the diverse insights provided by the authors gives you all the tools you need to study and master the book of Matthew.
James Douglas described Victoria as a perfect Eden when the Hudson's Bay Company first set up its trade depot in what was then Fort Victoria. A few years later thousands of miners arrived hoping for a gold strike and setting the stage for Victoria's future growth from settlement to city. Over 140 archival photos, accompanied by informative, easy-to-read text, make this book a compelling keepsake for visitors and residents alike.
In this lively history of the rise of pentecostalism in the United States, Grant Wacker gives an in-depth account of the religious practices of pentecostal churches as well as an engaging picture of the way these beliefs played out in daily life. The core tenets of pentecostal belief--personal salvation, Holy Ghost baptism, divine healing, and anticipation of the Lord's imminent return--took root in the first quarter of the twentieth century. Wacker examines the various aspects of pentecostal culture, including rituals, speaking in tongues, the authority of the Bible, the central role of Jesus in everyday life, the gifts of prophecy and healing, ideas about personal appearance, women's roles, race relations, attitudes toward politics and the government. Tracking the daily lives of pentecostals, and paying close attention to the voices of individual men and women, Wacker is able to identify the reason for the movement's spectacular success: a demonstrated ability to balance idealistic and pragmatic impulses, to adapt distinct religious convictions in order to meet the expectations of modern life. More than twenty million American adults today consider themselves pentecostal. Given the movement's major place in American religious life, the history of its early years--so artfully told here--is of central importance.
An employee at the Getty owned Pierre Hotel in New York City wondered why there were so many Germans being hired and staying at The Pierre during World War II. He called the FBI and the FBI charged J.P. Getty with Espionage, FBI File 100.1202, June 26, 1940. 43,000 people were killed in the UK while J. Paul Getty was in Berlin still shipping oil to Hitler five months before Pearl Harbor; December 7, 1941. The mother of J.P. Getty was German. 2003 documents declassified by UK Warfare Ministry reveal that in Oct. 1941 the pro-Nazi Jean Paul Getty employed and lodged Nazis at his Pierre Hotel in New York City; Nazis who were involved in spying on and sabotaging Allied Forces' war production plants. As aristocrats with treasures of art were executed -- beginning in 1933 -- with the outbreak of war; Getty assiduously added to his vast collection with the Nazis. The Rembrandt of Marten Looten hangs in the Los Angeles County Museum of Art. The Gainsborough of Christie purchased in 1938 is at The Getty Museum in Los Angeles.
Tour North America’s greatest museums and galleries in the company of two incomparable guides. This lively companion highlights the essential paintings, by some of the world’s greatest painters, from Giotto to Picasso, on display in North American museums and galleries. Julian Porter has had a life-long passion for art. He worked for seven years as a student tour guide in Europe and since has conducted countless gallery tours in Europe and North America. His co-author, Stephen Grant, brings a wealth of expertise in twentieth-century artists, and presents them within the framework of a North American–led, sustained burst of originality and shock. Presented with wit and irreverence, here is the best that North American galleries have to offer. Focused and curated to give you everything you need to enjoy the greatest works of art in the best company and save you the sore feet and superfluous information.
Monster Cinema introduces readers to a vast menagerie of movie monsters, from gigantic beasts to microscopic parasites, from grotesque demons to normal-looking serial killers. Film expert Barry Keith Grant considers what each type of movie monster might reveal about how we regard the natural, the supernatural, and the human.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
With an emphasis on the disease conditions of dogs, cats, horses, swine, cattle and small ruminants, Jubb, Kennedy, and Palmer's Pathology of Domestic Animals, 6th Edition continues its long tradition of being the most comprehensive reference book on common domestic mammal pathology. Using a body systems approach, veterinary pathology experts provide overviews of general system characteristics, reactions to insult, and disease conditions that are broken down by type of infectious or toxic insult affecting the anatomical subdivisions of each body system. The sixth edition now boasts a new full-color design, including more than 2,000 high-resolution images of normal and abnormal organs, tissues, and cells. Updated content also includes evolved coverage of disease agents such as the Schmallenberg virus, porcine epidemic diarrhea virus, and the porcine deltacoronavirus; plus new information on molecular-based testing, including polymerase chain reaction (PCR) and in-situ hybridization, keep you abreast of the latest diagnostic capabilities. "a core text in veterinary pathology"Reviewed by: Alexander Stoll, on behalf of Wikivet, November 2015 - Updated content includes new and evolving pathogens and diagnostic techniques. - Updated bibliographies give readers new entry points into the rapidly expanding literature on each subject. - NEW! High-resolution color images clearly depict the diagnostic features of hundreds of conditions. - NEW! Introduction to the Diagnostic Process chapter illustrates the whole animal perspective and details the approaches to systemic, multi-system, and polymicrobial disease. - NEW! Coverage of camelids is now included in the reference's widened scope of species. - NEW! Team of 30+ expert contributors offers the latest perspective on the continuum of issues in veterinary pathology. - NEW! Expanded resources on the companion website include a variety of helpful tools such as full reference lists with entries linked to abstracts in Pub Med and bonus web-only figures. - NEW! Full-color design improves the accessibility of the text.
[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and minor studios, examples of the different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody, as well as the different types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.
Idealism is philosophy on a grand scale, combining micro and macroscopic problems into systematic accounts of everything from the nature of the universe to the particulars of human feeling. In consequence, it offers perspectives on everything from the natural to the social sciences, from ecology to critical theory. Heavily criticised by the dominant philosophies of the 20th Century, Idealism is now being reconsidered as a rich and untapped resource for contemporary philosophical arguments and concepts. This volume provides a comprehensive portrait of the major arguments and philosophers in the Idealist tradition. The book demonstrates how Idealist philosophy provides a fruitful way of understanding contemporary issues in metaphysics, the philosophy of science, political philosophy, scientific theory and critical social theory.
This book contains 8 chapters focusing on the current state and challenges in regulation, economic analysis, policy-making and technology/innovation adoption that affects the acceptability and wider use of biopesticides in the integrated management of agricultural pests.
“A welcome contribution to the growing literature on religion during the Civil War era.” —Civil War News Northern evangelicals’ love of the Union arguably contributed to its preservation and the slaves’ emancipation—but in subsuming the ex-slaves to their vision for a Christian America, northern evangelicals contributed to a Reconstruction that failed to ensure the ex-slaves’ full freedom and equality as Americans. By examining Civil War-era Protestantism in terms of the Union, Grant R. Brodrecht adds to the understanding of northern motivation and the history that followed the war. Our Country contends that non-radical Protestants consistently subordinated concern for racial justice for what they perceived to be the greater good. Mainstream evangelicals did not enter Reconstruction with the primary aim of achieving racial justice. Rather they expected to see the emergence of a speedily restored, prosperous, and culturally homogenous Union, a Union strengthened by God through the defeat of secession and the removal of slavery as secession’s cause. Brodrecht addresses this so-called “proprietary” regard for Christian America, within the context of crises surrounding the Union’s existence and its nature from the Civil War to the 1880s. Including sources from major Protestant denominations, the book rests on a selection of sermons, denominational newspapers and journals, autobiographies, archival personal papers of several individuals, and the published and unpublished papers of Abraham Lincoln, Andrew Johnson, and Ulysses S. Grant. The author examines these sources as they address the period’s evangelical sense of responsibility for America, while keyed to issues of national and presidential politics.
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