Over a million years in the future, a desperate stowaway lies concealed in a space freighter’s cargo hold. Tam Amergan is bound for the prison world Corustloth, where his partner Brogan has been abducted. Ever since the Senate took over the planetary system decades earlier, gay men like Tam and Brogan—degens, as they are labeled under Senate—rule have been forced to live in secrecy. But Brogan is Tam’s life-line, bound to his soul in a ritual performed by a secret sisterhood of women with ancient, unknown designs. Tam has no choice but to follow Brogan wherever he goes. What Brogan sees, Tam sees; what Tam feels, Brogan feels. Neither can live without the other. Thousands of lightyears away, an ancient brotherhood of mentalists works at uncovering the mystery of humanity’s long-forgotten origins. Their leader, Father, enlists the help of Bennett, who is able to connect with the mind of a space freighter stowaway on the other side of the galaxy. Is Bennett the key to humanity’s origins? Could Tam’s quest to find Brogan have a wider purpose? Both a soaring love story and sweeping sci-fi epic, Life-Line: Origins is a thrilling gay romance and science fiction novel. Ambitious, gripping, and full of heart, it is a must-read for anyone hungry for adventure and intrigue.
This collection of essays presents historical approaches to the links which have existed for over 800 years between Scotland and one of the areas of continental Europe closest to her: the Low Countries. Topics include: Flemish settlers in twelfth-century Scotland; the Count of Holland who claimed the Scottish throne in 1291; the Flemish aspect of the Auld Alliance with France; the view of Scotland taken by a Netherlands-born chronicler, Jean Froissart; Scotland's late-medieval involvement in diplomacy with Guelders and in wool-exports to the Netherlands; the contacts of Scottish patrons with Netherlandish painters in the 15th and 16th centuries; Scots pursuing military careers and studies in the arts and law in the Low Countries in early modern times; parallels between Belgian Art Nouveau painting and the work of some Glasgow artists around 1900; comparisons between Scotland and the Low Countries in the 20th century in the realms of social housing and oil exploration. These varied studies add detailed background to the subject of Scotland within Europe: a question now much debated. This volume is the third in the Mackie Monographs series, based on the Mackie Symposia held in the University of Aberdeen, which have as their theme the historical study of Scotland's overseas contacts.
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