“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape – both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ‘post-conceptual’ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of their professional practice. Contemporary British Art is an ideal introduction to the field. To guide the reader, the book is organised around genres or related practices – painting; sculpture and installation; and film, video and performance. The first chapter explores aspects of the contemporary art market and some of the contexts within which art is made, supported and exhibited. The chapters that discuss various genres of art practice also mention books that may be useful to support further reading. Extensively illustrated with a wide range of work (both known, and less well-known) from artists such as Chris Ofili, Rachel Whiteread, Damien Hirst, Banksy, Anthony Gormley, Jack Vettriano, Sam Taylor-Wood, Steve McQueen and Tracey Emin, and many more.
Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. Arranged chronologically, this critical study of six major sports films also tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial"--
The 1980s witnessed a lemming-like rush into the sea of debt on the part of the American industrial and financial communities, with consequences we are only beginning to appreciate. But the speculative frenzy of the eighties didn't just happen. It was the culmination of a long cycle of slow relaxation of credit practices--the subject of James Grant's brilliant, clear-eyed history of American finance. Two long-running trends converged in the 1980s to create one of our greatest speculative booms: the democratization of credit and the socialization of risk. At the turn of the century, it was almost impossible for the average working person to get a loan. In the 1980s, it was almost impossible to refuse one. As the pace of lending grew, the government undertook to bear more and more of the creditors' risk--a pattern, begun in the Progressive era, which reached full flower in the "conservative" administration of Ronald Reagan. Based on original scholarship as well as firsthand observation, Grant's book puts our recent love affair with debt in an entirely fresh, often chilling, perspective. The result is required--and wickedly entertaining--reading for everyone who wants or needs to understand how the world really works. "A brilliantly eccentric, kaleidoscopic tour of our credit lunacy. . . . A splendid, tooth-gnashing saga that should be savored for its ghoulish humor and passionately debated for its iconoclastic analysis. It is a fitting epitaph to the credit binge of the '80s."--Ron Chernow, The Wall Street Journal.
This indispensable introductory guide offers students a number of highly focused chapters on key themes in Restoration history. Each addresses a core question relating to the period 1660-1714, and uses artistic and literary sources – as well as more traditional texts of political history – to illustrate and illuminate arguments. George Southcombe and Grant Tapsell provide clear analyses of different aspects of the era whilst maintaining an overall coherence based on three central propositions: - 1660-1714 represents a political world fundamentally influenced by the civil wars and interregnum - The period can best be understood by linking together types of evidence too often separated in conventional accounts - The high politics of kings and their courts should be examined within broader social and geographical contexts Featuring chapters on the exclusion crisis, Charles II and James VII/II, as well as the British dimension, restoration culture, and politics out-of-doors, this is essential reading for anyone studying this fascinating period in British history.
Presents reflections by Ulysses S. Grant on his military career during the Civil War, chronicling the events, campaigns, politics, and personalities of the war.
This book is a collection of stories that describes the relationships that can exist when we put Jesus Christ first in our lives; and how agape love as described in First Corinthians Chapter Thirteen can shape our values and guide us in making difficult decisions as we interact with others. For all of us, this is a growing process and we must ask God daily for the wisdom, strength and courage to press on for the abundant life that only He can give I truly believe that the teachings and commandments in the Holy Bible can transform our lives if we apply them in our daily living. After reviewing the first drafts of this book, I signed on wholeheartedly to be a part of this exciting adventure. To assist my brother as his editor has been a blessing and a labor of love. This book gives outstanding examples of how faith as the root can lead to love as the fruit. The story titled Alpha and Omega in Chapter Thirteen sums it up. Jesus Christ is indeed The Beginning and The End, The First and The Last in the lives of those who love Him.
A novel of friendship follows the lives of Patricia Reid and Gayle Saunders, two Black children raised as sisters, who as adults are separated by the different dreams that each tries to follow.
The result of one of the most detailed and careful examinations of the behavior and ecology of a vertebrate ever conducted in the wild, this study addresses one of the major questions in evolutionary biology: why do some populations vary so much in morphological, ecological, behavioral, and physiological traits? By documenting the full range of variation within one population of a species and investigating the causal factors, Rosemary and Peter Grant provide impressive evidence that species are capable of evolutionary change within observable periods of time. Among the most dramatic examples of recent speciation and adaptive diversification are Darwin's Finches, which live in the Galápagos Islands. Darwin theorized that these closely related birds had evolved from a common ancestor to fill the available ecological niches on this remote archipelago. Not only have they evolved into thirteen species, but more recent study has shown that many of them exhibit striking variation in beak structure and other traits. For more than a decade, the Grants have studied one of these species, the large cactus finch, on the isolated Isla Genovesa. They present information on the environment and demographic features of the population, then discuss the range of genetic, ecological, and behavioral factors responsible for the unusually large morphological variation. They place the large cactus finch in its community setting to better understand its evolution and conclude by discussing the implications of the study for the genetic structure of small populations and the problems of conserving them. They illustrate their findings with an array of drawings, tables, and photographs.
Influencers are more than social media personalities who attract attention for brands, argue Grant Bollmer and Katherine Guinness. They are figures of a new transformation in capitalism, in which the logic of the self is indistinguishable from the logic of the corporation. Influencers are emblematic of what Bollmer and Guinness call the "Corpocene": a moment in capitalism in which individuals achieve the status of living, breathing, talking corporations. Behind the veneer of leisure and indulgence, most influencers are laboring daily, usually for pittance wages, to manufacture a commodity called "the self"—a raw material for brands to use—with the dream of becoming corporations in human form by owning and investing in the products they sell. Refuting the theory that digital labor and economies are immaterial, Bollmer and Guinness search influencer content for evidence of the material infrastructure of capitalism. Each chapter looks to what literally appears in the backgrounds of videos and images: the houses, cars, warehouses, and spaces of the market that point back to the manufacturing and circulation of consumer goods. Demonstrating the material reality of producing the self as a commodity, The Influencer Factory makes a crucial contribution to our understanding of contemporary economic life.
Six major islands. One indispensable guide. A friend has gone before you and tells it like it is in the conversational guide to Hawaii. Veteran travel writer and photographer Kim Grant cuts through the tourist brochure clutter to help you maximize your precious time and money. Utterly reliable and comprehensive, she gives completely updated listings of resorts, condos, vacation cottages, and campgrounds, and hundreds of dining recommendations, from plate lunches and local grinds to seared ahi and Kona lobster at haute eateries. But Grant steers you where other guides don't. As a part-time resident, she guides you to waterfalls and volcanoes; takes you snorkeling and golfing; finds authentic luaus; illuminates the nuances of hula; and unearths fine contemporary craftsmen and Hawaiiana collectibles. She also includes musts for first-time visitors, ideas for repeat visitors, building blocks for perfect days, and much more. Other guide features include: • Suggested itineraries for varying lengths of stays and purposeful getaways • Sidebars on the Hawaiian language and Hawaii regional cuisine • Calendar guides to annual events and celebrations • An alphabetical “What's Where” guide for trip planning • Handy icons point out best values, “must dos,” family-friendly activities, and rainy-day activities Explorer's Guide Hawaii: reliable insider's recommendations for the best of the best lodging, dining, and activities, complete with specialized itineraries, "must-see" lists and helpful advice for first-time visitors.
This volume explores the complex relationships between early Nineteenth-Century representations of emigration, colonization and settlement, and the social, economic and cultural conditions within which they were produced. It stresses the role of writers, illustrators and artists in 'making' colonial/settler landscapes within the metropolitan imaginary, paying particularly close attention to the complex interdependencies between metropolis and colony, which have too often been reduced to simplistic binaries of centre and periphery, metropolitan core and colonial outpost. Focusing on material dealing with Canada, the Cape, Australia and New Zealand, its interdisciplinarity and global reach consequently adds considerably to the field of colonial studies.
A TELEGRAPH BOOK OF THE YEAR A TIMES BOOK OF THE YEAR A WATERSTONES PAPERBACK OF THE YEAR 'Superbly told' Simon Heffer, Daily Telegraph 'A hamper of treats' Sunday Telegraph '[Grant employs] scholarship and depth of evidence' London Review of Books 'These tales of eleven trials are shocking, squalid, titillating and illuminating: each of them says something fascinating about how our society once was' The Times 'Deceptively thrilling' Sunday Times 'Excellent . . . Thomas Grant offers detailed accounts of eleven cases at the Old Bailey's Court Number One, with protagonists ranging from the diabolical to the pathetic. There is humour . . . but this is ultimately an affecting study of how the law gets it right - and wrong' Guardian Court Number One of the Old Bailey is the most famous court room in the world, and the venue of some of the most sensational human dramas ever to be played out in a criminal trial. The principal criminal court of England, historically reserved for the more serious and high-profile trials, Court Number One opened its doors in 1907 after the building of the 'new' Old Bailey. In the decades that followed it witnessed the trials of the most famous and infamous defendants of the twentieth century. It was here that the likes of Madame Fahmy, Lord Haw Haw, John Christie, Ruth Ellis, George Blake (and his unlikely jailbreakers, Michael Randle and Pat Pottle), Jeremy Thorpe and Ian Huntley were defined in history, alongside a wide assortment of other traitors, lovers, politicians, psychopaths, spies, con men and - of course - the innocent. Not only notorious for its murder trials, Court Number One recorded the changing face of modern British society, bearing witness to alternate attitudes to homosexuality, the death penalty, freedom of expression, insanity and the psychology of violence. Telling the stories of twelve of the most scandalous and celebrated cases across a radically shifting century, this book traces the evolving attitudes of Britain, the decline of a society built on deference and discretion, the tensions brought by a more permissive society and the rise of trial by mass media. From the Sunday Times bestselling author of Jeremy Hutchinson's Case Histories, Court Number One is a mesmerising window onto the thrills, fears and foibles of the modern age.
Robertson Davies (1913–1995), one of Canada’s most distinguished authors of the twentieth century, was known for his work as a novelist, playwright, critic, journalist, and professor. This descriptive bibliography is dedicated to his writing career, covering all publications from his first venture into print at the age of nine to works published posthumously to 2011. Entries include each of Davies’ signed publications and those pseudonymous or anonymous writings he acknowledged having written. Included are his plays, novels, journalism, academic writing, translations, interviews, speeches, lectures, unsigned articles and editorials, films, audio recordings, and multimedia editions. Also listed is a generous sampling of unsigned articles and editorials. Using Davies’ archives and the archives of other authors, organizations, and publishers, Carl Spadoni and Judith Skelton Grant present A Bibliography of Robertson Davies to serve the research demands of Canadian literature and book history scholars.
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