When the American Civil War began, it was quite possible that the only experience Jabez and William Challacombe had with horses was walking behind one as it pulled a plow. Certainly, Northern boys didnt have the same equestrian tradition as Southern boys. They hadnt been raised to ride high-spirited thoroughbreds on foxhunting or to have a romantic view of themselves as gallant warriors when sitting astride a horse. From a Northern farm boys point of view, a horse was a beast of burden, and there was nothing glamorous about that. When they did occasionally ride on the back of a horse, it would most likely be a big docile, slow-moving cold-blooded animal with large hooves, feathered pasterns, and a sway in its back that would eliminate the need of a saddle. Their objective in riding would be solely for transportation and only because it was faster and took less effort than walking. It might therefore seem a little strange that Jabez and William would enlist in the cavalry. Probably their choice of service was influenced by a slick recruiter telling them they didnt have to walk to work in the cavalry; they could ride. Whatever the motivation, twenty-seven-year-old Jabez and his twenty-one-year-old brother, William, enlisted for three years as privates in Company H of the Second Ohio Volunteer Cavalry Regiment.
Provides clear guidance in dealing with the three most important questions faced by hyperactive/inattentive children, their parents, and the professionals who care for them: 1. Should we look for nutritional and environmental causes? 2. Where do we begin? 3.How do we find solutions which are easy to stick with? by Sidney MacDonald Baker, M.D.
Between 3 million and 5 million people suffer from chronic fatigue syndrome and related disorders. Now Dr. Crook discusses the role of yeast production and offers a safe therapy program for people with this enervating affliction, outlining specific treaments such as diets, exercise, and increased psychological support. 400 line drawings.
When the American Civil War began, it was quite possible that the only experience Jabez and William Challacombe had with horses was walking behind one as it pulled a plow. Certainly, Northern boys didnt have the same equestrian tradition as Southern boys. They hadnt been raised to ride high-spirited thoroughbreds on foxhunting or to have a romantic view of themselves as gallant warriors when sitting astride a horse. From a Northern farm boys point of view, a horse was a beast of burden, and there was nothing glamorous about that. When they did occasionally ride on the back of a horse, it would most likely be a big docile, slow-moving cold-blooded animal with large hooves, feathered pasterns, and a sway in its back that would eliminate the need of a saddle. Their objective in riding would be solely for transportation and only because it was faster and took less effort than walking. It might therefore seem a little strange that Jabez and William would enlist in the cavalry. Probably their choice of service was influenced by a slick recruiter telling them they didnt have to walk to work in the cavalry; they could ride. Whatever the motivation, twenty-seven-year-old Jabez and his twenty-one-year-old brother, William, enlisted for three years as privates in Company H of the Second Ohio Volunteer Cavalry Regiment.
Jennifer Grant is the only child of Cary Grant, who was, and continues to be, the epitome of all that is elegant, sophisticated, and deft. Almost half a century after Cary Grant’s retirement from the screen, he remains the quintessential romantic comic movie star. He stopped making movies when his daughter was born so that he could be with her and raise her, which is just what he did. Good Stuff is an enchanting portrait of the profound and loving relationship between a daughter and her father, who just happens to be one of America’s most iconic male movie stars. Cary Grant’s own personal childhood archives were burned in World War I, and he took painstaking care to ensure that his daughter would have an accurate record of her early life. In Good Stuff, Jennifer Grant writes of their life together through her high school and college years until Grant’s death at the age of eighty-two. Cary Grant had a happy way of living, and he gave that to his daughter. He invented the phrase “good stuff” to mean happiness. For the last twenty years of his life, his daughter experienced the full vital passion of her father’s heart, and she now—delightfully—gives us a taste of it. She writes of the lessons he taught her; of the love he showed her; of his childhood as well as her own . . . Here are letters, notes, and funny cards written from father to daughter and those written from her to him . . . as well as bits of conversation between them (Cary Grant kept a tape recorder going for most of their time together). She writes of their life at 9966 Beverly Grove Drive, living in a farmhouse in the midst of Beverly Hills, playing, laughing, dining, and dancing through the thick and thin of Jennifer's growing up; the years of his work, his travels, his friendships with “old Hollywood royalty” (the Sinatras, the Pecks, the Poitiers, et al.) and with just plain-old royalty (the Rainiers) . . . We see Grant the playful dad; Grant the clown, sharing his gifts of laughter through his warm spirit; Grant teaching his daughter about life, about love, about boys, about manners and money, about acting and living. Cary Grant was given the indefinable incandescence of charm. He was a pip . . . Good Stuff captures his special quality. It gives us the magic of a father’s devotion (and goofball-ness) as it reveals a daughter’s special odyssey and education of loving, and being loved, by a dad who was Cary Grant.
Grant's wife and daughter provide the foreword for a work in which the screen idol and those who knew him describe his childhood, his meteoric career, and his opinions on life
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