PART THREE: Set in the not too distant future¡ When a 100-year global drought devastates the Earth and a failed rainmaking experiment destroys the atmosphere, humankind teeters on the brink of collapse. As the remaining nations wage war over dwindling water supplies and natural resources, two rival scientists on opposite sides of the world discover a lost glacier high in the Andes - setting off a deadly race to claim and control the planet¡¯s last known source of fresh water. The story focuses on Aaron Turner, a brilliant volcanologist with a secret past he¡¯d like to keep hidden. Aaron¡¯s known for his radical, sometimes controversial theories and his intelligence is off the charts, but he¡¯s trapped in the shadow of his father¡¯s brilliance and failures ¨C a burden that may finally lift if Aaron reaches the buried glacier first. But a terrible revelation awaits underground that threatens the very existence of their mission. Created by Liquid Comics and producer Eric Eisner¡¯s "Epic Cycle" graphic novel imprint. Written by Grant Calof (Hulk: Unchained) with artwork by Jeevan J. Kang (Spider-Man: India; John Woo¡¯s Seven Brothers, The Sadhu).
Natural disasters are woven into humankind¡¯s collective DNA. From the ancient Sumerian Epic of Gilgamesh to the Book of Revelation, apocalyptic literature has permeated every chapter of humankind.¡But what if those disasters weren¡¯t natural? What if those events were man-made? With a best-seller, a bottomless bank account and a bombshell girlfriend, reclusive author / adventurer, Kain Sennoa is the portrait of modern-day success-- but he hides a dark, eternal secret no one knows... at least no one on Earth. Unbeknownst to humankind, an off-world war has raged between two immortal races to control our solar system-- a millennia long battle that will finally come to an end here on Earth. As a super-human assassin closes in on the last survivors of an ancient, elemental race, Kain is forced to choose between revealing his true past or sacrificing the woman he loves. Created by Liquid Comics and producer Eric Eisner¡¯s, "Epic Cycle" graphic novel imprint.
Set in the not too distant future¡ When a 100-year global drought devastates the Earth and a failed rainmaking experiment destroys the atmosphere, humankind teeters on the brink of collapse. As the remaining nations wage war over dwindling water supplies and natural resources, two rival scientists on opposite sides of the world discover a lost glacier high in the Andes-- setting off a deadly race to claim and control the planet¡¯s last known source of fresh water. The story focuses on Aaron Turner, a brilliant volcanologist with a secret past he¡¯d like to keep hidden. Aaron¡¯s known for his radical, sometimes controversial theories and his intelligence is off the charts, but he¡¯s trapped in the shadow of his father¡¯s brilliance and failures ¨C a burden that may finally lift if Aaron reaches the buried glacier first. But a terrible revelation awaits underground that threatens the very existence of their mission. Created by Liquid Comics and producer Eric Eisner¡¯s, "Epic Cycle" graphic novel imprint. Written by Grant Calof (Eternity Kill) with artwork by Jeevan J. Kang (Nowhere Man; John Woo¡¯s Seven Brothers, The Sadhu).
PART ONE: Set in the not too distant future¡ When a 100-year global drought devastates the Earth and a failed rainmaking experiment destroys the atmosphere, humankind teeters on the brink of collapse. As the remaining nations wage war over dwindling water supplies and natural resources, two rival scientists on opposite sides of the world discover a lost glacier high in the Andes - setting off a deadly race to claim and control the planet¡¯s last known source of fresh water. The story focuses on Aaron Turner, a brilliant volcanologist with a secret past he¡¯d like to keep hidden. Aaron¡¯s known for his radical, sometimes controversial theories and his intelligence is off the charts, but he¡¯s trapped in the shadow of his father¡¯s brilliance and failures ¨C a burden that may finally lift if Aaron reaches the buried glacier first. But a terrible revelation awaits underground that threatens the very existence of their mission. Created by Liquid Comics and producer Eric Eisner¡¯s "Epic Cycle" graphic novel imprint. Written by Grant Calof (Hulk: Unchained) with artwork by Jeevan J. Kang (Spider-Man: India; John Woo¡¯s Seven Brothers, The Sadhu).
A Free Comic Book Preview showcasing 4 new graphic novels from Eric Eisner¡¯s, "Epic Cycle" comic book label. H20: Set in the not too distant future¡ When a 100-year global drought devastates the Earth, humankind teeters on the brink of collapse. As the remaining nations wage war in a deadly race to claim and control the planet¡¯s last known source of fresh water. Written by Grant Calof and illustrated by Jeevan J. Kang Eternity Kill: Two immortal races has raged an off-world war to control our solar system-- a millennia long battle that will finally come to an end here on Earth. As a super-human assassin closes in on the last survivors of an ancient, elemental race, Kain is forced to choose between revealing his true past or sacrificing the woman he loves. Written by Grant Calof and illustrated by Edison George & Siddharth Kotian. Purgatory: Is there life after death? People across the globe have been trying to answer this question since the beginning of time. Many have had near death experiences but no one has ever been able to prove it¡ until now. Rogue scientist, Professor Alscott sets out to prove what no one else has. Does heaven and hell really exist? With the help of his four brightest students, Alscott sets out to prove this age old question by putting his students in near death conditions and recording what they see. It works! Until something goes terribly wrong¡ Written by Julian Metter with artwork by Edison George. A Thousand Arts: A kung-fu action thriller set in the unforgiving Alaskan wilderness where an archeological dig uncovers a trove of 7,000 year old documents that describe hidden martial arts knowledge. When an assassins guild attempts to steal this newfound power, the last living descendent of the original monks must reclaim his destiny, protect his people¡¯s secrets and become the master of a thousand arts. Written by Stuart Moore.
PART TWO: Set in the not too distant future¡ When a 100-year global drought devastates the Earth and a failed rainmaking experiment destroys the atmosphere, humankind teeters on the brink of collapse. As the remaining nations wage war over dwindling water supplies and natural resources, two rival scientists on opposite sides of the world discover a lost glacier high in the Andes - setting off a deadly race to claim and control the planet¡¯s last known source of fresh water. The story focuses on Aaron Turner, a brilliant volcanologist with a secret past he¡¯d like to keep hidden. Aaron¡¯s known for his radical, sometimes controversial theories and his intelligence is off the charts, but he¡¯s trapped in the shadow of his father¡¯s brilliance and failures ¨C a burden that may finally lift if Aaron reaches the buried glacier first. But a terrible revelation awaits underground that threatens the very existence of their mission. Created by Liquid Comics and producer Eric Eisner¡¯s "Epic Cycle" graphic novel imprint. Written by Grant Calof (Hulk: Unchained) with artwork by Jeevan J. Kang (Spider-Man: India; John Woo¡¯s Seven Brothers, The Sadhu).
Jennifer Grant is the only child of Cary Grant, who was, and continues to be, the epitome of all that is elegant, sophisticated, and deft. Almost half a century after Cary Grant’s retirement from the screen, he remains the quintessential romantic comic movie star. He stopped making movies when his daughter was born so that he could be with her and raise her, which is just what he did. Good Stuff is an enchanting portrait of the profound and loving relationship between a daughter and her father, who just happens to be one of America’s most iconic male movie stars. Cary Grant’s own personal childhood archives were burned in World War I, and he took painstaking care to ensure that his daughter would have an accurate record of her early life. In Good Stuff, Jennifer Grant writes of their life together through her high school and college years until Grant’s death at the age of eighty-two. Cary Grant had a happy way of living, and he gave that to his daughter. He invented the phrase “good stuff” to mean happiness. For the last twenty years of his life, his daughter experienced the full vital passion of her father’s heart, and she now—delightfully—gives us a taste of it. She writes of the lessons he taught her; of the love he showed her; of his childhood as well as her own . . . Here are letters, notes, and funny cards written from father to daughter and those written from her to him . . . as well as bits of conversation between them (Cary Grant kept a tape recorder going for most of their time together). She writes of their life at 9966 Beverly Grove Drive, living in a farmhouse in the midst of Beverly Hills, playing, laughing, dining, and dancing through the thick and thin of Jennifer's growing up; the years of his work, his travels, his friendships with “old Hollywood royalty” (the Sinatras, the Pecks, the Poitiers, et al.) and with just plain-old royalty (the Rainiers) . . . We see Grant the playful dad; Grant the clown, sharing his gifts of laughter through his warm spirit; Grant teaching his daughter about life, about love, about boys, about manners and money, about acting and living. Cary Grant was given the indefinable incandescence of charm. He was a pip . . . Good Stuff captures his special quality. It gives us the magic of a father’s devotion (and goofball-ness) as it reveals a daughter’s special odyssey and education of loving, and being loved, by a dad who was Cary Grant.
National Endowment for the Humanities Survey reveals that only 406 of 700 college seniors were able to answer correctly in which half-century the Civil War took place. This distressing statistic is not only an indictment of the nation's educational system, it also points an accusing finger at the textbooks & histories which line the shelves of libraries & bookstores. This book will not reform our school program. It will, however, present a different concept of the way that historical biographies may be written. In this book, the author, a retired Air Force colonel & former Director of Military History at The National War College, encapsulates the dominant personalities of the Civil War & many of the events into just 245 easily read pages. Despite its conciseness, the author analyzes Grant's attributes & failings & leads the reader through the legendary minefield of Grant myths to a clear understanding of this much maligned man. Thoroughly dissected are subjects as Grant's reputation as an alcoholic, his meteoric rise from despondent store clerk to Commanding General & the dark cloud of failure which hovered over him in civilian life. Blended with Grant's story are graphic descriptions of the bloody battles as well as his relations with Lincoln, Lee & others.
More than a decade after his death, George Grant continues to stimulate, challenge, and inspire. During his lifetime he influenced a broad cross-section of Canadians, urging them to think more deeply about matters of social justice and individual responsibility. He wrote on subjects as diverse as technology, abortion, Canadian politics and nationalism, and the war in Vietnam, and was claimed equally by rightist and leftist causes. Grant's legacy includes six books and more than two hundred articles, as well as numerous broadcast transcripts, extensive correspondence, and a wealth of unpublished lectures, essays, and notes. In this projected eight-volume series, Grant's published and unpublished writings, including his complete correspondence, will be brought together for the first time. The texts are annotated, and each volume includes an introduction to the period that it covers. The series will not only make it possible to see the whole pattern of Grant's thought, but will also invite a reconsideration of the nature and importance of his work. Volume I covers Grant's intellectual development through his student years. Included are his early reviews, a brief journal written as he recovered from tuberculosis in 1942, and his earliest social and political writings about Canadian and international affairs. The most important of Grant's formative years were those spent at Oxford after the war, culminating in the writing of his DPhil thesis on the Scottish philosopher John Oman. In this dissertation, published here in full, we see the main themes of Grant's thought worked out for the first time.
A number of his more disturbing essays are also included, such as his controversial writings on abortion. The editors' substantial introduction places the articles in the wider context of Grant's life and thought."--BOOK JACKET.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Historian Ramsay Cook called George Grant one of Canada's two most important political thinkers in the twentieth century. In these lively conversations, recorded not long before Grant's death, David Cayley explores with Grant the deep roots of his faith, his evolution as a thinker, and his views on the future of Canada.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Included are Grant's early reviews, a brief journal written as he recovered from tuberculosis in 1942, his earliest social and political writings, and his DPhil thesis on the Scottish philosopher John Oman.
William Christian has selected some three hundred letters, postcards, telegrams, and journal entries which reveal much about Grant - both the troubled man and the daring thinker.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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