An Exhibition Held at the Galeries Nationales Du Grand Palais, Paris, 9 February-16 May 1988, National Gallery of Canada, Ottawa, 16 June-28 August 1988, the Metropolitan Museum of Art, New York, 27 September 1988-8 January 1989
An Exhibition Held at the Galeries Nationales Du Grand Palais, Paris, 9 February-16 May 1988, National Gallery of Canada, Ottawa, 16 June-28 August 1988, the Metropolitan Museum of Art, New York, 27 September 1988-8 January 1989
Katalog towarzyszący wystawom w: Galeries Nationales du Grand Palais w Paryżu, 9 luty - 16 maj 1988; National Galery of Canada w Ottawie, 16 czerwiec - 28 sierpień 1988; Metropolitan Museum of Art w Nowym Jorku, 27 wrzesień - 8 styczeń 1989.
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
This work accompanies an exhibition organised, in partnership, by Tate Modern, the Galeries Nationales du Grand Palais, and the Museum of Modern Art. It examines the crucial relationship between Matisse and Picasso.
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
National Gallery of Canada, Ottawa, 11 June-6 September 1999; Galeries Nationales Du Grand Palais, Paris, 5 October 1999-3 January 2000; Phillips Collection, Washington, 19 February-14 May 2000]
National Gallery of Canada, Ottawa, 11 June-6 September 1999; Galeries Nationales Du Grand Palais, Paris, 5 October 1999-3 January 2000; Phillips Collection, Washington, 19 February-14 May 2000]
The fully illustrated catalogue of a major exhibition organized by the Cleveland Museum of Art in collaboration with the Reunion des Musees Nationaux, Paris, Egypt's Dazzling Sun is an exceptional contribution to scholarship on the art and history of the reign of Amenhotep III (1391-1353 BC), the pharaoh who called himself the "Dazzling Sun Disk". Ruling in a period of unprecedented peace, Amenhotep III commissioned splendid temples and sponsored royal workshops in many media. His aesthetic and technical innovations resound in the styles of his direct descendant, Tutankhamen, and in Egyptian art of all centuries. Comprehensive essays along with discussions of 143 objects, drawn from collections in the United States, Europe, and Egypt, offer a remarkably complete view of this golden age of Egyptian art. A range of new research methodologies assist in unveiling the remarkable variety and superb quality of the best work of Amenhotep III's reign.
A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.
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