A pantomime written by amateur writers for amateur thespians of any (or no) acting skill or aptitude. Flexible enough to be performed whatever the size cast you have, and whatever their age mix.
An entertaining script for use by any group of amateur actors, of any ability level. There are a few key central characters, and many others with only a few lines. Suitable for use by adults and/or children. The plot centres around what happened next after Cat in Wellies
A pantomime script for use by any group of people who want to entertain themselves and their friends, the authors are quite happy for you to alter any of the script providing it remains suitable for family entertainment.The central character is Dame Strong, who opens the play by discussing the meaning of life with a mirror. Dame Strong is ugly, and has a terrible secret, so dark that she tells no-one about it. Hearing of a potion that might make her more attractive, she sends her next door neighbours (three Fine Young Things called Dee Lisla, Sam Sun and Spare Part) to find the ingredients for this potion. Hearing all this, her sister (Marion) decides to run away to a nunnery. The evil butler (Wat Youwant) decides to send his minions to search for the ingredients, hoping to get them first and be in a position to make money by selling the potion to the Dame...The authors and the cast had great fun putting this pantomime on for their friends and hope you do too.
An entertaining read about the experiences of a group of friends as they cycled between all the cathedrals in Britain, their reflections on visiting those cathedrals, and a guide to how to survive such a trip.
Based loosely on the old English carol about the Twelve Days of Christmas, this is a pantomime written for amateur performers and with a degree of flexibility, so that it can be acted by a cast of any size and ability. Yours to adapt as you wish to the cast who volunteer to join you.
Cat in Wellies is a pantomime script written in a way that any amateur dramatic society or group of friends can perform, whatever their age, size or skills level. No prior experience is needed in order to have fun, and if you have fun performing it, then any audience watching will have fun too. The pantomime is based on a French literary tale written at the close of the seventeenth century by Charles Perrault and commonly known as Puss in Boots. The original version of this well known story has several twists and the authors have added a few more in making sure that the cast list is flexible enough for a variable number of actors, although they remain faithful to the original French tale most of the time...
Rabbit, Rabbit, Rabbit is a pantomime written by amateurs for amateurs, and with a degree of flexibility. It can be acted by a cast of any size and ability - or no ability at all. It does not contain any adult humour.
Limericks written by a group of friends on some of their journey as they cycled between all the cathedrals in Britain. Written mainly in Scotland, subjects vary from each other, to their experiences of Scottish hospitality.
A pantomime written by amateur writers for amateur thespians of any (or no) acting skill or aptitude. Flexible enough to be performed whatever the size cast you have, and whatever their age mix.
An entertaining read about the experiences of a group of friends as they cycled between all the cathedrals in Britain, their reflections on visiting those cathedrals, and a guide to how to survive such a trip.
Rabbit, Rabbit, Rabbit is a pantomime written by amateurs for amateurs, and with a degree of flexibility. It can be acted by a cast of any size and ability - or no ability at all. It does not contain any adult humour.
An entertaining script for use by any group of amateur actors, of any ability level. There are a few key central characters, and many others with only a few lines. Suitable for use by adults and/or children. The plot centres around what happened next after Cat in Wellies
Based loosely on the old English carol about the Twelve Days of Christmas, this is a pantomime written for amateur performers and with a degree of flexibility, so that it can be acted by a cast of any size and ability. Yours to adapt as you wish to the cast who volunteer to join you.
Dear white women: please do us all a favor and buy this book….Then READ IT." —Kate Schatz, New York Times bestselling author WHAT CAN I DO TO HELP? This is a question that many seemingly well intentioned White people ask people of color. Yet, it places the responsibility to educate on their peers, friends, colleagues, and even strangers, rather than themselves. If you’ve ever asked or been asked “What can I do to help combat racism?” then Dear White Women: Let’s Get (Un)comfortable Talking About Racism is the answer you’re looking for. From the creators of the award winning podcast Dear White Women, this book breaks down the psychology and barriers to meaningful race discussions for White people, contextualizing racism throughout American history in short, targeted chapters. Sara Blanchard and Misasha Suzuki Graham bring their insights to the page with: · Personal narratives · Historical context · Practical tips Dear White Women challenges readers to encounter the hard questions about race (and racism) in order to push the needle of change in a positive direction. PRAISE FOR DEAR WHITE WOMEN: "Dear White Women: Let's Get (Un)comfortable Talking About Racism is a book that needs to be read by all people." —Shanicia Boswell, Author and Founder of Black Moms Blog "This gentle but firm guide will appeal to readers interested in putting the concept of anti-racism into action." —Publishers Weekly "Smart, insightful....Sara Blanchard and Misasha Suzuki Graham provide a blueprint for thinking through the hard questions, recognizing that crossing identity lines requires intentional and continuous practice." —Ji Seon Song, Acting Professor of Law, University of California at Irvine "The invisibility of Native Americans from U.S. society must be a part of our racial reckoning, something Sara Blanchard and Misasha Suzuki Graham have taken care to address in this thoughtful look at race in America." —Crystal Echo Hawk (Pawnee Nation of Oklahoma), Founder and Executive Director of IllumiNative
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