The only successful European impresarios in mid-nineteenth century Mexican Texas--men authorized to bring immigrants to settle the vast spaces of Mexico's northern territories--were Irish. On their land grants, Irish settlers founded Refugio and San Patricio and went on to take active roles in the economic and political development of Texas. It required a hardy spirit and strong ambition to weather the perils that accompanied these opportunities--the long journey, shipwrecks, hostile Indians, injury and disease--and Irish pioneers proved fit for the task. They were not seeking relief from famine or English oppression in their own country. These were vigorous, strong-willed people who possessed the monetary means to remove themselves from their insular surroundings. What they were seeking, and what they obtained, was land. Graham Davis tells this Irish-Texan story of the search for land by recounting the experiences of the original empresarios John McMullen, James McGloin, James Power, and James Hewetson, and he finishes the book with an impressive description of the ranching empire of Power's nephew, Thomas O'Connor. In between, he examines the marriages, commercial contacts, political alliances, and language ties that "Mexicanized" these successful entrepreneurs. Living in the heart of the war zone, some of the Irish settlers fought for independence while others remained loyal to the Mexican government that had made them citizens and given them land. Davis offers a vivid picture of the hardships of pioneer life and the building of communities, churches, and schools. He describes how Irish ranchers had the opportunity to thrive after the annexation of Texas and emphasizes their willing acceptance of Mexican ranching methods. He makes a convincing case that the Irish came to Texas not as victims but as entrepreneurs and opportunists in search of land.
SAGUS is a series of books that document a life, a life that proceeded it and a life thereafter. Each volume covers a period of time or an event and they run chronologically. The uniqueness of the series is that it uses contemporaneous records, diaries, notes, images, books, archives and photographs most of which belong to the author and his family. In other words the volumes are the closest that can be achieved to real-time testimony with a true record to the times. There is no rewriting of history which avoids this deficiency of most memoirs. SAGUS Vol 13 covers the period from September 1971 to July 1972.
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.