This comprehensive account of the writing life of Henry James aims at providing a critical overview of all his important writings, firmly set in two contexts: that of James's practical career as a novelist in America, England, and Europe; and that of the literary and intellectual climate of his time. By tracing the complex development of his career under such headings as 'American and Romantic', 'Victorian and Realist', 'Crisis and Experiment' and 'Master and Modernist', it gives a dynamic portrait, both factual and interpretative, of one of the greatest and most prolific novelists in the language, whose many-sided career began in the time of Thackeray and Dickens, and ended by ushering in the writings of Joyce and Woolf.
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
This collection brings together four of Graham's most successful and entertaining plays, each representing a relationship with a theatre with which he has worked and introduced by the author. One of the plays, Sons of York, has never before been published, but earned James Graham a nomination for the Empty Space Mark Marvin Award. A History of Falling Things is a gentle love story about a young man and woman forced to confront their fears of the outside world and discover what really matters to their lives. Tory Boyz is a fast-paced, political comedy about prejudice and ambition in Westminster, looking at homosexuality in the British Conservative party, both today and in the past. As Ben, self-employed, skint and emotionally vulnerable, begins to stitch together the patchwork quilt that was the Tax Year 2009/2010, he relives a year that was both hilarious and tragic, all mixed up in one shoe box of receipts. The Man is an affectionate and funny portrait of an individual's year-long experience, pieced together from receipts, shopping and commercial transactions. The Whisky Taster is a contemporary, subtle and witty exploration of feeling and perception in the modern world of advertising, and about seeing things too clearly in a city that never stands still. Sons of York Described as 'undoubtedly one of the best new plays of the year' (British Theatre Guide), Sons of York depicts three generations of the same family moving in together in Hull as the Winter of Discontent of 1978 builds up.
This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history’s most influential authors, no full-length study has dedicated itself specifically to theatre-fiction—in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world’s theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain argues for the benefits of considering these works in relation to each other, to a history of development, and to the theatre of their time. New modes of intermedial analysis are modelled through close studies of Henry James, Somerset Maugham, Virginia Woolf, J. B. Priestley, Ngaio Marsh, Angela Carter, and Doris Lessing, all of whom were deeply involved in the theatre-world as playwrights, directors, reviewers, and theorists. Drawing as much on theatre scholarship as on literary theory, Theatre-Fiction in Britain presents theatre-fiction as one of the past century’s most vital means of exploring, reconsidering, and bringing forth theatre’s potentials.
A fascinating book covering fourteen generations of the extended Purchase family. The Purchase ancestors from England were related to Rev. Charles Haddon Spurgeon from London and were missionaries to Southern Africa. They settled in Northern Rhodesia and raised their families under very primitive conditions. In addition to instilling Christian principles into local Africans, they taught them common farming and building skills. The descriptions of confrontations with wild animals and interactions with native Africans are at times riveting. Successive generations of Purchases spread out all over the world.
The second collection of plays from eminent playwright James Graham, bringing together four of his state-of-the-nation plays. The volume includes the following plays, alongside an introduction by the author: This House (2012) explores Westminster and the 1974 hung parliament through a combination of wit and waspish dialogue, comedy and political comment, and historical and contemporary concerns. The Angry Brigade (2014) takes a look at the story behind the Angry Brigade - a British anarchist group who carried out a series of bomb attacks between 1970 and 1972. The Vote (2015) looks at what happens in Britain on election night through the eyes of those at the polling station. Set in a fictional London polling station, Graham's play dramatises the final ninety minutes before the polls close in the 2015 general election. Monster Raving Loony (2016) explores the life and exploits of Screaming Lord Sutch to examine the state of the nation and Britain's post-war identity crisis. It tells the story of Sutch through a cavalcade of comic characters from music hall to Monty Python, panto to Partridge.
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