A collection of vegan recipes so simple to make that even a stoner could prepare them, this highly illustrated cookbook from the creators of The Vegan Stoner food blog proves that going vegan can be fun, cheap, and easy. Cooking vegan doesn't have to be hard! This irreverent take on veganism proves that beginners and slackers alike can whip together yummy, filling meals with just a few ingredients and minimal time and effort. Foolproof recipes for breakfast, lunch, dinner, and muchies include Mean Green Smoothies, Aspara-Guy Sushi, Bahnwiches, Animal Cookies, Churro Chips, and more.
The authors of the cult favorite The Vegan Stoner Cookbook are back with new vegan recipes so simple even a stoner can make them, now featuring a greater focus on whole foods, plus gluten-free and soy-free options. Cooking vegan doesn't have to be hard! The Vegan Stoners, Sarah Conrique and Graham I. Haynes, are back with another batch of foolproof vegan dishes. This time, the yummy, fresh recipes highlight even more whole foods and fresh produce for modern vegan meals that take you beyond the pantry and into the farmers market, with an added focus on gluten- and soy-free options. This highly illustrated, irreverent cookbook (and its cast of eccentric vegetable characters) presents easy instructions and simple, line-drawing ingredient lists that help busy home cooks and hungry slackers alike whip together filling vegan meals with minimal time and effort. With recipes like Butternut-chos, Jackfruit "Toona" Salad, and Shroom Paella, you'll find flexible plant-based recipes that satisfy your cravings.
This is the first comprehensive catalogue of the sculpture from this region of Roman Britain, including the first proper record of the sculpture from Wroxeter. The sculptures, all in local sandstone, were carved locally and provide an index of Romanisation in the far north-west of the Roman Empire - at the Fortress of Legio II Adivtrix and then Legio XX Valeria Victrix at Devra (Chester), and at the Fortress and subsequently the civil town of the Cornovii at Viroconium (Wroxeter). The sculpture from Letcetum (Wall, Staffs) is also considered. The works range in quality from highly accomplished and decorative altars and tombstones, to rather ham-fisted efforts which hint that it was not always possible to attract sculptors to these relatively remote places. Such factors are discussed in an extended introduction.
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