Since it was first published in 1962, The Theory and Practice of Seamanship has been continuously revised, culminating in this 11th edition. This new edition includes an updated section on ‘Regulations for Prevention of Collision at Sea’ as well as a new Author’s Note. It has been widely praised and is the standard work on the subject.
The English inspector confronts a cultist enclave where mysticism meets murder in the series that inspired the ITV crime drama Midsomer Murders. The Lodge of the Golden Windhorse has provided the citizens of Compton Dando with splendid fodder for gossip, prompting speculation of arcane rituals and bizarre sexual practices. But with the murder of the commune’s leaders, the rumor-mill goes into overdrive. Now Chief Inspector Barnaby must separate rumor from reality in a case where the facts are often stranger than fiction. The residents of the Windhorse commune may have been seeking the simple life, but they’re all concealing complicated pasts—or past lives. Macavity Award-winning author Caroline Graham once again demonstrates why she is “simply the best detective writer since Agatha Christie” (The Sunday Times, UK).
A portrait of the self-destructive French novelist follows Balzac's early literary disappointments, impractical money-making schemes, love affairs, correspondences, and achievements.
Roland Barthes is a central figure in the study of language, literature, culture and the media. This book prepares readers for their first encounter with his crucial writings on some of the most important theoretical debates, including: *existentialism and Marxism *semiology, or the 'language of signs' *structuralism and narrative analysis *post-structuralism, deconstruction and 'the death of the author' *theories of the text and intertextuality. Tracing his engagement with other key thinkers such as Sartre, Saussure, Derrida and Kristeva, this volume offers a clear picture of Barthes work in-context. The in-depth understanding of Barthes offered by this guide is essential to anyone reading contemporary critical theory.
The Master Game is a rollercoaster intellectual journey through the back streets and rat runs of history to uncover the traces in architecture and monuments of a secret religion that has shaped the world. Pivotal historical events and processes, not least the Renaissance, the birth of scientific rationalism, and the French and American revolutions, are radically reevaluated in the light of new investigative evidence presented in The Master Game. Even the belief that the United States has a "global mission," so obvious today, may ultimately prove to be less the result of a shortterm reaction to terrorism than the inevitable working out of a covert plan originally set in motion almost two thousand years ago. The Master Game refers to a scheme or "game" played on the world stage to bring about a world order governed by a lofty goal which, today, we term the "Masonic Ideal." The Master Game traces the origins of this game of symbols and words and talismans from ancient Egypt all the way to modern times, and places it squarely on the elitist Scottish Rite Freemasonry, headquartered in Washington, DC, and ruled by a secretive and powerful brotherhood of men who have attained the thirtythird degree. The Master Game exposes this world order's true purpose and, more importantly, shows how it has affected the United States of America and badly backfired on 9/11. The book is adapted and expanded from the authors' earlier, outofprint book Talisman.
In this expanded edition of his landmark 2011 work on Meillassoux, Graham Harman covers new materials not available to the Anglophone reader at the time of the first edition. Along with Meillassoux's startling book on Mallarme's poem 'Un coup de des jamais n'abolira le hasard,' Harman discusses several new English articles by Meillassoux, including his controversial April 2012 Berlin lecture and its critique of 'subjectalism'. Freshly called to a professorship at the Sorbonne, Meillassoux's star has continued to rise. This expanded edition of the only book on Meillassoux remains the best introduction to one of Europe's most promising thinkers.
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)
Born in New York City in 1924, the author is the product of a broken home. From his mother and her mother before her he inherited a lack of ability to share his feelings-and his affections. Singularly aware of his attraction to men at an early age his life has been a constant battle between finding a man he could love and respect, yet turning away from those who might have brought love into his life. Achieving early success as an actor's agent, that he was open about his sexuality put him constantly on the alert against those jealous of his success. Well thought of though he was his innate lack of self-worth caused him to give up an opportunity to open his own agency. Switching careers to casting for films and television, he was well respected by his peers and served as a Governor of the Academy of Television Arts & Sciences for two terms. When the graying of the industry brought his career to a sudden halt, David volunteered in various organizations whose purpose was to support people with AIDS. Peppered with true accounts of his romantic escapades in a seemingly futile search for a man to love, he eventually found peace through a stud of metaphysics. It is to his two felines, Dickens and Princess whom he credits with teaching him the meaning of unconditional love! After first Dickens and then Princess had to be put to sleep he thought long and had about adopting other cats. Concerned as to whether he would be around long enough to see them through their lives, in October 2004 he adopted littermates Tommy and Cookie. They have brought further love and understanding into his life!
A Right to Read is the first book to examine public library segregation from its origins in the late 19th century through its end during the tumultuous years of the 1960s civil rights movement. Graham focuses on Alabama, where African Americans, denied access to white libraries, worked to establish and maintain their own "Negro branches." These libraries - separate but never equal - were always underfunded and inadequately prepared to meet the needs of their constituencies."--BOOK JACKET.
Fifty years ago, Britain propelled itself into a disastrous war in the Middle East. Condemned by the UN and accused of falsifying intelligence, the Prime Minister was left fighting for his political life against a Party disillusioned, a public betrayed, and a wily Chancellor with ambitions to take his place... With the pressure of opposition to his war, Prime Minister Anthony Eden rapidly lost his grip on both the Empire and his health. Unable to control the growing power of both the United States and the Arab world, nor his own failing body, history would mark him as the worst British Prime Minister of the twentieth century. A new, uncompromising political thriller exploring with electrifying theatricality the events of the Suez Crisis, and the tragic story of its flawed hero - Churchill's golden boy and heir apparent, Anthony Eden.
This volume brings together eight essays (all but one previously unpublished) that offer innovative strategies for studying society and culture in eighteenth-century France. Divided into three sections, the chapters map out current research paths in social, cultural, and political history. The authors engage the most heated subjects of debate in the field today, including the changing nature of political life in the age of Enlightenment, the role of public opinion in undermining absolutism, and the impact of gender on social relationships and political language in the late eighteenth century. They demonstrate a marked interest in the lives of ordinary and humble French people, finding that exclusion from the main corridors of power fostered cunning and resourcefulness, not political indifference or ignorance. The articles encompass the Old Regime and the revolutionary era without falling into the teleological trap of using the former as the backdrop for the events of 1789. On the contrary, many of the authors consciously avoid this bias by investigating the Old Regime in its own right or by consciously linking the pre- and postrevolutionary eras. This decision alone marks an important turning of the tide. By establishing a dialogue between the Old Regime and the revolution, this volume implicitly pays homage to those historians who insist on the structural continuities that underlay the rupture of 1789. Contributors are Cissie Fairchilds, Christine Adams, Orest Ranum, Lisa Jane Graham, Harvey Chisick, John Garrigus, Lenard Berlanstein, and Jack Censer.
What is reality, really? Are humans more special or important than the non-human objects we perceive? How does this change the way we understand the world? We humans tend to believe that things are only real in as much as we perceive them, an idea reinforced by modern philosophy, which privileges us as special, radically different in kind from all other objects. But as Graham Harman, one of the theory's leading exponents, shows, Object-Oriented Ontology rejects the idea of human specialness: the world, he states, is clearly not the world as manifest to humans. At the heart of this philosophy is the idea that objects - whether real, fictional, natural, artificial, human or non-human - are mutually autonomous. In this brilliant new introduction, Graham Harman lays out the history, ideas and impact of Object-Oriented Ontology, taking in everything from art and literature, politics and natural science along the way. Graham Harman is Distinguished Professor of Philosophy at SCI-Arc, Los Angeles. A key figure in the contemporary speculative realism movement in philosophy and for his development of the field of object-oriented ontology, he was named by Art Review magazine as one of the 100 most influential figures in international art.
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of ‘the contemporary’. The theatre is attractive for its history and also for its lively present. These essays explore aspects of historical performance in ancient Greece, and link thoughts on its significance to wider reflections on cultural theory from around the world and performance in the contemporary postmodern era, concluding with ideas on the new theatre of the diaspora. Each section of the book includes a short introduction; the essays and shorter interventions take various forms, but all are concerned with theatre, with practical aspects of theatre and theoretical dimensions of its study. The subjects range from ancient Greece to the present day, and include speculations on the origin of ancient tragic acting, the kinds of festival performance in ancient Athens, how performance is reflected in the tragic scripts, the significance of the presence of the chorus, technology and the ancient theatre, comparative thinking on Greek, Indian and Japanese theory, a critique of the rhetoric of performance theory and of postmodernism, reflections on modernism and theatre, and on the importance of adaptation to theatre, studies of the theatre and diaspora in Britain.
From 1864 to 1880, socialists, communists, trade unionists, and anarchists synthesized a growing body of anticapitalist thought through participation in the First International—a body devoted to uniting left-wing radical tendencies of the time. Often remembered for the historic fights between Karl Marx and Michael Bakunin, the debates and experimentation during the International helped to refine and focus anarchist ideas into a doctrine of international working class self-liberation. An unprecedented analysis of an often misunderstood history.
When Ross Poldark's former beloved gives birth to a son--with his enemy George Warleggan--Ross must face the pain of losing her all over again. But soon they discover her cousin has fallen in love with Ross's brother-in-law, and the two families become entangled in surprising new ways. As the rivalry between Ross and George reaches new heights, the families must face an uncertain future. Filled with intrigue and secrets, and set against the romantic Cornwall backdrop, The Black Moon will pull you into the lives of these two very memorable families"--
The Twisted Sword, the eleventh novel in Winston Graham's classic Poldark saga, now a major TV series from Masterpiece PBS. Cornwall 1815 Demelza sees a horseman riding down the valley and senses disruption to the domestic contentment she has fought so hard to achieve. For Ross has little option but to accept the summons – and travel to Paris with his family, as an 'observer' of the French armed forces. Parisian life begins well with an exhilarating round of balls and parties. But the return of Napoleon brings separation, distrust and danger to the Poldarks . . . and always for Demelza there is the shadow of the secret she does not even share with Ross. In his Poldark series, Winston Graham explores the complications of love lost and the class struggle of early 19th-century England with a light comic touch. The Twisted Sword is followed by the twelfth book in the Poldark series, Bella Poldark.
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
French Drama of the Revolutionary Years (1990) examines the years following the Revolution which saw an explosion both in the number of theatres and in the number of dramatic representations written and performed. It describes this turbulent period of theatre history, placing it firmly within the context of French social and political life, and illustrating the discussion with examinations of contemporary texts. It focuses on the political and philosophical themes of the plays, and the light they throw on events of the time.
This book presents the view of psychology as a global enterprise, the development of which is moderated by the dynamic tension between the move toward globalization and concomitant local forces. It describes the broader intellectual and social context within which psychology has developed.
Graham Robb tells the complicated story of this colossal life with authority and sympathy. . . . Unquestionably, a magnificent biography".--"Washington Square Press". of photos.
The New York Times bestseller: the secrets of the City of Light, revealed in the lives of the great, the near-great, and the forgotten—by the author of the acclaimed The Discovery of France. This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction, of the lives of the great, the near-great, and the forgotten. A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. A well-dressed woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank. For want of a map—there were no reliable ones at the time—Marie-Antoinette will go to the guillotine. Baudelaire, the photographer Marville, Baron Haussmann, the real-life Mimi of La Boheme, Proust, Adolf Hitler touring the occupied capital in the company of his generals, Charles de Gaulle (who is suspected of having faked an assassination attempt in Notre Dame)—these and many more are Robb’s cast of characters, and the settings range from the quarries and catacombs beneath the streets to the grand monuments to the appalling suburbs ringing the city today. The result is a resonant, intimate history with the power of a great novel.
Friends of Liberty tells the remarkable story of three men whose lives were braided together by issues of liberty and race that fueled revolutions across two continents. Thomas Jefferson wrote the founding documents of the United States. Thaddeus Kosciuszko was a hero of the American Revolution and later led a spectacular but failed uprising in Poland, his homeland. Agrippa Hull, a freeborn black New Englander, volunteered at eighteen to join the Continental Army. During the Revolution, Hull served Kosciuszko as an orderly, and the two became fast friends. Kosciuszko's abhorrence of bondage shaped histhinking about the oppression in his own land. When Kosciuszko returned to America in the 1790s, bearing the wounds of his own failed revolution, he and Jefferson forged an intense friendship based on their shared dreams for the global expansion of human freedom. They sealed their bond with a blood compact whereby Jefferson would liberate his slaves upon Kosciuszko's death. But Jefferson died without fulfilling the promise he had made to Kosciuszko-and to a fledgling nation founded on the principle of liberty and justice for all.
Historical fiction of a high order' The Times Spring, 1941. The war in the West is as good as won. Nation after nation has fallen before the Reich's armies. Only Britain endures, her cities under nightly bombardment from the Luftwaffe. Berlin would happily call off the bombers in exchange for a peace treaty. Hitler would like to persuade Britain to turn her back on Europe, to attend to her precious Empire instead, to allow Germany a free hand to deal with the real enemy in the East. Peace, perhaps, but at what cost? For Churchill the price is too high; but for others within the British establishment, it is a price worth paying. On both sides of the channel, advocates of total war or peace-at-all-costs are at each others' throats – all unaware that Rudolf Hess, Hitler's quiet, contemplative deputy, has already taken radical steps to change the fortunes of the war... Raid 42 is part of the SPOILS OF WAR Collection, a thrilling, beguiling blend of fact and fiction born of some of the most tragic, suspenseful, and action-packed events of World War II. From the mind of highly acclaimed thriller author GRAHAM HURLEY, this blockbuster non-chronological collection allows the reader to explore Hurley's masterful storytelling in any order, with compelling recurring characters whose fragmented lives mirror the war that shattered the globe.
In 1913, Russian imperial marines stormed an Orthodox monastery at Mt. Athos, Greece, to haul off monks engaged in a dangerously heretical practice known as Name Worshipping. Exiled to remote Russian outposts, the monks and their mystical movement went underground. Ultimately, they came across Russian intellectuals who embraced Name Worshipping—and who would achieve one of the biggest mathematical breakthroughs of the twentieth century, going beyond recent French achievements. Loren Graham and Jean-Michel Kantor take us on an exciting mathematical mystery tour as they unravel a bizarre tale of political struggles, psychological crises, sexual complexities, and ethical dilemmas. At the core of this book is the contest between French and Russian mathematicians who sought new answers to one of the oldest puzzles in math: the nature of infinity. The French school chased rationalist solutions. The Russian mathematicians, notably Dmitri Egorov and Nikolai Luzin—who founded the famous Moscow School of Mathematics—were inspired by mystical insights attained during Name Worshipping. Their religious practice appears to have opened to them visions into the infinite—and led to the founding of descriptive set theory. The men and women of the leading French and Russian mathematical schools are central characters in this absorbing tale that could not be told until now. Naming Infinity is a poignant human interest story that raises provocative questions about science and religion, intuition and creativity.
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.
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