First published in 1987. While there have been commentaries on his humour, his seriousness, his social concerns, and other specific aspects of his work such accounts have only tended to divide our understanding of the novels, to lead us to see them as failures of artistic unity. In this book the author seeks to address this question of unity and find a terminology that can treat language, plot and representation of reality as a coherent imaginative effort. This thesis is worked out in detail with reference to several of the novels, and represents a challenging re-evaluation Dickens’ achievement as a novelist. This book will be if interest to student of literature.
In this collection of essays, a number of critics offer commentary on the crime fiction genre, exploring the kinds of pleasure it offers. Looking under the attractive surface of these books, the contributors discover a number of complex issues.
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)
In Britain every generation produces a national treasure, a lovable figure so English that he could not possibly be of any other nationality, and Sir John Mortimer is just such a figure.Mortimer has delighted millions all over the world with seven television series about the gloriously larger-than-life fictional barrister Horace Rumpole --- Rumpole of the Bailey --- as well as novels, autobiographies, stage plays, film scripts, short stories, television and radio plays, newspaper articles, and even an opera and a ballet. Laurence Olivier, John Gielgud, and Alec Guinness appeared in his plays, and among his greatest theatrical triumphs is his stage and television play A Voyage Round My Father. He won a British Book Awards trophy for Lifetime Achievement in 2005.Mortimer actually practiced as a barrister for thirty-six years, defending husbands, wives, pornographers, and murderers in court and starring as the real-life "Devil's Advocate" in several legendary obscenity and blasphemy cases in the 1970s, quickly becoming a liberal hero.Yet despite huge success, fame, and knighthood there lurks beneath that genial "champagne socialist" mask an unusually complex man who has been plagued by depression, doubt, insecurity, and an irresistible urge to commit adultery.Biographer Graham Lord, whose discovery that Mortimer had a secret son by the British actress Wendy Craig forced Sir John to admit it publicly in 2004, has interviewed scores of Mortmer's family, friends, mistresses, and enemies to write a frank and vital biography that reveals the startling reality behind the beloved public figure. "Breathless prose and many juicyrevelations-an absorbing read."--Kirkus Reviews
The 7th edition of this best-selling social psychology text by Graham Vaughan and Michael Hogg, Social Psychology, retains the structure and approach of the previous edition but has been revised to reflect the changes in the field, with the material thoroughly updated throughout. Social Psychology 7e continues to capture the scope and detail of contemporary social psychology as an international scientific enterprise and at the same time deals with the subject in a way that is relevant to university teaching and social psychology research in Australia and New Zealand.
Love Me or Kill Me is the first study of Sarah Kane, the most significant British dramatist in post-war theater. It covers all of Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the 'new wave' of emergent British dramatists in the 1990's, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.
In den Jahren nach den Napoleonischen Kriegen gewann der in Bremen geborene John Henry Bohte (1784–1824) als Buchverkäufer und Verleger mit einem in London angesiedelten Import/Export-Geschäft und einer Präsenz in Leipzig schnell an Ansehen. Anfang 1813 eröffnete Bohte als noch Zwanzigjähriger seinen Laden in der York Street, Covent Garden. Er spezialisierte sich auf den Import deutscher Bücher und deutscher Ausgaben der griechischen und römischen Klassiker, vereinigte sein Einzelhandelsgeschäft aber schnell mit der „Deutschen Lesebibliothek“. Anfang 1820 wurde er als „Ausländischer Buchhändler seiner Majestät, dem König“ mit einem „Royal Warrant“, dem Hoflieferantenstatus, ausgezeichnet. Das Portfolio der Produkte und Dienstleistungen von Bohtes Geschäft umfasste nicht nur den Import deutscher Bücher, sondern auch ein ambitioniertes Verlagsprogramm für die Bereiche der deutschen und englischen Literatur, der klassischen Philologie und Naturgeschichte. Bohtes regelmäßige und lange Reisen nach Deutschland zur Leipziger Buchmesse reflektierten seine Ambition, zudem einer der Hauptexporteure englischer Bücher für den Kontinent zu werden. In den Worten eines anonymen Rezensenten wurde Bohte als „der temperamentvollste und nützlichste Buchverkäufer“ betrachtet. Trotz seines frühen Todes im Alter von 40 Jahren in London im Jahr 1824 hinterließ er wichtige Nachlässe sowohl in London als auch in Leipzig. In seiner Biografie von J. H. Bohte, "An Ocean of Literature", nutzt Graham Jefcoate eine umfangreiche Auswahl von Materialien aus Sammlungen in Großbritannien, Deutschland und weiteren Ländern, um die Rolle des Buchhandels im Laufe des deutsch-britischen Austauschs des frühen 19. Jahrhunderts zu veranschaulichen. ****** In the years following the Napoleonic Wars, the Bremen-born John Henry Bohte (1784-1824) quite rapidly acquired a reputation as a bookseller and publisher, with an import/export business based in London and also a presence in Leipzig. Bohte opened his shop in York Street, Covent Garden, in early 1813, while still in his twenties. He specialised in importing German books and German editions of the Greek and Roman classics, but soon combined his retail business with a German circulating library, the “Deutsche Lesebibliothek”. In early 1820, he was awarded a Royal Warrant as “Foreign Bookseller to His Majesty the King”. The portfolio of products and services offered by Bohte’s business included not just the importation of German books, but also an ambitious publishing programme in the fields of German and English literature, classical philology and natural history. Bohte’s regular and prolonged trips to Germany to attend the Leipzig Easter Book Fairs reflected his ambition to become a major exporter of English books to the continent too. In the words of one anonymous reviewer, Bohte was considered “a most spirited and most useful bookseller”. Although he died suddenly in London in 1824, aged only forty, he left an important legacy in both London and Leipzig. In his biography of J. H. Bohte, An Ocean of Literature, Graham Jefcoate has used a wide range of materials from collections in Britain, Germany and elsewhere to illuminate the role of the book trade in the process of Anglo-German exchange in the early nineteenth century.
Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world. Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus. Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.
Born in New York City in 1924, the author is the product of a broken home. From his mother and her mother before her he inherited a lack of ability to share his feelings-and his affections. Singularly aware of his attraction to men at an early age his life has been a constant battle between finding a man he could love and respect, yet turning away from those who might have brought love into his life. Achieving early success as an actor's agent, that he was open about his sexuality put him constantly on the alert against those jealous of his success. Well thought of though he was his innate lack of self-worth caused him to give up an opportunity to open his own agency. Switching careers to casting for films and television, he was well respected by his peers and served as a Governor of the Academy of Television Arts & Sciences for two terms. When the graying of the industry brought his career to a sudden halt, David volunteered in various organizations whose purpose was to support people with AIDS. Peppered with true accounts of his romantic escapades in a seemingly futile search for a man to love, he eventually found peace through a stud of metaphysics. It is to his two felines, Dickens and Princess whom he credits with teaching him the meaning of unconditional love! After first Dickens and then Princess had to be put to sleep he thought long and had about adopting other cats. Concerned as to whether he would be around long enough to see them through their lives, in October 2004 he adopted littermates Tommy and Cookie. They have brought further love and understanding into his life!
When a bloody, pulverized body is found lying beneath the rustic timbers of an authentic torture device so vicious and complicated as to be blood-curdling, there's sufficient unrest in tiny Forbes Abbot to call in Chief Inspector Barnaby. Was Dennis Brinkley done in by crooked business partners, a teenage seductress, a couple of would-be publishers who've just inherited--and then lost--millions, or perhaps by tired, timid little Benny Fraye, who wouldn't hurt a fly--would she? Barnaby will soon find out just who set in motion the gruesome machine that crushed the unfortunate victim. Caroline Graham's delightful cozy village mysteries, which inspired the continuing Midsommer Murders series starring Inspector Barnaby on A&E Television, have long been fan-favorites; A Ghost in the Machine is sure to cement her reputation as one of the best crime writers in the mystery business today.
Have you ever wondered what year Alfred Hitchcock released his first film, which film made the biggest box office loss of all time, or who were the first actors to receive separate Oscars for playing the same role? This fascinating miscellany contains the answers to these questions and more! Packed with profiles of the heroes and villains of film, explorations of genre, statistics and infographics, Cinema is perfect for any movie buff who loves the storytelling magic of the silver screen.
On the night of 10-11 May 1996, eight climbers perished in what remains the worst disaster in Everest's history. Following the tragedy, numerous accounts were published, with Jon Krakauer's Into Thin Air becoming an international bestseller. But has the whole story been told? A Day to Die For reveals the full, startling facts that led to the tragedy. Graham Ratcliffe, the first British climber to reach the summit of Mount Everest twice, was a first-hand witness, having spent the night on Everest's South Col at 26,000 ft, sheltering from the deadly storm. For years, he has shouldered a burden of guilt, feeling that he and his teammates could have saved lives that fateful night. His quest for answers has led to discoveries so important to an understanding of the disaster that he now questions why these facts were not made public sooner. History is dotted with high-profile disasters that both horrify and capture the attention of the public, but very rarely is our view of them revised to such devastating effect.
First published in 1987. While there have been commentaries on his humour, his seriousness, his social concerns, and other specific aspects of his work such accounts have only tended to divide our understanding of the novels, to lead us to see them as failures of artistic unity. In this book the author seeks to address this question of unity and find a terminology that can treat language, plot and representation of reality as a coherent imaginative effort. This thesis is worked out in detail with reference to several of the novels, and represents a challenging re-evaluation Dickens’ achievement as a novelist. This book will be if interest to student of literature.
In this collection of essays, a number of critics offer commentary on the crime fiction genre, exploring the kinds of pleasure it offers. Looking under the attractive surface of these books, the contributors discover a number of complex issues.
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