Over the last thirty years, historical studies of building types have become something of a growth area. As well as such general surveys as Nikolaus Pevsner's History of Building Types, there are growing numbers of studies of individual types, of which the most distinguished perhaps remain Mark Girouard's Life in the English Country House and Robin Evan's study of prisons, The Fabrication of Virtue. This growth is not surprising, because the subject lends itself to the 'New Art History', and to our increasing desire to set buildings within their social and cultural contexts, as well as their stylistic and cultural ones. This book by Dr Graham is a comprehensive study of a type of building - the law court - which has, to date, remained largely unexplored. Ordering Law establishes when, why and how the trial came to be housed in purpose-built accommodation in England, and what was architecturally distinctive about that accommodation in the period leading up to 1914. The main text concentrates on examining in depth a series of well-documented individual buildings and groups of buildings, using a wide range of contemporary sources to illuminate the way in which they were designed and used. Other information gleaned about court buildings nationwide is placed in an appendix, in gazetteer form; originally drawn from the 200 or so examples listed in the Buildings of England guides, this has expanded to include over 800 entries. As a piece of scholarly research, this work draws on several disciplines and will be of interest to those studying social and legal history, as well as those with a broader interest in architectural history.
Few figures who were active in the English Romantic Movement are as fascinating as Samuel Taylor Coleridge (1772-1834). Aside from his own visionary verse, Coleridge is famous for his colourful friendships with fellow-poets Wordsworth and Southey, and above all for his well documented drug-taking and creative use of opium. But it is less widely appreciated that he was also a key figure in Anglican thought, whose writings are continually referred to by modern Anglican theologians. Coleridge's journey from the Unitarianism of his father towards a later commitment to Anglican Trinitarianism of a type he had rejected in his youth involved a rigorous philosophical process of imaginative liberal thinking. Over the last 200 years, that thinking has provided Anglicanism with many valedictory tools as well as a measure of robust self-belief. Offering a major contribution both to religious history and the history of ideas, Graham Neville here charts the particular liberal tradition in British religious thought which stems directly from Coleridge. He shows why Coleridge's thought remains so significant, and traces the ways in which his subject's theological ideas profoundly influenced later British writers and scholars like F.D. Maurice, F.J.A. Hort, F.W. Robertson, B.F. Westcott, John Oman and Thomas Erskine (once called the 'Scottish Coleridge'). Dr Neville further relates the pioneering ideas of Coleridge to current developments in theology and scientific method.
“Graham is the queen of romantic suspense.” —RT Book Reviews SHADOWS IN THE NIGHT A year after the chilling death of her mentor, criminologist Harley Frasier is still rattled. Secretly she’s suspected murder all along. Now the unveiling of the Amenmose exhibit is triggering a series of unexplained attacks, and there’s only one man she can trust. FBI special agent Micah Fox is used to charging into dangerous territory to solve a case. Working with a civilian is new ground, especially when she’s as irresistible as Harley. He can’t say no to her sharp instincts and sexy smile. And with a threat closing in, there’s no way in hell he’ll leave her unprotected. NEVER SLEEP WITH STRANGERS Four years ago, while vacationing at their country estate in Scotland, Jon Stuart watched his wife plummet from the balcony to a horrific death. Although cleared of any involvement, he’s endured years of public suspicion—losing friends and his good standing in the community. But this was no accident, and now he’s determined to prove it was murder. Orchestrating a dangerous plan, Jon has gathered the prime suspects at the scene of the crime. The stage is set as past and present collide, old lovers reunite…and a killer plots another perfect crime. Don’t miss other heart-racing stories from The Finnegan Connection mini-series! Law and Disorder Out of the Darkness
PESTICIDE APPLICATION METHODS Pesticide Application Methods is the standard work for all those involved in crop protection. This fully revised and expanded edition provides up-to-date information on the different types of application techniques and how they should be used to ensure efficient and effective pest control. The third edition of this excellent book was published more than 10 years ago, since when a number of important developments have taken place. Examples include changes to legislation both in the EU and USA concerning water quality. This has an impact on how spray is applied and, more particularly, how the sprayer is designed to minimise quantities that remain in the equipment when spraying is completed, and in addition inform how and when the sprayer is cleaned. Concern about spray drift has also continued and has led to more research on how to reduce the amount of spray that moves downwind from a treated area. Important new information on this topic is included within the new edition. Professor Graham Matthews has been joined by two new co-authors to increase the breadth and depth of coverage in this updated edition of Pesticide Application Methods. This important new edition is a commercially significant reference tool and will be of great use and interest to all those working in crop protection, including agricultural entomologists and plant pathologists, pesticide scientists, advisors and consultants, large-scale growers, agricultural and horticultural scientists, agrochemical industry personnel including those involved in equipment supply and product formulation. Libraries in government and commercial research establishments, universities and agricultural colleges where agricultural and biological sciences are studied and taught should have multiple copies of this definitive book on their shelves.
Isaac Watts was an important but relatively unexamined figure and this volume offers a description of his theology, specifically identifying his position on reason and passion as foundational. The book shows how Watts modified a Puritan inherence on both topics in the light of the thought of his day. In particular there is an examination of how he both took on board and reacted against aspects of Enlightenment and sentimentalist thought. Watts' position on these foundational issued of reason and passion are then shown to lie behind his more practical works to revive the church. Graham Beynon examines the motivation for Watts' work in writing hymns, and the way in which he wrote them; and discusses his preaching and prayer. In each of these practical topics Watts's position is compared to earlier Puritans to show the difference his thinking on reason and passion makes in practice. Isaac Watts is shown to have a coherent position on the foundational issues of reason and passion which drove his view of revival of religion.
In 1950's Boston, the Irish Republican Army is running guns and killing witnesses. Cal and Dante are committed to stopping them. When a body is discovered at the Charlestown locks -- tarred, feathered and shot to death -- it appears to be a gangland killing, and is almost immediately dismissed. However, Cal O'Brien's cousin, Boston PD detective Owen Lackey, recognizes the murder style as the typical retribution for IRA informers. Combined with a tip-off about a boat coming into Boston weighed down with stolen guns and ammunition, the body in the locks hints that much more may be at stake than a one-off hit. Serpents in the Cold introduced us to Cal and Dante, whose previous investigation brought them to the highest ranks of Boston's political elite. This time, Cal and Dante descend into the city's shadowy underbelly -- a world of packed dance halls, Irish wakes, and funeral parlors. There they discover a terrorist plot that will shake the city to its core and bring them head-to-head not only with Cal's past, but with the IRA Army Council itself.
July, 1917. DI Ernest Hardcastle and his assistant, DS Charles Marriott, investigate the murder of a cashier operating in London's Victoria Station. An army officer claims to have seen the murderer running away, and an army cap left behind appears to identify the criminal. Hardcastle believes that it will be a simple matter to go to Aldershot and arrest him, but things are never as easy as they seem. Soon Hardcastle and Marriott find themselves investigating a frustrating and seemingly unsolvable case. Has Hardcastle finally met his match? . . .
A fascinating book covering fourteen generations of the extended Purchase family. The Purchase ancestors from England were related to Rev. Charles Haddon Spurgeon from London and were missionaries to Southern Africa. They settled in Northern Rhodesia and raised their families under very primitive conditions. In addition to instilling Christian principles into local Africans, they taught them common farming and building skills. The descriptions of confrontations with wild animals and interactions with native Africans are at times riveting. Successive generations of Purchases spread out all over the world.
This is a revised and expanded version of the much praised short book Universities: The Recovery of An Idea. It contains chapters on the history of universities; the value of university education; the nature of research; the management and funding of universities plus additional essays on such subjects as human nature and the study of the humanities, interdisciplinary versus multidisciplinary study, information systems and the concept of a library, the prospects for e-learning, reforming universities, intellectual integrity and the realities of funding, and spiritual values and the knowledge economy.
In Eleanor Smith’s Hull House Songs: The Music of Protest and Hope in Jane Addams’s Chicago, the authors republish Hull House Songs (1916), together with critical commentary. Hull-House Songs contains five politically engaged compositions written by the Hull-House music educator, Eleanor Smith. The commentary that accompanies the folio includes an examination of Smith’s poetic sources and musical influences; a study of Jane Addams’s aesthetic theories; and a complete history of the arts at Hull-House. Through this focus upon aesthetic and cultural programs at Hull-House, the authors identify the external, and internalized, forces of domination (class position, racial identity, patriarchal disenfranchisement) that limited the work of the Hull-House women, while also recovering the sometimes hidden emancipatory possibilities of their legacy. With an afterword by Jocelyn Zelasko.
Kurt Austin and the NUMA crew race to identify a link between an ancient Egyptian treasure, a 1927 daredevil aviator's disappearance and the sinking of a modern fishing trawler to prevent a scheme by a cutthroat arms dealer"--
The engaging story of Bill Garrett--the Jackie Robinson of college basketball--who joined the basketball program at Indiana University in 1947 and broke the gentleman's agreement that had barred black players from the Big Ten. Within a year of his graduation from IU in 1951, there were six African American basketball players on Big Ten teams. Soon tens, then hundreds, and finally thousands walked through the door Garrett had opened.
This military history offers a provocative take on the “Special Relationship” between the UK and the USA from the close of WWI into the Cold War. After the Great War, the American government contemplated what it would mean to pursue global superpower status. One potential consequence might have been conflict with Great Britain. And so, the US drew up War Plan Red: a scheme by which American forces invaded Canada and the Caribbean, drawing the Royal Navy into North American waters—and leaving the rest of the British Empire vulnerable to attack. In 1939, the American military created an intelligence-gathering machine within their Embassy in London under Ambassador Joe Kennedy. Two years later, the US Army Special Observer Group traveled to Britain to plan for Anglo-American cooperation should the United States enter World War II. Their intelligence-gathering activities spread out as far as the Middle East, Africa, South America, Russia, and Asia—far beyond the terms of the original brief. At the start of the Cold War, a whole new range of subterfuge was initiated by the CIA. So, were the Americans allies or spies? In this enlightening study, acclaimed military historian Graham M. Simons examines how two of history’s greatest allies could find themselves in bitter conflict.
Cities of God traces urban culture of north America and Western Europe during the 1970s, to ask how theology can respond to the postmodern city. Since Harvey Cox published his famous theological response to urban living during the mid-1960s very little has been written to address this fundamental subject. Through analyses of contemporary film, architecture, literature, and traditional theological resources in Augustine and Gregory of Nyssa, Graham Ward lays out a systematic theology which has the preparation and building of cities as its focus. This is vital reading for all those interested in theology and urban living.
Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.
Return to the thrilling world of Harrison Investigations. Before the Krewe of Hunters, there was Adam Harrison’s PI firm. Available for the first time in a value box set, stories 4 - 6 in the series—classic paranormal romantic suspense from New York Times bestselling author Heather Graham. The Dead Room A year ago, archaeologist Leslie MacIntyre barely survived an explosion that took the life of her fiancé. Since then she’s slowly come to terms with both her loss and an unsettling ability to communicate with ghosts, a “gift” received in the wake of her brush with death. Now she’s returned to lower Manhattan, site of the explosion, to investigate a newly discovered burial ground. In this place restless spirits hold the secrets not only of past injustice but of a deadly conspiracy against the city’s women—including Leslie herself. The Death Dealer Genevieve O’Brien’s knows all about nightmares. She survived two months as a psychopath’s prisoner, and now a new menace stalks the city. She turns to PI Joe Connolly, her past rescuer, friend and…hopefully something more, if he would just quit avoiding her. At first Joe isn’t sure there is a case. But the body count rises, and it’s clear that a twisted killer is on the loose. Even more unsettling is the guidance he starts receiving from beyond the grave, warning of some terrible danger ahead. But can even the spirits stay the hand of a madman bent on murder? Unhallowed Ground When Sarah McKinley is finally able to buy the historic Florida mansion that she has always loved, she dismisses the horror stories of past residents vanishing and a long-dead housekeeper who practiced black magic. Then, in renovations, she makes a grim discovery: hidden within the walls are the remains of dozens of bodies—some dating back over a century. The door to the past is blown wide open when Caleb Anderson, a private investigator, shows up. He believes several current missing-persons cases are linked to the house and its dark history. Soon Caleb begins to fear that if he can’t stay a step ahead, he could lose Sarah to a killer with an ability to transcend time in a quest for blood and sacrifice.
Hardcastle’s mission to find a headstrong young woman leads to some disturbing twists and turns. March, 1919. The head of CID at New Scotland Yard has a task for Divisional Detective Inspector Hardcastle of A Division: find Lily Musgrave, the missing daughter of Austen Musgrave MP. Hardcastle, aided by Detective Sergeant Charles Marriott, discovers that the headstrong Lily Musgrave provides risqué entertainment for a number of ex-officers. When she returns home of her own accord, however, Hardcastle assumes the case is closed and turns his attention to arranging the finer details of his daughter Maud’s wedding. But no sooner is the wedding over than Lily Musgrave goes missing again. And this time, finding her might not be so easy . . .
The true crime story of a love triangle, drug deals, and the 1984 cold case murder of a gay, South Florida teenager. Jeffrey Heagerty was like most young gay nineteen-year-olds in South Florida in the 1980s, commonly finding himself and his friends at the popular Kevin's Cabaret in West Palm Beach on Saturday nights. On one of those Saturday nights in 1984, Jeff vanished from the club, leaving his friends behind even though he was their ride home. His body was found dumped in a canal the next morning and his car was missing, only to be found a month later, abandoned on the other side of town. Rumors of a love triangle, drug dealings and sexual encounters snarled police efforts at solving the case. The investigation stagnated and the case grew cold until the solution came from two unexpected sources: overlooked details in police photographs of Jeff's car and a mysterious letter from an inmate in the Palm Beach County Jail.
Detective Inspector Walter Hardcastle is following in his father's footsteps, but is his rapid rise about to be threatened by a spate of disturbing break-ins linked to the war effort August, 1939. As war looms, Detective Inspector Walter Hardcastle is following in the footsteps of his father, Ernest, and progressing through the ranks of the Metropolitan Police. Summoned to the office of Charles Marriot, Deputy Assistant Commissioner of CID at New Scotland Yard, Walter learns that he has been promoted to a senior role at V Division, and is plunged into a top secret case when burglaries occur at the homes of those working on a new type of war submarine. Could a German spy be behind the break-ins? When one of the burglaries ends with a double murder, the stakes get higher for Walter. Can he track down an enemy agent on the streets of London while also resolving another disturbing case?
During the American Civil War, Maryland did not join the Confederacy but nonetheless possessed divided loyalties and sentiments. These divisions came to a head in the years that followed the war. In Loyalty on the Line, David K. Graham argues that Maryland did not adopt a unified postbellum identity and that the state remained divided, with some identifying with the state’s Unionist efforts and others maintaining a connection to the Confederacy and its defeated cause. Depictions of Civil War Maryland, both inside and outside the state, hinged on interpretations of the state’s loyalty. The contested Civil War memories of Maryland not only mirror a much larger national struggle and debate but also reflect a conflict that is more intense and vitriolic than that in the larger national narrative. The close proximity of conflicting Civil War memories within the state contributed to a perpetual contestation. In addition, those outside the state also vigorously argued over the place of Maryland in Civil War memory in order to establish its place in the divisive legacy of the war. By using the dynamics interior to Maryland as a lens for viewing the Civil War, Graham shows how divisive the war remained and how central its memory would be to the United States well into the twentieth century.
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
This book identifies the significance of the body through a feminist reconceptualisation of laughter as a means of insight. It positions itself within the emerging scholarship on religion and humour but distinguishes itself by moving away from the emphasis on humour and instead focuses on the place and role of laughter. Through a feminist reading of laughter, which is grounded in the philosophical and psychological works of William James, this book emphasises the importance of the body to offer an exploration of laughter as a means of insight. In doing so, it challenges the classificatory orders of knowledge by recognising and arguing for the value of the body in the creation of knowledge and understanding. To demonstrate the centrality of the body for insight laughter, and thus the creation of knowledge, this book engages with laughter within three thematic areas: religious experience, gendered experiences of laughter, and the ethics of laughter. This book will be of interest to students and researchers in religious studies, theology, gender studies, humour studies, philosophy, and the history of ideas.
The Australian Imperial Force, first raised in 1914 for overseas war service, became better known by its initials - the "AIF". There was a distinct character to those who enlisted in the earliest months and who were destined to fight on Gallipoli. During the war the AIF took its place among the great armies of the world, on some of history's oldest battlefields. The Australians would attack at the Dardanelles, enter Jerusalem and Damascus, defend Amiens and Ypres, and swagger through the streets of Cairo, Paris, and London, with their distinctive slouch hats and comparative wealth of six shillings per day. However, the legend of the AIF is shrouded in myth and mystery. Was Beersheba the last great cavalry charge in history? Did the AIF storm the red light district of Cairo and burn it to ground while fighting running battles with the military police? Was the AIF the only all-volunteer army of World War I? Graham Wilson's Bully Beef and Balderdash shines an unforgiving light on these and other well-known myths of the AIF in World War I, arguing that these spectacular legends simply serve to diminish the hard-won reputation of the AIF as a fighting force. Graham Wilson mounts his own campaign to rehabilitate the historical reputation of the force and to demonstrate that misleading and inaccurate embellishment does nothing but hide the true story of Australia's World War I fighting army. Bully Beef and Balderdash deliberately tilts at some well-loved windmills and, for those who cherish the mythical story of the AIF, this will not be comfortable reading. Yet, given the extraordinary truth of the AIF's history, it is certainly compelling reading.
Cat in Wellies is a pantomime script written in a way that any amateur dramatic society or group of friends can perform, whatever their age, size or skills level. No prior experience is needed in order to have fun, and if you have fun performing it, then any audience watching will have fun too. The pantomime is based on a French literary tale written at the close of the seventeenth century by Charles Perrault and commonly known as Puss in Boots. The original version of this well known story has several twists and the authors have added a few more in making sure that the cast list is flexible enough for a variable number of actors, although they remain faithful to the original French tale most of the time...
I think this is a very important book. Very few people in the social sciences write books on this topic and really do justice to complexity theory. Professor Room gives a very detailed, accurate and accessible review of complexity theory as it applies to social policy. His link with institutional theory is very appropriate and his discussion on the need for regulation (a link with complexity theory that many people would never reach) is really important and well grounded. It would be of interest to academics who really want to understand the implications of complexity theory for policy making in complex and fast-changing situations and to those undertaking advanced courses in politics, economics and sociology. - Jean Boulton, University of Cranfield, UK Graham Room argues that conventional approaches to the conceptualisation and measurement of social and economic change are unsatisfactory. As a result, researchers are ill-equipped to offer policy advice. This book offers a new analytical approach, combining complexity science and institutionalism. It also provides tools for policy makers in turbulent times. Part 1 is concerned with the conceptualisation of socio-economic change. It integrates complexity science and institutionalism into a coherent ontology of social and policy dynamics. Part 2 is concerned with models and measurement. It combines some of the principal approaches developed in complexity analysis with models and methods drawn from mainstream social and political science. Part 3 offers empirical applications to public policy: the dynamics of social exclusion; the social dimension of knowledge economies; the current financial and economic crisis. These are supplemented by a toolkit for the practice of agile policy making.
This ambitious, wide-ranging study of sexuality, aesthetics, and epistemology covers everything from the aesthetics of war to the works of Caravaggio, Michaelangelo, Christopher Marlowe, and Francis Bacon, synthesizing queer theory and psychoanalysis and demonstrating the role of the body and the flesh as both a problem and a promise within the narrative arts.
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