Artist Graham Nolan defined an entire era of Batman comics, including co-creating the villain Bane. Now Graham delves into his files to present a hardcover collection of classic images, private commissions, and personal work, much of it never published before.
In Member of the Club. [Graham writes of] heartbreaking ironies and contradictions, indignities and betrayals in the life of an upper-class black man." --Philadelphia Inquirer Informed and driven by his experience as an upper-middle-class African American man who lives and works in a predominately white environment, provocative author Lawrence Otis Graham offers a unique perspective on the subject of race. An uncompromising work that will challenge the mindset of every reader, Member of the Club is a searching book of essays ranging from examining life as a black Princetonian and corporate lawyer to exploring life as a black busboy at an all white country-club. From New York Magazine cover stories Invisible Man and Harlem on My Mind to such new essays as "I Never Dated a White Girl" and "My Dinner with Mister Charlie: A Black Man's Undercover Guide to Dining with Dignity at Ten Top New York Restaurants," Graham challenges racial prejudice among white Americans while demanding greater accountability and self-determination from his peers in black America. "Lawrence Graham surely knows about the pressures of being beholden to two very different groups." --Los Angeles Times Lawrence Otis Graham is a popular commentator on race and ethnicity. The author of ten other books, his work has appeared in New York magazine, the New York Times and The Best American Essays.
Now a TV series on FOX starring Morris Chestnut, Yaya DaCosta, Nadine Ellis, and Joe Morton. "Fascinating. . . . [Graham] has made a major contribution both to African-American studies and the larger American picture." —New York Times Debutante cotillions. Million-dollar homes. Summers in Martha's Vineyard. Membership in the Links, Jack & Jill, Deltas, Boule, and AKAs. An obsession with the right schools, families, social clubs, and skin complexion. This is the world of the black upper class and the focus of the first book written about the black elite by a member of this hard-to-penetrate group. Author and TV commentator Lawrence Otis Graham, one of the nation's most prominent spokesmen on race and class, spent six years interviewing the wealthiest black families in America. He includes historical photos of a people that made their first millions in the 1870s. Graham tells who's in and who's not in the group today with separate chapters on the elite in New York, Los Angeles, Washington, Chicago, Detroit, Memphis, Atlanta, Philadelphia, Nashville, and New Orleans. A new Introduction explains the controversy that the book elicited from both the black and white communities.
In his book, Graham Black argues that museums must transform themselves if they are to remain relevant to 21st century audiences – and this root and branch change would be necessary whether or not museums faced a funding crisis. It is the result of the impact of new technologies and the rapid societal developments that we are all a part of, and applies not just to museums but to all arts bodies and to other agents of mass communication. Through comment, practical examples and truly inspirational case studies, this book allows the reader to build a picture of the transformed 21st century museum in practice. Such a museum is focused on developing its audiences as regular users. It is committed to participation and collaboration. It brings together on-site, online and mobile provision and, through social media, builds meaningful relationships with its users. It is not restricted by its walls or opening hours, but reaches outwards in partnership with its communities and with other agencies, including schools. It is a haven for families learning together. And at its heart lies prolonged user engagement with collections, and the conversations and dialogues that these inspire. The book is filled to the brim with practical examples. It features: an introduction that focuses on the challenges that face museums in the 21st century an analysis of population trends and their likely impact on museums boxes showing ideas, models and planning suggestions to guide development examples and case studies illustrating practice in both large and small museums an up-to-date bibliography of landmark research, including numerous websites Sitting alongside Graham Black’s previous book, The Engaging Museum, we now have a clear vision of a museum of the future that engages, stimulates and inspires the publics it serves, and plays an active role in promoting tolerance and understanding within and between communities.
Black New Jersey brings to life generations of courageous men and women who fought for freedom during slavery days and later battled racial discrimination. Extensively researched, it shines a light on New Jersey's unique African American history and reveals how the state's black citizens helped to shape the nation.
The Big Black Coloring Book is full of amazing hand drawn illustrations for all ages. In it are 20 pages of black love and children at play. This coloring book is guaranteed to bring joy to anyone who loves to color. Enjoy!!
Civil War veteran and Philadelphia police investigator Wilton McCleary knows that the murder of a girl in "Shantyville"the city's seamy red light district is connected to a wealthy industrialist family, but now he has to prove it.
Where dreams go to die… Starring in a cult TV show was a blessing for Marnie Davante, especially now that her former fame could support her future dream of starting a children’s theater. So she’ll work the convention circuit. But then a costar is brazenly murdered in front of her. With a killer who vanishes into thin air with seemingly inhuman skill, and strange events plaguing Marnie, she feels she can’t even trust her own senses. Although his dear departed parents were famous actors, PI Bryan McFadden is about as far from Hollywood as you can get. The former military man is reluctant to get involved in such a bizarre case, but it quickly becomes obvious that Marnie is in grave danger, and he is compelled to help. It’s unclear if the killer is an obsessed fan or something more sinister. Could the show’s cast be cursed? How can Bryan keep Marnie safe when it becomes apparent there’s a force determined to make this her final curtain call?
From Graham Brown, co-author of the New York Times bestselling thriller Devil’s Gate with Clive Cussler, comes Black Rain . . . Covert government operative Danielle Laidlaw leads an expedition into the deepest reaches of the Amazon in search of a legendary Mayan city. Assisted by a renowned university professor and protected by a mercenary named Hawker, her team journeys into the tangled rain forest—unaware that they are replacements for a group that vanished weeks before, and that the treasure they are seeking is no mere artifact but a breakthrough discovery that could transform the world. Shadowed by a ruthless billionaire, threatened by a violent indigenous tribe, and stalked by an unseen enemy that leaves battered corpses in its wake, the group desperately seeks the connection between the deadly reality of the Mayan legend, the nomadic tribe that haunts them, and the chilling secret buried beneath the ancient ruins.
Graham Brown, co-author of the New York Times bestselling thriller Devil’s Gate with Clive Cussler, takes readers to the furthest edges of civilization with his signature blend of ancient legend and modern suspense. Gear up for the next installment of his Hawker/Laidlaw series, The Eden Prophecy, with this eBook bundle of the first two novels: Black Rain and Black Sun. BLACK RAIN Covert government operative Danielle Laidlaw leads an expedition into the deepest reaches of the Amazon in search of a legendary Mayan city, assisted by a mercenary named Hawker—unaware that their team is a replacement for a group that vanished weeks before. Shadowed by a ruthless billionaire, threatened by a violent indigenous tribe, and stalked by an unseen enemy that leaves battered corpses in its wake, the expedition desperately seeks the connection between the deadly reality of a Mayan legend and the chilling secret buried beneath the ruins. BLACK SUN In the heart of the Amazon, Danielle Laidlaw has made an incredible discovery: a translucent Mayan stone generating massive waves of energy while counting down toward the infamous apocalyptic date December 21, 2012. And somewhere, there are three more just like it. What power will be unleashed if all four stones come together? Who created them—and who has them now? Using a cryptic Mayan map and a prophecy that points to the end of the world, Danielle and her team race toward answers. But were these artifacts meant to save us—or to destroy us once and for all? Contains a preview of Graham Brown’s next thrilling Hawker/Laidlaw novel, The Eden Prophecy!
Clearly focused on exploring the alternative notions of racial manhood which African American servicemen developed during the Black Power era, The Brothers' Vietnam War is a welcome addition to the surprisingly small body of scholarly literature on the black experience in Vietnam. . . . Herman Graham's exemplary use of male bonding rituals, storytelling, handshakes, and hairstyles to examine both gender consciousness and the soldiers' and sailors' transformation to group militancy should serve as a model for future studies."--William L. Van Deburg, University of Wisconsin, Madison "The best study of the black GI experience in Vietnam to date . . . fills a major gap in the histories of Vietnam and of African American men."--Craig Werner, University of Wisconsin, Madison, author of A Change Is Gonna Come: Music, Race and the Soul of America The Brothers' Vietnam War is the first study of the black soldier in the Vietnam conflict to focus on his search for manhood through the inherent power struggles in the military and the Black Power movement of the time. Herman Graham examines the black GI's transformation to individual self-actualization and group militancy, which provides many fresh insights into the wellsprings and workings of black empowerment in the military. Vietnam was the first war in American history in which integration was the official military policy from the inception of hostilities. The armed forces were appealing to many black men because of the promise of equal treatment, but they found the opposite to be true. In response, black GIs banded together and found their masculinity where the white military hierarchy could not reach; however, in combat situations African American men found that the importance of teamwork and trust crossed racial barriers and fostered interracial relationships. Herman Graham draws upon participant interviews (including military officials), news media, memoirs, oral histories, and GI folklore to describe both the manly aspirations and the frustrations of black servicemen who felt emasculated by their subordinate status in the armed forces. Searching for manhood, young African American GIs defined their masculinity through racial solidarity stemming from the Black Power movement in the United States and through defiance of military authority. Graham describes their initiation rituals, storytelling, sex talk, cultural awareness groups, handshakes, hairstyles "emasculating" drug use, and older "Uncle Tom" officers. He offers a splendid analysis of the "symbolic crisis" in black manhood created by Muhammad Ali's overt opposition to the war and provides original insights into particular incidents, most notably the Kitty Hawk events. Herman Graham III is assistant professor of history at Denison University and has published in the Journal of Men's Studies.
This book argues convincingly that children's cultural differences need to be recognized for any accurate understanding of their development. Pointing out the need for additional and more effectively designed research, Harris and Graham provide a valuable foundation for further investigations. This nonpolemic book should be in all libraries, filling an unfortunate gap. Highly recommended."--Choice: Current Reviews for Academic Libraries This major new textbook introduces students to issues that have an impact on the lives of African American children but have typically been ignored (or inadequately discussed) in mainstream child development textbooks. The authors hope to familiarize students with a sampling of research that moves beyond a deficit view of the development of the African American child while stimulating critical thinking about future directions for research on African American children and their families. The book is designed to be student friendly--with each chapter presenting an overview of the material covered as well as an "Insider's Voice" (which offers a personal story or viewpoint about the issues discussed in the chapter). Each chapter goes on to feature a dialogue of current biological, environmental, constructivist, and cultural-contextual theories) as well as suggestions for additional reading, videos, websites, and questions to guide critical thinking.
“A cohesive picture of an extraordinary figure. . . . The issues raised by Bruce’s life and career resonate today, making Graham’s book not just a history but a revealing commentary on race and class, and on their inordinately powerful force in shaping our lives today.”—Chicago Tribune Spanning more than a century, Lawrence Otis’s illuminating biography is a fascinating look at race and class in America, witnessed through the life of Blanche Kelso Bruce—the head of America’s first black dynasty and the first black U.S. senator. Otis reveals how Bruce rose from slavery to achieve power and prestige in the aftermath of the Civil War. With his wife, the daughter of a prominent Philadelphia physician, he would break social and racial barriers—a legacy continued by their children until scandal destroyed the family’s wealth and stature. Filled with triumph and tragedy, Otis’s riveting book brings into focus an important yet little-known segment of our nation’s past.
Presents the life of the most prominent black abolitionist of antebellum America, describing his work as a writer and activist whose assistance to runaway slaves in New York City inspired the formation of the Underground Railroad.
In his book, Graham Black argues that museums must transform themselves if they are to remain relevant to 21st century audiences - and this root and branch change would be necessary whether or not museums faced a funding crisis. It is the result of the impact of new technologies and the rapid societal developments that we are all a part of, and applies not just to museums but to all arts bodies and to other agents of mass communication. Through comment, practical examples and truly inspirational case studies, this book allows the reader to build a picture of the transformed 21st century museum in practice. Such a museum is focused on developing its audiences as regular users. It is committed to participation and collaboration. It brings together on-site, online and mobile provision and, through social media, builds meaningful relationships with its users. It is not restricted by its walls or opening hours, but reaches outwards in partnership with its communities and with other agencies, including schools. It is a haven for families learning together. And at its heart lies prolonged user engagement with collections, and the conversations and dialogues that these inspire. The book is filled to the brim with practical examples. It features: an introduction that focuses on the challenges that face museums in the 21st century an analysis of population trends and their likely impact on museums boxes showing ideas, models and planning suggestions to guide development examples and case studies illustrating practice in both large and small museums an up-to-date bibliography of landmark research, including numerous websites Sitting alongside Graham Black's previous book, The Engaging Museum, we now have a clear vision of a museum of the future that engages, stimulates and inspires the publics it serves, and plays an active role in promoting tolerance and understanding within and between communities.
From Graham Brown, co-author of the New York Times bestselling thriller Devil’s Gate with Clive Cussler, comes Black Sun . . . In the heart of the Amazon, NRI operative Danielle Laidlaw makes an incredible discovery: a translucent Mayan stone generating massive waves of energy while counting down toward the infamous apocalyptic date: December 21, 2012. And somewhere, there are three more just like it. What power will be unleashed if all four stones come together? Who created them—and who has them now? Using a cryptic Mayan map and a prophecy that points to the end of the world, Danielle and her team race toward answers. But one staggering question remains: Were these artifacts meant to save us—or to destroy us once and for all?
Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/
There is a reason why people claim great respect for officers of the law: the job, by description, is hard—if not deadly. It takes a certain kind of person to accept the consequences of the job— seeing the very worst situations, on a regular basis, and knowing that one’s life is on the line every hour of every day. Working in law enforcement is emotionally and psychologically draining. It affects these public servants both on and off the job. Said plainly, shaking an officers’ hand when you see them or posting a sign in the front yard that reads “Support the Badge” is lip service. Even going as far as to donate money to a crowdsourcing fundraising site does little to support the long-term professional development needs of officers. These are surface level signs of solidarity, and do little in terms of showing respect for the job and those who do it. For those who want to do more, this text provides reasons and a rationale for doing better by these public servants. Showing respect does not mean that one agrees with whatever another person or institution claims to be the “right” way. Showing respect and admiration means that we charge individuals to live up to their fullest potentials and integrate innovation wherever possible. In the case of policing in the era of Black Lives Matters, policing as usual simply is not an option any longer. It is disrespectful, to both the officers and those who are being policed, to rest on the laurels of past policing tactics. As we enter a time period in which police interactions are recorded (dash cams or body cams, for example) and new populations are being targeted (Latinx people), there is much to learn about what is working and what is not.
This text builds upon texts addressing anti-discriminatory frameworks, but focuses specifically upon black perspectives in social work and takes into account current issues and concerns.
Black New Jersey brings to life generations of courageous men and women who fought for freedom during slavery days and later battled racial discrimination. Extensively researched, it shines a light on New Jersey's unique African American history and reveals how the state's black citizens helped to shape the nation.
Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/
A young boy takes on a fearsome knight in hopes of laying claim to the legendary treasure of King Arthur One dark night, a mysterious stranger visits The Green Man inn. He tells the tale of a magnificent treasure, which was buried nearby in the time of King Arthur. This treasure is protected by the Black Knight. The men in the inn want the treasure, but they are all too afraid to challenge the fearsome knight. Tom, the innkeeper's nephew, has other ideas.
For over two centuries, in the North as well as the South, both within their own community and in the public arena, African Americans have presented their bodies in culturally distinctive ways. Shane White and Graham White consider the deeper significance of the ways in which African Americans have dressed, walked, danced, arranged their hair, and communicated in silent gestures. They ask what elaborate hair styles, bright colors, bandanas, long watch chains, and zoot suits, for example, have really meant, and discuss style itself as an expression of deep-seated cultural imperatives. Their wide-ranging exploration of black style from its African origins to the 1940s reveals a culture that differed from that of the dominant racial group in ways that were often subtle and elusive. A wealth of black-and-white illustrations show the range of African American experience in America, emanating from all parts of the country, from cities and farms, from slave plantations, and Chicago beauty contests. White and White argue that the politics of black style is, in fact, the politics of metaphor, always ambiguous because it is always indirect. To tease out these ambiguities, they examine extensive sources, including advertisements for runaway slaves, interviews recorded with surviving ex-slaves in the 1930s, autobiographies, travelers' accounts, photographs, paintings, prints, newspapers, and images drawn from popular culture, such as the stereotypes of Jim Crow and Zip Coon.
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