When ruthless drug baron John Haase was sentenced to 18 years' imprisonment for heroin-trafficking in 1995, it was a major victory for Customs and the police. But in a shock move, after Haase and his partner Paul Bennett had served only 11 months, then Home Secretary Michael Howard signed a Royal Pardon for their release. Howard defended his decision by revealing that Haase and Bennett had become invaluable informants. But Haase had in fact duped the authorities, and far from being forced into hiding as a supergrass, he gained new kudos among the criminal underworld for beating the system so audaciously. Graham Johnson interviewed Haase at Whitemoor prison and has obtained a copy of his sworn affidavit revealing the truth behind the Royal Pardon scandal. Allegations of huge bribes, mass fabrication of evidence and dark powers at the heart of the justice system make this an explosive exposé of Britain's number-one drug kingpin.
The fourth edition of The Principles of the Law of Restitution brings this widely cited and influential volume fully up to date. Substantially rewritten to reflect significant changes in the law of restitution and the expansion in the theoretical and critical commentary on the subject, this book is grounded in its clarity of exposition and analysis. The new edition significantly expands existing chapters on the treatment of the history of unjust enrichment, enrichment, the treatment of legally effective bases for receipt, and compulsion. It further expands existing parts on restitution for wrongs and proprietary restitutionary claims as well as offering completely new chapters dealing with 'at the claimant's expense', 'absence of intent', and the defence of illegality. Focusing primarily on English law, the volume also engages with the law in other common law jurisdictions, notably Australia, Canada, New Zealand, and Singapore. It provides a clear exposition of complex areas of law as well as critical analysis of that law. Timely and comprehensive, this book provides readers with a crucial guide to the law of restitution and will continue to be invaluable to student, academics, and practitioners alike.
Producers' Choice: Six Plays for Young Performers showcases some of the best plays for young people produced by the UK's leading theatre companies. The plays are ideal for young performers aged 13-25 and offer a diverse range of challenges, styles and subjects. The volume will prove essential for teachers and students of Drama and for youth drama groups. The plays include modern reworkings of classics, such as Simon Reade's witty and brilliantly inventive adaptation of Lewis Carroll's much-loved fantasy, and DJ Britton's version of Sophocles' Theban plays, the tragic Oedipus/Antigone. Contemporary teenage issues are dealt with in Megan Barker's beautiful and uplifting Promise and Sarah May's The Butterfly Club. Simon Stephens' hit-play Punk Rock set in a grammar school explores dislocation and aggression among sixth form pupils; James Graham's Tory Boyz is a fast-paced, political comedy about prejudice and ambition in Westminster. Each play features production notes and the volume is introduced by Paul Roseby, Artistic Director of the National Youth Theatre. For schools, youth theatre groups and drama colleges this anthology of thematically and stylistically diverse plays will prove an invaluable resource.
This intriguing book introduces the first Social Security reform proposal tailored to meet the nation's fiscal challenges and care for an aging population. Tackling one of the most difficult and divisive issues facing America today, A Well-Tailored Safety Net: The Only Fair and Sensible Way to Save Social Security seeks to transform the political debate over Social Security reform by introducing the first proposal tailored to meet both the nation's fiscal challenges and the responsibility of caring for an aging population. As the first batch of 77 million baby boomers begins to collect its social security benefits in the midst of the explosion of national debt from economic recovery expenditures, Social Security reform becomes increasingly urgent. Jed Graham takes apart each of the current leading proposals and shows how all of them fall short by the key criteria of affordability, effectiveness, and fairness. Graham proposes a bold new approach that would erase more debt than any other proposal, yet avoid benefit cuts in very old age, when people can least afford them. Short on actuary speak and long on common sense, A Well-Tailored Safety Net makes the Social Security debate accessible to general readers. At the same time, it advances innovative solutions with such command of analytic detail and ideological impartiality as to merit serious study by legislators and policymakers.
This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane’s Blasted and Jez Butterworth’s Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare’s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.
Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and stabilization of noise music across the 1980s and 1990s, whilst Part Two explores noise in the twenty-first century. Each chapter contextualizes – tells the story – of the music under discussion before describing and interpreting its sound and aesthetic. Stephen Graham uses the idea of 'becoming' to capture the unresolved 'dialectical' tension between 'noise' disorder and 'musical' order in the music itself; the experiences listeners often have in response; and the overarching 'story' or 'becoming' of the genre that has taken place in this first fifty or so years. The book therefore doubles up on becoming: it is about both the becoming it identifies in, and the larger, genre-making process of the becoming of, noise music. On the latter count, it is the first scholarly book to focus in such depth and breadth on the sound and story of noise music, as opposed to contextual questions of politics, history or sociology. Relevant to both musicology and noise audiences, Becoming Noise Music investigates a vital but analytically underexplored area of avant-garde musical practice.
This book provides an international perspective on small business, and includes many useful pedagogical features such as questions for discussion, international case studies and empirical research.
Graham Allen provides both an introduction to and review of the critical responses to Mary Shelley's major fictions, from the Romantic period to the present day, while also pushing debates forward. The book moves beyond Frankenstein, presenting new readings of other texts such as Matilda, Valperga, The Last Man and Lodore.
America has long had the reputation as the most violent and murderous of modern industrialized nations. Even while violent crime has dropped in recent years, our murder rate is still incredibly high. Since the beginning of the 20th century, our society has undergone profound changes. Our technologies have advanced, but the motives and methods for murder and escaping the long arm of the law have kept pace, often capitalizing on available technologies. In addition, as the century progressed, the media became an integral part of murder in America, helping investigations, glamorizing murder, and bringing it into our homes on a daily basis. Here, Scott examines the changing face of murder in the context of societal changes and traces the advances in investigative techniques and technologies. Each chapter offers vivid accounts of the most notorious and representative murders for each time period, focusing especially on those murderers who have had the edge on their pursuers, even escaping detection to this day. Beginning at the turn of the century, Scott details one of the most notorious cases of the day, in which a jealous woman poisoned the wife of her lover. The book ends with the still-unsolved Tupac Shakur murder case. Taking readers through the various developments in methods of murder, and the techniques used to capture the criminals, Scott provides a fascinating overview of the way murder has changed through the decades and how law enforcement has kept pace. This insightful book sheds light on both our fascination with murder and on murderers and their nemeses over the last one hundred years.
This is the seventh volume of articles previously published in the Barnoldswick and Earby Times. The topics covered are both historical and current affairs. Their publication is meant to provide a permanent record of what would otherwise be ephemera. 402 pages illustrated with over 180 images.
Explores how humans' view of whales changed from the nineteenth to the twentieth century, looking at how the sea mammals were once viewed as monsters but evolved into something much gentler and more beautiful.
Powerful, innovative Indigenous self-governance regimes are increasingly important players in Canadian politics, but little academic work has been done on their structure, operation, and effectiveness. "We Are In Charge Here" examines the central institution of the most populous Indigenous self-governance regime in Canada, the elected Assembly of the Nunatsiavut Government. Nunatsiavut – "our beautiful land" in Inuktitut – was established in 2006 by a modern treaty between the Labrador Inuit and the Canadian state. Graham White offers a thorough observation of the Assembly, based on interviews with Assembly members and others involved in Nunatsiavut politics, observation of Assembly sessions, and a review of official documents, in order to provide a comprehensive picture of the Assembly, its members, and its operations. The book examines the Assembly’s effectiveness in performing traditional legislative functions such as representation, policy making, and accountability. It addresses key concerns including executive-legislative power relations, Inuit influence on Assembly operations, and the Assembly’s role in realizing self-government. Illuminating the intersection of Indigenous self-governance approaches and Western institutions, "We Are In Charge Here" will be of interest to political leaders, legislative officials, and academics concerned with the design and on-the-ground functioning of Indigenous self-government.
The thrilling new horror from this best-selling author . . . - When one of his wife Grace's patients dies in unusual circumstances, stem-cell researcher Nathan suspects that someone else has been attempting the same experiments as him bringing mythical creatures to life only with much more success. But then Grace herself is injured, and Nathan's life spirals into a nightmare as he is faced with an impossible dilemma: lose Grace forever, or breed more mythological beasts, at the cost of countless more human lives . . .
The Handbook of Contemporary Animism brings together an international team of scholars to examine the full range of animist worldviews and practices. The volume opens with an examination of recent approaches to animism. This is followed by evaluations of ethnographic, cognitive, literary, performative, and material culture approaches, as well as advances in activist and indigenous thinking about animism. This handbook will be invaluable to students and scholars of Religion, Sociology and Anthropology.
What is reality, really? Are humans more special or important than the non-human objects we perceive? How does this change the way we understand the world? We humans tend to believe that things are only real in as much as we perceive them, an idea reinforced by modern philosophy, which privileges us as special, radically different in kind from all other objects. But as Graham Harman, one of the theory's leading exponents, shows, Object-Oriented Ontology rejects the idea of human specialness: the world, he states, is clearly not the world as manifest to humans. At the heart of this philosophy is the idea that objects - whether real, fictional, natural, artificial, human or non-human - are mutually autonomous. In this brilliant new introduction, Graham Harman lays out the history, ideas and impact of Object-Oriented Ontology, taking in everything from art and literature, politics and natural science along the way. Graham Harman is Distinguished Professor of Philosophy at SCI-Arc, Los Angeles. A key figure in the contemporary speculative realism movement in philosophy and for his development of the field of object-oriented ontology, he was named by Art Review magazine as one of the 100 most influential figures in international art.
Since the meeting of the first Primary, poets and composers have shared their talents to create songs for Latter-day Saint children. This impressive volume about the making of the Children's Songbook includes a variety of sources and stories not available to the public. Discover the miracles and memories behind the songs you love in this valuable and inspiring book.
The first work to examine data privacy laws across Asia, covering all 26 countries and separate jurisdictions, and with in-depth analysis of the 14 which have specialised data privacy laws. Professor Greenleaf demonstrates the increasing world-wide significance of data privacy and the international context of the development of national data privacy laws as well as assessing the laws, their powers and their enforcement against international standards.
Master the orthopaedic techniques preferred by today’s expert surgeons! The 3rd Edition of this highly regarded title remains your go-to resource for the most advanced and effective surgical techniques for treating traumatic, congenital, inflammatory, neoplastic, and degenerative conditions of the hand. More than 1,000 high-quality photographs and drawings guide you step by step through each procedure, and personal pearls from master surgeons provide operative tips that foster optimal outcomes. 13 new chapters bring you completely up to date with what’s new in the field.
Adwick family history from its Yeomen roots through Waterloo to the mining village of Shireoaks. Adding Mills and Price roots, the author describes village life before, during and after WWII, marriage and travels beyond the village boundaries.
In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams. The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.
What place do first ministers, along with the cabinets they select, have in democratic life in Canada? Has cabinet really become just a focus group for the Prime Minister? Do political staff and central agency bureaucrats enhance or diminish democracy? Do private members have any say in the cabinet process? In an accessible, thorough, and balanced fashion, this volume of the Canadian Democratic Audit examines the concentration of power in cabinet and the prime minister’s office. Taking the view that to explain our Westminster-style government as a benign dictatorship is an oversimplification, Cabinets and First Ministers provides an honest assessment of current conditions. With characteristic eloquence, White renders a clear account of the development, structure, and operation of cabinet, and the role of the first ministers at the federal, provincial, and territorial levels. He further discusses how the processes that support cabinet are affected by the considerable power of the first minister and looks at the ways in which they allow for the involvement of other elected members and the public. Keeping in mind the core concerns of the Canadian Democratic Audit, White also examines first ministers and cabinets with an eye to accountability and transparency – concepts which are key in effective democracy, and which, in the wake of the so-called "sponsorship scandal," have been much in the public eye. His cogent analysis does much to explain this much-scrutinized aspect of our democracy, and points the way to realistic proposals for its improvement.
The book rediscovers two of the main seeds of Western Culture – the Exodus and the Odyssey, which are entwined within the book by both a common link with Egypt and a review of ancient chronology. They were both antecedents to the rise of Christianity, which is at the heart of Western Culture. It was inspired by a desire to understand the spiritual message of the Odyssey, which required both geographical and spiritual interpretations of the poem. Linked to this was a desire to understand the political context of the Trojan story, which required resolving the false hiatus in the archaeology of Troy. This resulted in a new paradigm for understanding ancient chronology, which revealed the stories behind the Exodus and the location of the Garden of Eden. Writing the book has been a long and eventful journey, longer than Odysseus’ 19 years away from home. The book is written in five parts: • Low Chronology - Based on the identification of Menophres with Thutmose III and of the Bubastite Portal’s reference to Shoshenq’s participation in the Battle of Qarqar, the Egyptian Third Intermediate Period is shortened by 120 years, with a pharaoh ruling from Tanis and subordinate kings at Bubastis and Thebes. • The Exodus - Using the Low Chronology and genealogical information and dates provided by the Bible, it is demonstrated that the story of the Exodus is a combination of two events, being the exodus of the Hyksos led by Abraham in 1406 BC following the eruption of Thera, and the exodus of the Atenist (Levite) priests led by Moses in about the first year of Tutankhamun - 1204 BC. The story of Abraham also reveals the location of the Garden of Eden in the heartland of the Levant. • Radiocarbon Dating – The process that created the dendrochronology-based radiocarbon calibration curve is demonstrated to be a flawed non-scientific process that relied upon circular arguments. • The Odyssey – By comparing the life and work of Archilochus to both the Odyssey and the Iliad, it is shown that Archilochus must have been the author of the Odyssey. The allegory within the Odyssey is also discussed to provide both geographical and spiritual interpretations of the poem. • Western Culture - The two main streams of Western Culture (Ancient Greece and Christianity) are shown to have had their foundations in the stories surrounding the Trojan War, the spiritual message of the Odyssey and the influences of Egypt on Greece and Judaism. It is shown how Greek and Jewish religions were fused to create the Gospels and contributed towards modern astrology.
Gangster Paul Grimes was a one-man crimewave with a breathtaking capacity to steal. Any villains who got in his way were made to pay - often with their blood. But when his son died of a drugs overdose, the old-school mobster swore revenge on the new generation of Liverpool-based heroin and cocaine dealers. Against all odds, he turned undercover informant. The first gangster to fall foul of Grimes' change of heart was Curtis Warren, aka 'Cocky', the wealthiest and most successful criminal in British history. Grimes infiltrated his cocaine cartel and led Customs to the largest narcotics seizure on record, putting Warren in the dock in the drugs trial of the twentieth century. After turning his attention to heroin baron John Haase, Grimes rose to become the boss of the villain's notoriously bloodthirsty 'security firm' - a professional gang of racketeers addicted to cocaine, explosive violence and non-stop criminality. But as his net began to tighten, Grimes was confronted with the ultimate dilemma. He discovered his second son was now a rising star in the drugs business. The life-or-death question was: should he shop him or not? Powder Wars also reveals the secrets behind one of the most controversial episodes in British judicial history - how former Home Secretary Michael Howard was duped into granting John Haase a Royal Pardon. Today, Paul Grimes has a £100,000 contract on his head and is a real-life dead man walking. Powder Wars is a riveting account of modern gangsters told in brutal detail.
A concise yet comprehensive survey of 20th Century music for both students and the general public. Written by Graham Hearn who states, my aim has been to highlight where composers have pushed boundaries, stretched our credibility and shown such leaps of imagination as to make us remember that the 20th Century is possibly the most extraordinary of them all.
The use of computation in archaeology is a kind of magic, a way of heightening the archaeological imagination. Agent-based modelling allows archaeologists to test the ‘just-so’ stories they tell about the past. It requires a formalization of the story so that it can be represented as a simulation; researchers are then able to explore the unintended consequences or emergent outcomes of stories about the past. Agent-based models are one end of a spectrum that, at the opposite side, ends with video games. This volume explores this spectrum in the context of Roman archaeology, addressing the strengths, weaknesses, and opportunities of a formalized approach to computation and archaeogaming.
First published in 1988, this title is a study of the essay as a literary genre, not just in terms of its general intellectual and literary history, but as an exploration of the creative possibilities of the form. The rise of the essay is discussed in relation to the rise of the novel and the emergence of empiricism in science, but the main focus of Graham Good’s study is on the inner workings of the essay itself. Drawing on criticism by Adorno and Lukacs, Graham Good presents the genre as an expression of individualism, freed from tradition and authority, in which the self constructs itself and its object through independent observation. Through analysis of the work of such essayists as Montaigne, Bacon, Virginia Wolf, T. S. Eliot and George Orwell, the potential of the genre for independence and individualism is illustrated, and the essay is resituated as an intellectually challenging form of creative and critical writing.
Overcoming the war of religion between analytics and continentals with a brand-new metaphysical insight, Graham Harman has restored to philosophy its greatness and value.' Maurizio Ferraris, Italian continental philosopher and author of the Manifesto of New Realism The Graham Harman Reader is the essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. The writings in this volume are split into seven chapters. The first concerns Harman’s resistance to both downward and upward reductionism. The second chapter contains works that develop the specific fourfold structure of Object-Oriented Ontology. In the third, we find Harman’s novel arguments for why causal relations between two entities can only be indirect. The fourth chapter discusses why aesthetics deserves to be called first philosophy. The fifth chapter contains Harman’s underrated contributions to ethics and politics, and the sixth deals with epistemology, mind, and science. A concluding seventh chapter contains several previously unpublished writings not available anywhere else. Written in Harman’s typical clear and witty style, the /Reader/ is an essential resource for veteran readers of Harman and newcomers alike.
In 1891 Benjamin Harrison, the first president engaged in conservation, had to have this new area of public policy explained to him by members of the Boone and Crockett Club. This didn’t take long, as he was only asked to sign a few papers setting aside federal timberland. But from such small moments great social movements grow, and the course of natural resource protection policy through 22 presidents has altered Americans’ relationship to the natural world in then almost unimaginable ways. Presidents and the American Environment charts this course. Exploring the ways in which every president from Harrison to Obama has engaged the expanding agenda of the Nature protection impulse, the book offers a clear, close-up view of the shifting and nation shaping mosaic of both “green” and “brown” policy directions over more than a century. While the history of conservation generally focuses on the work of intellectuals such as Muir, Leopold, and Carson, such efforts could only succeed or fail on a large scale with the involvement of the government, and it is this side of the story that Presidents and the American Environment tells. On the one hand, we find a ready environmental engagement, as in Theodore Roosevelt’s establishment of Pelican Island bird refuge upon being informed that the Constitution did not explicitly forbid it. On the other hand, we have leaders like Calvin Coolidge, playing hide-and-seek games in the Oval Office while ignoring reports of coastal industrial pollution. The book moves from early cautious sponsors of the idea of preserving public lands to crusaders like Theodore Roosevelt, from the environmental implications of the New Deal to the politics of pollution in the boom times of the forties and fifties, from the emergence of “environmentalism” to recent presidential detractors of the cause. From Harrison’s act, which established the American system of National Forests, to Barack Obama’s efforts on curbing climate change, presidents have mattered as they resisted or used the ever-changing tools and objectives of environmentalism. In fact, with a near even split between “browns” and “greens” over those 22 administrations, the role of president has often been decisive. How, and how much, distinguished historian Otis L. Graham, Jr., describes in in full for the first time, in this important contribution to American environmental history.
Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Béla Bartók, and he had journeyed west from New York in the hope of studying with Leon Kirchner, a composer in the rough-lyric Bartók tradition who'd been teaching at Mills College. But Kirchner had just left for Harvard, so Reich ended up working at Mills under Luciano Berio. Over the course of the previous decade, Berio had become identified as a figurehead of the European post-war avant-garde: his ultramodern serialist work was quite a different proposition to Kirchner's own"--
Hedge Fund People Strategy: Human Capital That Supports Investment Excellence, Sustainability, and Growth is intended to provide readers with a perspective on the key dimensions of hedge fund people strategy and the organizational, talent management, compensation and employee relations practices in the hedge fund industry. More than just describing these practices, this book outlines why the practices need to be unique to each firm, and how firms can ensure that human capital is working as hard as the financial, intellectual, information, and other capital components demonstrated in today's most successful firms. This book offers an unrivaled look at one of the little discussed but critical success factors in the hedge fund industry, its people.
An “adventurous . . . intelligent . . . ingenious” novel of crime and punishment in pre–World War II London (V. S. Pritchett). During a demonstration in Hyde Park, Communist bus driver Jim Drover acts on instinct to protect his wife by stabbing to death the policeman set to strike her down. Sentenced to hang—whether as a martyr, tool, or murderer—Drover accepts his lot, unaware that the ramifications for the crime, and the battle for his reprieve, are inflaming political unrest in an increasingly divided city. But Drover’s single, impulsive act is also upending the lives of the people he loves and trusts. Caught in a quicksand of desperation, sexual betrayal, and guilt, they will not only play a part in Drover’s fate, but they’ll become agents—both unwitting and calculated—of their own fates as well. Turning the traditional narrative of the police procedural, domestic drama, and political thriller on its head, It’s a Battlefield was described by Graham Greene himself as “a panoramic novel of London,” one without heroes and villains, only “the injustice of man’s justice.”
The nervous system is made up of a large number of interacting elements. To understand how such a complex system functions requires the construction and analysis of computational models at many different levels. This book provides a step-by-step account of how to model the neuron and neural circuitry to understand the nervous system at all levels, from ion channels to networks. Starting with a simple model of the neuron as an electrical circuit, gradually more details are added to include the effects of neuronal morphology, synapses, ion channels and intracellular signalling. The principle of abstraction is explained through chapters on simplifying models, and how simplified models can be used in networks. This theme is continued in a final chapter on modelling the development of the nervous system. Requiring an elementary background in neuroscience and some high school mathematics, this textbook is an ideal basis for a course on computational neuroscience.
The Revolutionary Kant offers a new appreciation of Kant’s classic, arguing that Kant's reform of philosophy was far more radical than has been previously understood. The book examines his proposed revolutionary reform — to abandon traditional metaphysics and point philosophy in a new direction — and contends that critics have misrepresented conflicts between Kant and his predecessors. Kant, Bird argues, was not a flawed innovator but an advocate of a new philosophical project, one that began to be appreciated only in the twentieth century.
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