To be "waggish" is to be playful and mischievous—the very definition of these adorable dogs and the things they (might) think about us There's no mistaking a happy dog. The wagging tail, the eager eyes, the smile that's impossible to fake. A happy dog radiates pure joy. Yet the mystery remains: What's really going on behind those waggish grins? Are our dogs laughing with us? At us? Are they operating at a higher stage of enlightenment . . . or just buttering us up before we discover the tiny, torn remnants of burrito wrapper suspiciously dotting the hallway? In Waggish, the infinite expressions of happy dogs are captured in an amazing series of photographs by renowned animal photographer Grace Chon, whose images have made her the go-to pet photographer of Hollywood’s top celebrities. As for what these dogs are really thinking, writer Melanie Monteiro expertly channels their innermost thoughts, pairing each photo with a caption such as, “If loving tennis balls is wrong, I don’t want to be right” and “You know, we’ll both get outside a lot quicker if you just forget the pants.” Waggish is the perfect gift for every dog lover.
Doggie makeovers that will make you smile Japanese dog grooming does not follow the rules of traditional, breed- standard grooming. In fact, it only has one mission—to make dogs look as adorable as possible! With extreme attention to detail and careful consideration of a pup’s best attributes, Japanese dog groomers and salons achieve the perfect transformation by forgetting uniform looks and getting creative. From internationally acclaimed pet photographer and author of Waggish: Dogs Smiling for Dog Reasons comes this adorable book, which showcases the transformation of dogs going from cute to cutest. Originally a viral photo series called “Hairy,” Grace Chon’s work perfectly captures the whimsy and glamour of freshly groomed furry friends. With nearly 50 before- and- afters, Chon proves that Japanese dog grooming is not just a haircut, but a work of art.
On August 29, 1885, Cincinnati was the scene for the first modern heavyweight championship boxing match using gloves. The Boston Strong Boy, John L. Sullivan, met Dominick McCaffrey at the citys Chester Park that day and came away with the referees decision. By this time, Cincinnati had been a noted boxing site since the Civil War years, and over the next several decades, it developed a remarkable number of fine boxers in both the professional and amateur ranks. Out of the many gymnasiums in Over-the-Rhine and the West End came world champions such as Freddie Miller, Ezzard Charles, Bud Smith, and Aaron Pryor. This book is the story of a fascinating aspect of Cincinnatis great sports heritagethe boxing gamewith all its leather-punching drama. From the frontierlike matches of the 19th-century river town to the urban ethnic and social influences of the 20th and 21st centuries, Cincinnati Boxing brings a rich part of local history to life.
The Spanish Moriscos, Muslims forcibly converted to Christianity, were expelled by Philip III between 1609 and 1614. Subsequently, writers known as Catholic Apologists wrote justifying the event. Pedro de Valencia, humanist, biblical scholar, jurist and royal Chronicler, condemned expulsion. Both Apologists and Pedro de Valencia made their case by invoking Divine Providence: the former contended that millenarian prophecies and apocalyptic visions were signs of divine warning beforehand and of approval afterwards; Valencia urged Philip III to act as a shepherd king, arguing that Divine Providence would punish monarchs who put political expediency before moral rectitude. Drawing on unpublished source material, the book juxtaposes the ideals of Valencia, a Christian humanist, with the bigotry, superstition and racism of the Apologists.
Reva has spent her life in servitude, her commanding voice her largest asset. When an Enjel swoops her off and away from her life as a nanny, she has a choice. Blinding and unfocused freedom, or life as a Sector Guard. Seer is her companion, and he wants to move up to lover, but as Order becomes comfortable with her new job, she has to think things through. She has to face her lack of education, social skills and romantic entanglements, and she has to do it fast before her Enjel loses patience.
What actually is creativity? And what contributes to its conceptualization and development? This collection of articles is an attempt at exploring and answering the above questions from both the Eastern and Western perspectives. Readers may find some answers stimulating, and others bewildering. This is in fact the reality and fascination of creativity research and education.
“Articulations and expressions of gender can be destabilising, transgressive, revolutionary and radical, encompassing both a painful legacy of oppression and a joyous exploration of new experience.” Analysing key texts from the 19th to 21st centuries, this book explores a range of British and Anglophone authors to contextualise women’s writing and feminist theory with ongoing debates in consciousness studies. Discussing writers who strive to redefine the gendered world of “sexualized” space, whether internal or external, mental or physical, this book argues how the “delusion” of gender difference can be addressed and challenged. In literary theory and in representations of the female body in literature, identity has increasingly become a shifting, multiple, renegotiable—and controversial—concept. While acknowledging historical and cultural constructions of sexuality, “writing the body” must ultimately incorporate knowledge of human consciousness. Here, an understanding of consciousness from contemporary science (especially quantum theory)—as the fundamental building block of existence, beyond the body—allows unique insights into literary texts to elucidate the problem of subjectivity and what it means to be human. Including discussion of topics such as feminism and androgyny, agency and entrapment, masculinities and masquerade, insanity and emotion, and individual and social empowerment, this study also creates a lively engagement with the literary process as a means of fathoming the “enigma” of consciousness. Daphne Grace is Professor of English, specializing in postcolonial and transnational literature, gender and women’s studies, in addition to British literature of the 19th to 21st centuries. She currently teaches at the University of the Bahamas, and has also previously taught at Sussex University, England, and Eastern Mediterranean University in Cyprus.
Mexican American Baseball in the Alamo Region celebrates the game as it was played in the Tejano and Tejana communities throughout Texas. This regional focus explores the importance of the game at a time when Spanish-speaking people were demanding cultural acceptance and their political and civil rights in cities like San Antonio, Corpus Christi, New Braunfels, San Diego, Kingsville, and Pleasanton. All had thriving Mexican American communities that found comfort in the game and pride in their abilities on the field. On these pages are historical images and wonderful stories that are now immortalized, taking their rightful place in the annuals of the game. ¡Viva Tejas, Viva Béisbol, y Viva los Peloteros!
Nute's best-selling book portrays the indefatigable French-Canadian canoemen, whose labors were vital to the fur trade and whose influence reaches us through the colorful songs, place names, customs, and legends they left behind.
Making the Chinese Mexican is the first book to examine the Chinese diaspora in the U.S.-Mexico borderlands. It presents a fresh perspective on immigration, nationalism, and racism through the experiences of Chinese migrants in the region during the late nineteenth and early twentieth centuries. Navigating the interlocking global and local systems of migration that underlay Chinese borderlands communities, the author situates the often-paradoxical existence of these communities within the turbulence of exclusionary nationalisms. The world of Chinese fronterizos (borderlanders) was shaped by the convergence of trans-Pacific networks and local arrangements, against a backdrop of national unrest in Mexico and in the era of exclusionary immigration policies in the United States, Chinese fronterizos carved out vibrant, enduring communities that provided a buffer against virulent Sinophobia. This book challenges us to reexamine the complexities of nation making, identity formation, and the meaning of citizenship. It represents an essential contribution to our understanding of the U.S.-Mexico borderlands.
A major new survey of American sculpture, exploring how it both reflects and redefines concepts of race and identity in the United States How does American sculpture intersect with the history of race in the United States? The three-dimensional qualities of sculpture give it a distinct advantage over other art forms in capturing a subject’s likeness, and our minds can swiftly conjure a body and racialize it from the most minimal of prompts. The Shape of Power examines the role of American sculpture, from the nineteenth century to today, in understanding and constructing the concept of race in the United States and how this medium has shaped the way generations have learned to visualize and think about race. Exploring the relationship between sculpture and ideas about race in the United States, this book provides fresh perspectives on artists ranging from Hiram Powers, Edmonia Lewis, and Augusta Savage to Barbara Chase-Riboud, Titus Kaphar, Raven Halfmoon, Sanford Biggers, Betye Saar, Yolanda López, and Simone Leigh. It reveals how sculptors use this versatile medium to challenge discriminatory ideologies and entrenched social and cultural constructions of race while offering bold new visions of community, identity, and selfhood. Featuring superb illustrations of sculptural works in a broad range of media, The Shape of Power contributes new scholarship to the understudied field of American sculpture, which hasn't been the subject of a major publication survey in more than fifty years. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC November 8, 2024–September 14, 2025
This book is a compilation of interviews and essays that cover a broad range of photographers and photographic disciplines. Each photographer profiled made a living by concentrating on a specific aspect of the craft, but in doing so transcended their livelihood to become recognized for more than the type of images they created. Each had a distinct "style," creative approach, dedication to the craft, point of view about themselves and the world. These interviews were conducted during a seminal period in the shift from film to digital and from print reproduction to global distribution on the Internet. Just like their photographs continue to inspire today, now these pros’ words can live on as an invaluable reference for the photographers of the future. The truth and wisdom in this collection transcend time and technology.
To be "waggish" is to be playful and mischievous—the very definition of these adorable dogs and the things they (might) think about us There's no mistaking a happy dog. The wagging tail, the eager eyes, the smile that's impossible to fake. A happy dog radiates pure joy. Yet the mystery remains: What's really going on behind those waggish grins? Are our dogs laughing with us? At us? Are they operating at a higher stage of enlightenment . . . or just buttering us up before we discover the tiny, torn remnants of burrito wrapper suspiciously dotting the hallway? In Waggish, the infinite expressions of happy dogs are captured in an amazing series of photographs by renowned animal photographer Grace Chon, whose images have made her the go-to pet photographer of Hollywood’s top celebrities. As for what these dogs are really thinking, writer Melanie Monteiro expertly channels their innermost thoughts, pairing each photo with a caption such as, “If loving tennis balls is wrong, I don’t want to be right” and “You know, we’ll both get outside a lot quicker if you just forget the pants.” Waggish is the perfect gift for every dog lover.
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