An artist both of and before his time: The Old Master who ushered in the modern era Francisco Jose de Goya y Lucientes (1746-1828), one of Spain's most revered and controversial painters, is known for his intense, chilling, and sometimes grotesque paintings depicting the injustice of society with brutal sincerity. A court painter to the Spanish crown, he captured, through his works, a snapshot of life in Spain in the late 18th and early 19th centuries. Coming at the tail end of the Old Masters period, Goya, with his audacious, subversive, and highly influential works, can be considered the first painter of the modern era. His influence can be seen in the works of artists as varied as Pablo Picasso and Francis Bacon. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions.
The greatest artist of the 18th century, Francisco de Goya began his career as an apprentice to a local artist where one of his jobs was adding draperies and modesty items to nude figures in religious paintings; for this he was titled ñReviser of Indecent Paintings.î But by the age of 40, Goya had established himself as a leading Spanish artist. Goya simultaneously pursued a number of disparate projects, commissions he received from prestigious churches and royalty, as well as producing several lengthy series of lithographs to express his dislike of several subjects, notably Spanish high society and war. Brushing into controversy on several occasions, Goya threaded the political needle of alternating French and Spanish rule of his home country of Spain as well as successfully navigated the choppy waters of the Spanish Inquisition when it questioned the morality of La Maja Desnuda, one of his most famous paintings.
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints, and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his brilliantly painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This groundbreaking book is the first to examine the representations of women within Goya's multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as on the roles assumed by women in late eighteenth- and early nineteenth-century Spain. Many of Goya's most famous works are featured and explicated in this beautifully designed and produced book. The artist's famous tapestry cartoons are included, along with the tapestries woven after them for the royal palaces of the Prado and the Escorial. Goya's infamous Naked Maja and Clothed Maja are also highlighted, with a discussion on whether these works were painted at the same time and how they might have originally hung in relation to one another. Focus is also placed on Goya's more experimental prints and drawings, in which the artist depicted women alternatively as targets of satire, of sympathy, or of admiration. Essays by eminent authorities provide a historical and cultural context for Goya's work, including a discussion on the significance of fashion and dress during the period. The resultant volume is surely to be treasured by all who admire Goya's art and by those who are interested in women's issues of his time.
This lavish volume presents prints from The Proverbs, La Tauromaquia, and The Bulls of Bordeaux. Its 78 etchings recapture the incomparable grandeur of Goya's art as well as the major themes of his works.
Francisco Goya (1746-1828) was recognised from a very early age as the leading artist in Spain, rising to become the official portraitist of the Spanish Court. He was famed for the quality and speed at which he executed his drawings, and his etchings are of extraordinary delicacy. His use of chiaroscuro in his dark, intense paintings influenced many artists, including Manet. This monograph presents the essential works of this pioneering artist, today considered the father of modern art. Book jacket.
The Romantic painter Francisco de Goya is considered the most important Spanish artist of late eighteenth and early nineteenth centuries. Throughout his long and distinguished career, Goya produced paintings and prints that chronicled the history, folly and beauty of his times. Delphi's Masters of Art Series presents the world's first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Goya's complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Francisco de Goya - over 300 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special 'Highlights' section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged 'Detail' images, allowing you to explore Goya's celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour - highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes Goya's various series of prints - spend hours exploring the artist's diverse works * Features a bonus biography - discover Goya's artistic and personal life * Scholarly ordering of plates into chronological order CONTENTS: The Highlights The Parasol The Blind Guitarist The Meadow of San Isidro Blind Man’s Buff Yard with Madmen The Black Duchess Witches’ Flight The Miracle of St. Anthony Portrait of Andrés Del Peral Portrait of Gaspar Melchor de Jovellanos The Sleep of Reason Produces Monsters Charles IV and His Family The Nude Maja Portrait of Doña Isabel de Porcel Portrait of Antonia Zárate The Burial of the Sardine Portrait of the Duke of Wellington The Third of May, 1808: The Execution of the Defenders of Madrid Self-Portrait with Dr. Arrieta Saturn Devouring One of His Children The Milkmaid of Bordeaux The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings List of Prints and Drawings The Biography Goya by François Crastre
Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The noted military historian presents an illuminating study of trench warfare during WWI—and how it influenced the French Army’s evolution. Michel Goya’s Flesh and Steel during the Great War is a major contribution to our understanding of the French Army’s experience on the Western Front, and how that experience impacted the future of its military theory and practice. Goya explores the way in which the senior commanders and ordinary soldiers responded to the extraordinary challenges posed by the mass industrial warfare of the early twentieth century. In 1914 the French army went to war with a flawed doctrine, brightly-colored uniforms and a dire shortage of modern, heavy artillery. How then, over four years of relentless, attritional warfare, did it become the great, industrialized army that emerged victorious in 1918? To show how this change occurred, the author examines the pre-war ethos and organization of the army. He describes in telling detail how, through a process of analysis and innovation, the French army underwent the deepest and fastest transformation in its history.
Goya is often called the last of the Old Masters and the first of the Moderns. He is appreciated as a portrait painter; a creator of menacing and melancholy images in oils; a master of enigmatic, satirical and revolutionary drawings and etchings; the champion of Spanish people in the struggle against oppression; and the recorder of their life and their sufferings in war.
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