The relatively new scientific field of economic agent-based systems is a promising, but yet not completely developed area of economics, at the frontier to business administration, computer sciences, and the social sciences. This book follows a rather interdisciplinary approach while maintaining a focus on the economic dimension of agent-based models. In contrast to other literature in this field, this book aims at developing a framework for modelling an economic system in the sense of a total model of the economy. The design and implementation of the agent-based framework AS1 are described in detail. Some sample applications, such as an analysis of the effects of the presence of different research institutes providing alternative inconsistent forecasts for the private agents, provide an overview of the strengths of an agent-based economic model. This 2nd edition is a reprint of the original Edition (from 2006).
The world's appearance would be shaken if we succeeded in perceiving the spaces in between things as things." These words from the philosopher Maurice Merleau-Ponty apply to the core of Claude Monet's art in the years between 1880 and the beginning of the twentieth century. While interest usually lies only on the early and late work of this exceptional artist, the catalogue, containing more than fifty works of art, traces the development between these two periods. Accompanied by texts by well-known art historians, the reader is invited to follow Monet's unusual treatment of reflections and shadows in his paintings. It allowed him to break loose from the modalities of representational logic and the pictorial object. And they made room for an aesthetic that helped to do justice to perception itself and to enforce a painting's self-reflexive momentum. Exhibition: Fondation Beyeler Riehen/Basel 22.1.-28.5.2017
The theme of the bathers fascinated Cézanne from 1870 until his death in 1906. He created masterpiece after masterpiece and the many studies that emerged from this period are exquisite works in themselves. 'Paul Cézanne - The Bathers' brings all these paintings and drawings together in one magnificently illustrated volume, the first to concentrate on this major theme which appeared in some 200 of Cézanne’s works. Relating these images to works of literature of the period, to Cézanne’s changing relationships with women and to the milieu of nineteenth-century France, the lively and original text provides a revealing portrait of the artist’s complex personality and artistic development. While the early bathers were based largely on scenes of everyday life, the later works became increasingly abstract, with deeper, more symbolic meanings which at first baffled the critics, yet fascinated his fellow painters.
These selected writings of Gottfried Benn or primal visions of the 1920s anticipated in certain ways the positions of such writers today as Beckett and Genet, the French antinovelists and the American Beats.
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