With To the North Anna River, the third book in his outstanding five-book series, Gordon C. Rhea continues his spectacular narrative of the initial campaign between Ulysses S. Grant and Robert E. Lee in the spring of 1864. May 13 through 25, a phase oddly ignored by historians, was critical in the clash between the Army of the Potomac and the Army of Northern Virginia. During those thirteen days -- an interlude bracketed by horrific battles that riveted the public's attention -- a game of guile and endurance between Grant and Lee escalated to a suspenseful draw on Virginia's North Anna River. From the bloodstained fields of the Mule Shoe to the North Anna River, with Meadow Bridge, Myers Hill, Harris Farm, Jericho Mills, Ox Ford, and Doswell Farm in between, grueling night marches, desperate attacks, and thundering cavalry charges became the norm for both Grant's and Lee's men. But the real story of May 13--25 lay in the two generals' efforts to outfox each other, and Rhea charts their every step and misstep. Realizing that his bludgeoning tactics at the Bloody Angle were ineffective, Grant resorted to a fast-paced assault on Lee's vulnerable points. Lee, outnumbered two to one, abandoned the offensive and concentrated on anticipating Grant's maneuvers and shifting quickly enough to repel them. It was an amazingly equal match of wits that produced a gripping, high-stakes bout of warfare -- a test, ultimately, of improvisation for Lee and of perseverance for Grant.
After four years in England, fifteen-year-old Vincent Wingfield, who supports slavery but not brutality toward slaves, returns to Virginia and serves courageously under Lee and Jackson through many of the famous battles of the Civil War.
The second volume in Gordon C. Rhea's peerless five-book series on the Civil War's 1864 Overland Campaign abounds with Rhea's signature detail, innovative analysis, and riveting prose. Here Rhea examines the maneuvers and battles from May 7, 1864, when Grant left the Wilderness, through May 12, when his attempt to break Lee's line by frontal assault reached a chilling climax at what is now called the Bloody Angle. Drawing exhaustively upon previously untapped materials, Rhea challenges conventional wisdom about this violent clash of titans to construct the ultimate account of Grant and Lee at Spotsylvania.
Simply the best book that has been published on this great president's humor and stories...Everyone interested in Abraham Lincoln will want to read this."—William C. Harris, author of Lincoln and the Border States Abraham Lincoln has long been admired for his leadership, honesty, and eloquence. But despite his somber reputation, the sixteenth president was quite funny. With an uncanny ability to mimic others and an irresistible midwestern twang, Lincoln, in fact, could be downright hilarious. Brimming with his funniest quips, jokes, and stories, Lincoln's Gift explores the crucial role humor played throughout his tumultuous professional and private life. Perfect for history buffs and Lincoln enthusiasts alike, this clever and captivating biography reveals how America's greatest president used his lighter side to lead the country through one of its darkest times, the Civil War. "Gordon Leidner ingeniously blends a study of Lincoln's humor with an account of his life, showing how our sixteenth president was not always a 'man of sorrows' but often a man of laughter, capable alike of enjoying as well as telling a good story."—Michael Burlingame, author of Abraham Lincoln: A Life
In early May 1864, Lieutenant General Ulysses S. Grant initiated a drive through central Virginia to crush Robert E. Lee's Confederate Army of Northern Virginia. For forty days, the armies fought a grinding campaign from the Rapidan River to the James River that helped decide the course of the Civil War. Several of the war's bloodiest engagements occurred in this brief period: the Wilderness, Spotsylvania Court House, the North Anna River, Totopotomoy Creek, Bethesda Church, and Cold Harbor. Pitting Grant and Lee against one another for the first time in the war, the Overland Campaign, as this series of battles and maneuvers came to be called, represents military history at its most intense. In the Footsteps of Grant and Lee, a unique blend of narrative and photographic journalism from Gordon C. Rhea, the foremost authority on the Overland Campaign, and Chris E. Heisey, a leading photographer of Civil War battlefields, provides a stunning, stirring account of this deadly game of wits and will between the Civil War's foremost military commanders. Here Grant fought and maneuvered to flank Lee out of his heavily fortified earthworks. And here Lee demonstrated his genius as a defensive commander, countering Grant's every move. Adding to the melee were cavalry brawls among the likes of Philip H. Sheridan, George A. Custer, James Ewell Brown "Jeb" Stuart, and Wade Hampton. Forty days of combat produced horrific casualties, some 55,000 on the Union side and 35,000 on the Confederate. By the time Grant crossed the James and began the Siege of Petersburg, marking an end to this maneuver, both armies had sustained significant losses that dramatically reduced their numbers. Rhea provides a rich, fast-paced narrative, movingly illustrated by more than sixty powerful color images from Heisey, who captures the many moods of these hallowed battlegrounds as they appear today. Heisey made scores of visits to the areas where Grant and Lee clashed, giving special attention to lesser-known sites on byways and private property. He captures some of central Virginia's most stunning landscapes, reminding us that though battlefields conjure visions of violence, death, and sorrow, they can also be places of beauty and contemplation. Accompanying the modern pictures are more than twenty contemporary photographs taken during the campaign or shortly afterwards, some of them never before published. At once an engaging military history and a vivid pictorial journey, In the Footsteps of Grant and Lee offers a fresh vision of some of the country's most significant historic sites.
With On to Petersburg, Gordon C. Rhea completes his much-lauded history of the Overland Campaign, a series of Civil War battles fought between Generals Ulysses S. Grant and Robert E. Lee in southeastern Virginia in the spring of 1864. Having previously covered the campaign in his magisterial volumes on The Battle of the Wilderness, The Battles for Spotsylvania Court House and the Road to Yellow Tavern, To the North Anna River, and Cold Harbor, Rhea ends this series with a comprehensive account of the last twelve days of the campaign, which concluded with the beginning of the siege of Petersburg. On to Petersburg follows the Union army’s movement to the James River, the military response from the Confederates, and the initial assault on Petersburg, which Rhea suggests marked the true end of the Overland Campaign. Beginning his account in the immediate aftermath of Grant’s three-day attack on Confederate troops at Cold Harbor, Rhea argues that the Union general’s primary goal was not—as often supposed—to take Richmond, but rather to destroy Lee’s army by closing off its retreat routes and disrupting its supply chains. While Grant struggled at times to communicate strategic objectives to his subordinates and to adapt his army to a faster-paced, more flexible style of warfare, Rhea suggests that the general successfully shifted the military landscape in the Union’s favor. On the rebel side, Lee and his staff predicted rightly that Grant would attempt to cross the James River and lay siege to the Army of Northern Virginia while simultaneously targeting Confederate supply lines. Rhea examines how Lee, facing a better-provisioned army whose troops outnumbered Lee’s two to one, consistently fought the Union army to an impasse, employing risky, innovative field tactics to counter Grant’s forces. Like the four volumes that preceded it, On to Petersburg represents decades of research and scholarship and will stand as the most authoritative history of the final battles in the campaign.
The Edge of Mosby’s Sword is the first scholarly volume to delve into the story of one of John Singleton Mosby’s most trusted and respected officers, Colonel William Henry Chapman. Presenting both military and personal perspectives of Chapman’s life, Gordon B. Bonan offers an in-depth understanding of a man transformed by the shattering of his nation. This painstakingly researched account exposes a soldier and patriot whose convictions compelled him to battle fiercely for Southern independence; whose quest for greatness soured when faced with the brutal realities of warfare; and who sought to heal his wounded nation when the guns of war were silenced. Born into a wealthy slave-owning family, Chapman was a student of the fiery secessionist rhetoric of antebellum Virginia who eagerly sought glory and adventure on the battlefields of the Civil War. Bonan traces Chapman’s evolution from an impassioned student at the University of Virginia to an experienced warrior and leader, providing new insight into the officer’s numerous military accomplishments. Explored here are Chapman’s previously overlooked endeavors as a student warrior, leader of the Dixie Artillery, and as second-in-command to Mosby, including his participation in the capture of Harpers Ferry, the battering of Union forces at Second Manassas, and his ferocious raids during the 1864 Shenandoah Valley campaign. Bonan reveals fresh perspectives on the intrepid maneuvers of Mosby’s Rangers, the hardships of war, and Chapman’s crucial role as the right hand of the “Gray Ghost.” But while Mosby recognized him for his bravery and daring, the fame Chapman sought always eluded him. Instead, with his honors and successes came disillusionment and sorrow, as he watched comrades and civilians alike succumb to the terrible toll of the war. The end of the struggle between North and South saw Chapman accept defeat with dignity, leading the Rangers to their official surrender and parole at Winchester. With the horrors of the war behind him, he quickly moved to embrace the rebuilding of his country, joining the Republican party and beginning a forty-two-year career at the IRS enforcing Federal law throughout the South. In the end, Chapman’s life is a study in contradictions: nationalism and reconciliation; slavery and liberty; vengeance and chivalry.
Gordon Rhea's gripping fourth volume on the spring 1864 campaign-which pitted Ulysses S. Grant against Robert E. Lee for the first time in the Civil War-vividly re-creates the battles and maneuvers from the stalemate on the North Anna River through the Cold Harbor offensive. Cold Harbor: Grant and Lee, May 26-June 3, 1864 showcases Rhea's tenacious research which elicits stunning new facts from the records of a phase oddly ignored or mythologized by historians. In clear and profuse tactical detail, Rhea tracks the remarkable events of those nine days, giving a surprising new interpretation of the famous battle that left seven thousand Union casualties and only fifteen hundred Confederate dead or wounded. Here, Grant is not a callous butcher, and Lee does not wage a perfect fight. Within the pages of Cold Harbor, Rhea separates fact from fiction in a charged, evocative narrative. He leaves readers under a moonless sky, with Grant pondering the eastward course of the James River fifteen miles south of the encamped armies.
A critical biography of the best known and least accurately understood Civil War general, including the legends perpetrated by his widow, LaSalle Corbell Pickett.
The unforgettable events witnessed by an impressionable young Georgian originally found their way into print, piecemeal fashion, courtesy of the Confederate Veteran magazine. Long buried in the pages of this magazine's volumes, Bradwell's engaging and readable story is finally told in its entirety.
Fought in a tangled forest fringing the south bank of the Rapidan River, the Battle of the Wilderness marked the initial engagement in the climactic months of the Civil War in Virginia, and the first encounter between Ulysses S. Grant and Robert E. Lee. In an exciting narrative, Gordon C. Rhea provides the consummate recounting of that conflict of May 5 and 6, 1864, which ended with high casualties on both sides but no clear victor. With its balanced analysis of events and people, command structures and strategies, The Battle of the Wilderness is operational history as it should be written.
This was a duel between the stalwart of the Wehrmacht armored divisions the Panzerkampfwagen III and the American's as yet untested M3 Grant. In reality both would prove unequal to the task as they floundered amidst the rugged hills and ravines of the Tunisian landscape. This book charts the design and development of these two disparate rivals their vastly different armament and armor as well as their tactical concepts. Analysing the strengths and weaknesses of these two opponents, this book explores the successes and failures of the Grant and Panzer III as they clashed at the critical battles of North Africa. Moreover it is an insight into the lives of the tank crews themselves as they struggled with the twin horrors of tank warfare and the fight for survival amidst some of the most inhospitable terrain on earth.
This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British – as opposed to American – popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).
Americans look to China with fascination and fear, unsure whether the rising Asian power is friend or foe but certain it will play a crucial role in America’s future. This is nothing new, Gordon Chang says. For centuries, Americans have been convinced of China’s importance to their own national destiny. Fateful Ties draws on literature, art, biography, popular culture, and politics to trace America’s long and varied preoccupation with China. China has held a special place in the American imagination from colonial times, when Jamestown settlers pursued a passage to the Pacific and Asia. In the eighteenth and nineteenth centuries, Americans plied a profitable trade in Chinese wares, sought Chinese laborers to build the West, and prized China’s art and decor. China was revered for its ancient culture but also drew Christian missionaries intent on saving souls in a heathen land. Its vast markets beckoned expansionists, even as its migrants were seen as a “yellow peril” that prompted the earliest immigration restrictions. A staunch ally during World War II, China was a dangerous adversary in the Cold War that followed. In the post-Mao era, Americans again embraced China as a land of inexhaustible opportunity, playing a central role in its economic rise. Through portraits of entrepreneurs, missionaries, academics, artists, diplomats, and activists, Chang demonstrates how ideas about China have long been embedded in America’s conception of itself and its own fate. Fateful Ties provides valuable perspective on this complex international and intercultural relationship as America navigates an uncertain new era.
When restrictive immigration laws were introduced in the late-nineteenth and early-twentieth centuries, they involved new requirements for photographing and documenting immigrants--regulations for visually inspecting race and health. This work is the first to take a comprehensive look at the history of immigration policy in the United States through the prism of visual culture. Including many previously unpublished images, and taking a new look at Lewis Hine's photographs, Anna Pegler-Gordon considers the role and uses of visual documentation at Angel Island for Chinese immigrants, at Ellis Island for European immigrants, and on the U.S.-Mexico border. Including fascinating close visual analysis and detailed histories of immigrants in addition to the perspectives of officials, this richly illustrated book traces how visual regulations became central in the early development of U.S. immigration policy and in the introduction of racial immigration restrictions. In so doing, it provides the historical context for understanding more recent developments in immigration policy and, at the same time, sheds new light on the cultural history of American photography.
In this book, expert author and tactician Gordon L Rottman provides the first English-language study of Japanese Army and Navy tank units, their tactics and how they were deployed in action. The Japanese army made extensive use of its tanks in the campaigns in China in the 1930s, and it was in these early successes that the Japanese began to develop their own unique style of tank tactics. From the steam-rolling success of the Japanese as they invaded Manchuria until the eventual Japanese defeat, Rottman provides a battle history of the Japanese tank units as they faced the Chinese, the Russians, the British and the Americans.
For forty years, Charles Whilden lived a life noteworthy for failure. Then, in a remarkable chain of events, this aging, epileptic desk clerk from Charleston found himself plunged into the brutal battlefields of the Wilderness (May 57, 1864) and Spotsylvania Court House (May 820, 1864). In an astonishing act of bravery, he wrapped the flag around his body and led a charge that won critical ground for the Confederates, changing the course of one of the war's most significant battles. Gordon C. Rhea combines his deep knowledge of Civil War history with original sources, such as a treasure trove of letters written by Charles Whilden, to tell the story of this unusual life. Growing up in a prominent family that had fallen on hard times, Charles received a good education, and his letters reveal flashes of intelligence. But he failed at the practice of law in his home state and in his endeavors elsewhere, including copper speculation, real estate ventures, and farming. After the attack on Fort Sumter, Charles returned to Charleston to enlist in Confederate service, only to be turned down until the rebellion was on its last legs. Even then he saw only a few weeks of combat. But in that time, he discovered a bravery within himself that nothing in his former existence suggested he had.
In a grand and immemsely readable synthesis of historical, political, cultural, and economic analysis, a prize-winning historian describes the events that made the American Revolution. Gordon S. Wood depicts a revolution that was about much more than a break from England, rather it transformed an almost feudal society into a democratic one, whose emerging realities sometimes baffled and disappointed its founding fathers.
The status of the doctrine of parliamentary sovereignty in the contemporary UK Constitution is much contested. Changes in the architecture of the UK Constitution, diminishing academic reverence for the doctrine, and a more expansive vision of the judicial role, all present challenges to the relevance, coherence and desirability of this constitutional fundamental. At a time when the future of the sovereignty of Parliament may look less than assured, this book develops an account of the continuing significance of the doctrine. It argues that a rejuvenation of the manner and form theory is required to understand the present status of parliamentary sovereignty. Addressing the critical challenges to the doctrine, it contends that this conception of legally unlimited legislative power provides the best explanation of contemporary developments in UK constitutional practice, while also possessing a normative appeal that has previously been unrecognised. This modern shift to the manner and form theory is located in an account of the democratic virtue of parliamentary sovereignty, with the book seeking to demonstrate the potential that exists for Parliament – through legislating about the legislative process – to revitalise the UK's political constitution.
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