Edward Gordon Craig (1872-1966) was the most brilliant and influential stage designer this century. Always a controversial figure, he set out to revolutionise the theatre by creating a new art, the art of the theatre. Almost single-handed he formulated the principles on which a modern approach to stage design would be based. In his writings and engravings he transformed stage scenery from painted back-cloth into an abstract three-dimensional world of form and light. Craig's reputation as a designer is firmly established; his brilliance as a writer is only beginning to be recognised. Index to the Story of My Days shows him at his most self-revealing. As the original edition announced, 'Anything less like the conventional book of memoirs it would be difficult to imagine'. This 1981 reissue includes a specially written introductory essay by Peter Holland assessing the importance of Craig's career in the history of stage design.
This long-awaited edition brings together for the first time 366 letters, cards and telegrams exchanged between Craig and his patron the cosmopolitan Count Kessler. An important primary source, illuminated by Dr Newman's commentary, it focuses on three areas of particular importance: - 1. Craig's artistic ideas and the spread of his influence through exhibitions and books; proposals are developed for work with Otto Brahm, Eleonora Duse, Max Reinhardt, Henry van de Velde, Eduard Verkade, Leopold Jessner, Dyaghilev, Beerbohm Tree, C. B. Cochran, and others. 2. Kessler's Cranach Press Hamlet with wood-engraved illustrations by Craig; this is a landmark in the history of twentieth-century book design and printing whose genesis is now fully revealed in these letters and amplified with reproductions of eighteen trial page proofs. 3. The relationship between an artist and his patron. Exceptionally detailed indexes are an additional feature of this book
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