This book offers an accessible and lively survey of the global history of the age of industrialization and globalization that arose in the wake of the Napoleonic Wars and collapsed in the maelstrom of the First World War. Through a combination of industrialization, technological innovation and imperial expansion, the industrializing powers of the world helped to create inter-connected global space that left few regions untouched. In ten concise chapters, this book relays the major shifts in global power, economics and society, outlining the interconnections of global industrial, imperial and economic change for local and regional experiences, identities and politics. It finishes with an exposé on the catastrophic impact of the First World War on this global system. The First Age of Industrial Globalization weaves together the histories of industrialization, world economy, imperialism, international law, diplomacy and war, which historians usually treat as separate developments, and integrates them to offer a new analysis of an era of fundamental historical change. It shows that the revolutionary changes in politics, society and international affairs experienced in the 19th century were inter-connected developments. It is essential reading for any student of modern global history.
When Gordon Crossland was growing up in the 1940’s in Orillia, Ontario, the town was not about to embrace a boy wanting to be a figure skater or ballet dancer. Male figure skaters were so rare that boys’ figures skates were hard to come by. However, Gordon had a dream and luckily, he also had supportive parents who would dye girls’ skates black for him. All he had to do was learn to skate faster than the bullies who tried to trip him on the ice. From these humble beginnings, Gordon, an ever-evolving, passionately committed artist became a top skater with the Ice Follies. He transitioned into highly successful careers of dancing with the Royal Ballet and the Royal Opera Ballet Companies in England, as well as choreographing and skating in popular productions world–wide. It’s a journey spotted with moments of hilarity, high drama and occasional deep sorrow. A Nobody’s Dream Came True is a case study of a life in the Arts. It makes no attempt to sugar-coat the demands, difficulties and disappointments.... while fully revelling in the joys and deep fulfillment achieved through perseverance. Gordon’s story captures his dreams and gives readers profound insight into artistic temperament and the ever-burning passion that fuel’s artists’ choices.
In this memoir, the American screenwriter recounts his time spent on the Hollywood blacklist in the mid-twentieth century. The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells an engrossing insider's story of what it was like to be blacklisted and how he and others continued to work uncredited behind the scenes, writing and producing many box office hits of the era. Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston. “Gordon’s story is one of triumphing over adversity, as he managed to make a decent living and live a rather exotic life peopled with colourful characters, while maintaining his moral integrity. It’s an inspiring, fascinating read.” —Reel Ink “Gordon never pulls his punches in this anecdotal autobiography, filled with intimate details and vivid novelistic passages. A born storyteller, he writes with warmth and humor, and there's an emotional edge to his razor-sharp recall.” —Publishers Weekly
Theoretical physics has reached an impasse that many feel is a dead end. As the odds of finding evidence for supersymmetry starts to fade, “new” theories have emerged such as “The Multiverse”, “Extra Dimensions”, and “Dimensional Transmutation”. These theories attempt to explain the inexplicable yet at the same time fail to explain the explainable. Many physicists are left frustrated and wondering aloud… How could we have travelled so far down the wrong path? “Any intelligent fool can make things bigger and more complex. It takes a touch of genius - and a lot of courage to move in the opposite direction.” ~ Albert Einstein Engineers know that the right answer is usually a simple one. As Einstein would put it, “The grand aim of all science is to cover the greatest number of empirical facts by logical deduction from the smallest number of hypotheses or axioms.” Gordon’s theory of everything starts with only two postulates; the massless bosons called “Gordon Omnipresent Dots” or “GOD entities” and the E0 energy associated with their initial alignment. These primordial postulates are the only building blocks of a model that explains the inevitable course of events that created our universe. The mathematics created within this process corrects the postulates used to develop the theories of relativity and quantum mechanics which can finally be united and subsequently applied to the infinitesimally small and the infinitely large. We currently use parameters such as distance, time, straight lines, velocity, electric charge, energy fields, and mass. Gordon’s theory of everything begins at a time when none of these parameters existed (prior to the Big Bang). It takes nothing for granted as a predestined process unfolds creating these parameters as they come into existence defined by the evolving mathematics. The Gordon model reveals that energy exists in three separate Gordon energy states described by “The GOD equation”. The interaction between these energy states result in the formation of energy fi elds and the creation of all forces. Most importantly, the structure of space-time from the previously unrecognized G0 energy state provides the solid foundation upon which we are able to build a new understanding of everything in the universe. The simplicity and elegance of Gordon’s theory of everything will astonish everyone as everything falls into place. The purpose of this book is to put the field of physics on a theoretically sound foundation. The structures of the first few fundamental particles and the energy fields they generate are just the beginning. You will have the opportunity to make major contributions. Starting where this book leaves off at the up quark and electron, the race is on to find the internal structure of a neutron and all the particles of the standard model. Don’t be left behind…Be among the first to read Scott S Gordon’s, “The GOD Entity: Gordon’s Theory of Everything”
Ultra Smooth Jazz Grooves for Piano/Keyboards by internationally renowned authors, musicians and recording artists, Frank Villafranca and Andrew D. Gordon of The Super Groovers is a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner, intermediate and advanced jazz students and musicians. After releasing their first CD “Supergroovin”, which received world wide airplay, they recognized a need in the music publishing business for a series of books on contemporary improvising within the “Smooth Jazz” genre. Andrew composed and recorded all the rhythm tracks used in this book. In their opinion, the melodies were so catchy they couldn’t resist developing them into completed songs. “Mainline Connection”, “Villefranche–sur-Mer” and “You’re The Only One In My Life”, are a few featured on their second CD, “Mainline Connection”. Their CD's or mp3 downloads are available from iTunes, Amazon.com, CD Baby or from The Super Groovers web site. The smooth jazz grooves in this 50 page book feature a variety of contemporary rhythm section styles including R&B, Jazz, Funk, Top 40, Rock, Gospel, Hip Hop and Latin. These stylistic influences are frequently associated with smooth jazz. Popular artists in this genre include, The Super Groovers, David Sanborn, Eric Marienthal, Kenny G, David Benoit, Dave Koz, Tom Scott, Gerald Albright, Candy Dulfer, Wilton Felder, Boney James, Chris Botti, Chuck Mangione, Sade, George Benson, Peter White, Lee Ritenour, Earl Klugh, Larry Carlton, Jeff Lorber, Brian Culbertson, George Duke, Paul Hardcastle, Joe Sample, Spyro Gyra, Pat Metheny, Four Play, The Yellow Jackets and The Rippingtons. We suggest that you become acquainted with as many of these artists as possible by purchasing their CD's or mp3's via retailers such as itunes or Amazon.com. On each of the 20 tracks, the groove is separated into 3 melodic ideas. Each melodic idea (example or riff) is played first, by the piano with the groove, followed by just the rhythm section groove, without the piano. The 1st example is usually the easiest, the 2nd slightly harder and the 3rd the most difficult.
From the files of Scotland Yard's "Black Museum" (open only to police officers) come true crime stories of some of the most infamous murder cases of the 19th and 20th centuries--the Lambeth Poisoner, "baby farmer" Amelia Elizabeth Dyer, the Gentleman Vampire of Bournemouth, the Brides in the Bath Murders, the Rillington Place murders and many others. Along the way, investigators pass a number of crime-solving milestones, included the first use of fingerprint technology, the early use of photography and the first time "The Yard" enlisted the press to help hunt down a killer.
This book investigates notions of the individual, society, the state, economic relations and historical change that exist in the political left by drawing on contemporary philosophical, political and social thought. Using a discourse perspective, this work brings together the many fractious strains in the left, including social democracy, anarchism, communism and market socialism, and discusses them in terms of their relationships with each other. Not only does the study disentangle the left from liberal capitalism and progressive movements—such as those against racism and inequality—it sees the current left as intertwined with its history and its visions of the future.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.