Miracle tales, in which people are rewarded for piety or punished for sin through the intervention of the Virgin Mary, were a popular literary form all through the Middle Ages. Milagros de Nuestra Sehora, a collection of such stories by the Spanish secular priest Gonzalo de Berceo, is a premier example of this genre; it is also regarded as one of the four most important texts of medieval Spain. Difficulties in translating this work have made it unavailable in English except in fragments; now Spanish-language scholars Richard Terry Mount and Annette Grant Cash have made the entire work accessible to English readers for the first time. Berceo's miracle tales use the verse form cuaderna via (fourfold way) of fully rhymed quatrains—which Berceo may even have invented—and are told in the language of the common man. They were written to be read aloud, most likely to an audience of pilgrims, and are an outstanding example of oral religious narrative. The total work comprises twenty-five miracles, preceded by a renowned Introduction that celebrates the Virgin in rich symbolic allegory. Mount and Cash's translation is highly readable, yet it retains the original meaning and captures Berceo's colloquial style and medieval nuances. An introduction placing the miracles in their medieval context and a bibliography complement the text.
Miracle tales, in which people are rewarded for piety or punished for sin through the intervention of the Virgin Mary, were a popular literary form all through the Middle Ages. Milagros de Nuestra Sehora, a collection of such stories by the Spanish secular priest Gonzalo de Berceo, is a premier example of this genre; it is also regarded as one of the four most important texts of medieval Spain. Difficulties in translating this work have made it unavailable in English except in fragments; now Spanish-language scholars Richard Terry Mount and Annette Grant Cash have made the entire work accessible to English readers for the first time. Berceo's miracle tales use the verse form cuaderna via (fourfold way) of fully rhymed quatrains—which Berceo may even have invented—and are told in the language of the common man. They were written to be read aloud, most likely to an audience of pilgrims, and are an outstanding example of oral religious narrative. The total work comprises twenty-five miracles, preceded by a renowned Introduction that celebrates the Virgin in rich symbolic allegory. Mount and Cash's translation is highly readable, yet it retains the original meaning and captures Berceo's colloquial style and medieval nuances. An introduction placing the miracles in their medieval context and a bibliography complement the text.
This book is the first modern overview of the history of historiography in Spain. It covers sources from Juan de Mariana's History of Spain, written at the end of the sixteenth century, up to current historical writings and their context. The main objective of the book is to shed light on the continuities and breaks in the ways that Spanish historians represented ideas of Spain. The concept of historiography used is wide enough to span not only academic works and institutions but also public uses of history, including the history taught in schools. The methodology employed by the author combines the tradition of studies of national identity with those of historiography. One of the key themes in the book is the role of the historical profession in Spain and its influence on national discourse from the nineteenth century onwards.
The Calling" is a historical novel set in Castile and Aragon, Spain during the 13th Century. It is the story of Lorenzo, a young man following the longing of his soul, who takes a spiritual pilgrimage from his native city of Teruel to Toledo, the spiritual center of medieval Spain. Along his particular “hero´s journey”, he encounters several adventures and tests until he arrives in the capital of Castile. In Toledo, he meets the great sages of his time who help him discover a new dimension of reality. A novel full of adventure, emotion, knowledge, romance…
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