“Carries the flavor of the old world, its underlying ferocity leavened by a lyrical mysticism. . . . Her prose is transcendent.”—Washington Post Rich in characters both whimsical and deeply poignant, humorous and real, the stories of Goli Taraghi have made her one of the world’s most beloved contemporary writers from Iran. A best-selling author in her native country and widely anthologized in the United States and around the world, Taraghi's work is now made fully accessible to an English-speaking audience in this standout and long-awaited volume of selected stories, selected as a Best Book of 2013 by staff and critics at National Public Radio. Drawing on childhood experiences in Tehran during the reign of the Shah, her exile in Paris, and her subsequent visits to Tehran after the revolution, Taraghi develops characters and tales that linger in one’s mind. In the title story, a woman traveling from Tehran to Paris is obliged to help an old woman—the Pomegranate Lady—find her way to her fugitive sons in Sweden. In "The Gentleman Thief," a new kind of polite, apologetic thief emerges from the wreckage of the revolution. In "Encounter," a woman's world is upended when her former maid becomes her jailer. And in "The Flowers of Shiraz," a group of teenagers finally manages to coax a shy schoolmate out of her shell—only to once again encounter tragedy. Reminiscent of the work of Nadine Gordimer and Eudora Welty, Taraghi's stories capture universal experiences of love, loss, alienation, and belonging—all with an irresistible sense of life’s absurdities.
A city of stories – short, fragmented, amorphous, and at times contradictory – Tehran is an impossible tale to tell. For the capital city of one of the most powerful nations in the Middle East, its literary output is rarely acknowledged in the West. This unique celebration of its writing brings together ten stories exploring the tensions and pressures that make the city what it is: tensions between the public and the private, pressures from without – judgemental neighbours, the expectations of religion and society – and from within – family feuds, thwarted ambitions, destructive relationships. The psychological impact of these pressures manifests in different ways: a man wakes up to find a stranger relaxing in his living room and starts to wonder if this is his house at all; a struggling writer decides only when his girlfriend breaks his heart will his work have depth... In all cases, coping with these pressures leads us, the readers, into an unexpected trove of cultural treasures – like the burglar, in one story, descending into the basement of a mysterious antique collector’s house – treasures of which we, in the West, are almost wholly ignorant. Translated by: Sara Khalili, Sholeh Wolpé, Alireza Abiz, Caroline Croskery, Farzaneh Doosti, Shahab Vaezzadeh, Niloufar Talebi, Lida Nosrati, Susan Niazi and Poupeh Missaghi. Foreword by Orkideh Behrouzan. Developed in partnership with Visiting Arts. 'The aesthetic sensibility of Iranian culture appears, to the West, as mainly pre-modern, if not actually anti-modern... The fiction showcased in The Book of Tehran is a welcome corrective to this tendency... These stories feel decidedly contemporary in style and subject matter alike, with their protagonists' inner lives and interpersonal relationships at the fore.' - The Times Literary Supplement 'Fiction exploring the interior life of contemporary Iranians is not well represented in translations readily available in the West. The Book of Tehran aims to begin to redress the shortage...' - Asian Review of Books
A city of stories – short, fragmented, amorphous, and at times contradictory – Tehran is an impossible tale to tell. For the capital city of one of the most powerful nations in the Middle East, its literary output is rarely acknowledged in the West. This unique celebration of its writing brings together ten stories exploring the tensions and pressures that make the city what it is: tensions between the public and the private, pressures from without – judgemental neighbours, the expectations of religion and society – and from within – family feuds, thwarted ambitions, destructive relationships. The psychological impact of these pressures manifests in different ways: a man wakes up to find a stranger relaxing in his living room and starts to wonder if this is his house at all; a struggling writer decides only when his girlfriend breaks his heart will his work have depth... In all cases, coping with these pressures leads us, the readers, into an unexpected trove of cultural treasures – like the burglar, in one story, descending into the basement of a mysterious antique collector’s house – treasures of which we, in the West, are almost wholly ignorant. Translated by: Sara Khalili, Sholeh Wolpé, Alireza Abiz, Caroline Croskery, Farzaneh Doosti, Shahab Vaezzadeh, Niloufar Talebi, Lida Nosrati, Susan Niazi and Poupeh Missaghi. Foreword by Orkideh Behrouzan. Developed in partnership with Visiting Arts. 'The aesthetic sensibility of Iranian culture appears, to the West, as mainly pre-modern, if not actually anti-modern... The fiction showcased in The Book of Tehran is a welcome corrective to this tendency... These stories feel decidedly contemporary in style and subject matter alike, with their protagonists' inner lives and interpersonal relationships at the fore.' - The Times Literary Supplement 'Fiction exploring the interior life of contemporary Iranians is not well represented in translations readily available in the West. The Book of Tehran aims to begin to redress the shortage...' - Asian Review of Books
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