This is the first study in Russian or Western literature of the rise and fall of Russian naval influence in the North Pacific Ocean from the time of Peter the Great to Tsar Nicholas I. The author deals with a neglected area: inherent tension between Russian naval and mercantile interests and the origins of international rivalry in the North Pacific at large. Barratt shows that Russia's motives for early expeditions to the Pacific were to promote science, exploration, and trade. But when imperialist powers vied for territory and resources in the area, military confrontation became a possibility. .
Known for his pioneering work on Russia's early exploits in Australia and the Pacific, historian Glynn Barratt again breaks new ground in presenting the first comprehensive study of Russian naval, social, mercantile, and scientific enterprise in New South Wales between 1807 and 1835.
The authors of this comprehensive text discuss the root causes of disruptive behaviour, tackle assessment issues and develop effective intervention strategies that will be of practical use to teachers and other educators. Whilst theorising behaviour management from a range of perspectives: psychodynamic, behavioural and socio-cultural, the authors remain firmly focused on practical issues of policy making, assessment and intervention, and address a wide range of related issues, such as: policy in relation to behaviour in schools at local authority, national and international level cultural concerns, race, gender, school discipline and exclusion medical perspectives of topical interest such as ADHD, autism and diet assessment at district, community, classroom and individual level, and how these underpin theory. This book will appeal to anyone for whom behaviour in schools is a key concern, such as student teachers, teacher educators, senior school managers and practising teachers undertaking further study in the field.
In this unique study, Stephen Glynn demonstrates that Kate Bush’s work, in both sound and vision, has long been influenced and characterised by, and at times aimed at, film and television media. The volume explores in depth Bush’s ‘music of allusion’ and analyses first the significance of film and television references throughout the lyrics and settings of her songs, beginning with her breakthrough hit ‘Wuthering Heights’. It also surveys the shaping presence of film and television in the look, narrative and artistry of her music videos, including the examination of celebrated works such as ‘Cloudbusting’ and ‘Hounds of Love’. Finally, the book assesses Bush’s most intensive cinematic undertaking, her 1993 album The Red Shoes, with its evident homage to the 1948 film of Michael Powell and Emeric Pressburger, and its concurrent visual reworking as Bush’s sole film venture, The Line, The Cross & The Curve. Thus, with its deployment across music, video and film, Glynn demonstrates the centrality of Kate Bush’s cinephilia to her work. Accessible yet academically rigorous, Kate Bush and the Moving Image is a stand-out study of the iconic singer-songwriter’s discography and cinematic ventures. It will appeal to both students and scholars of Film, Television, Media, Cultural and Popular Music Studies.
1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!
This book constitutes the first full volume dedicated to an academic analysis of British football as depicted on film. From early single-camera silents to its current multi-screen mediations, the repeated treatment of football in British cinema points to the game’s importance not only in the everyday rhythms of national life but also, and especially, its immutable place in the British imaginary landscape. Through close textual analysis together with production and reception histories, this book explores the ways in which professional footballers, amateur players and supporters (the devoted and the demonized) have been represented on the British screen. As well as addressing the joys and sorrows the game necessarily engenders, British football is shown to function as an accessible structure to explore wider issues such as class, race, gender and even the whole notion of ‘Britishness’.
Known for his pioneering work on Russia's early exploits in Australia and the Pacific, historian Glynn Barratt again breaks new ground in presenting the first comprehensive study of Russian naval, social, mercantile, and scientific enterprise in New South Wales between 1807 and 1835.
This is the first study in Russian or Western literature of the rise and fall of Russian naval influence in the North Pacific Ocean from the time of Peter the Great to Tsar Nicholas I. The author deals with a neglected area: inherent tension between Russian naval and mercantile interests and the origins of international rivalry in the North Pacific at large. Barratt shows that Russia's motives for early expeditions to the Pacific were to promote science, exploration, and trade. But when imperialist powers vied for territory and resources in the area, military confrontation became a possibility. .
The final volume in the quartet of books on the naval, scientific, andsocial activities of the Imperial Russian Navy in the South Pacific,this book focuses on the expeditions to Tahiti and the dangerous atollchains to its east, known as the Tuamotus. Under the command ofCaptains Otto von Kotzebue and F.Fellingshausen, expedition memberswere the first to chart several of the Tuamotu islands. They alsotheorized correctly about coral reef and atoll formation, botanized,and collected ethnographica in a systematic way.
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