This practice book is written by a team of senior examiners and practising teachers. Grades on the pages show students what level they are working at to encourage them to push themselves. It covers grades D to A.
This Practice Book is written especially for students aiming to achieve the very best grades and contains a wealth of activities to stretch and challenge.
Offers information that teachers and students need to know to succeed in the two-tier AQA specification. Written by an experienced author team, this work contains fully blended student books and software to motivate and engage your students.
Our Edexcel GCSE (9-1) Mathematics Extension Practice Book is designed for your high attaining students who will benefit from extra practice in both the new and harder topics in the Higher tier.
Jones has appeared in London playing leading roles in many provincial theaters, on tours, and on the continent. He has also worked in film and radio, and his television appearances have been numerous. Jones has written screenplays for Columbia Films, 20th Century Fox, Children's Film Foundation, BBC, and independent TV.
Well-crafted, eloquently written, and its arguments about the primacy of strategy in British diplomatic thinking compelling. Breaks new historiographical ground. ALBION An account of British/Portuguese diplomatic relations between 1936 and 1941.
The elusive dream of locating the Northwest Passage--an ocean route over the top of North America that promised a shortcut to the fabulous wealth of Asia--obsessed explorers for centuries. Until recently these channels were hopelessly choked by impassible ice. Voyagers faced unimaginable horrors--entire ships crushed, mass starvation, disabling frostbite, even cannibalism--in pursuit of a futile goal. Glyn Williams charts the entire sweep of this extraordinary history, from the tiny, woefully equipped vessels of the first Tudor expeditions to the twentieth-century ventures that finally opened the Passage.
Speculation: Politics, Ideology, Event develops Hegel’s radical perspective of speculative thought as a way of reclaiming and revitalizing the sense of the future and its possibilities. Engaging with such figures as Alain Badiou, Quentin Meillassoux, Ernesto Laclau, Slavoj Žižek, and Fredric Jameson, Glyn Daly articulates the distinctness of speculative philosophy and draws its implications for new debates in areas of science, politics, capitalism, ideology, ethics, and the event. In a confrontation with today’s fatalistic milieu, principal emphasis is given to Hegel’s idea of infinity as the intrinsic dimension of negativity within all finitude. Against the modern era’s paradigmatic tendency to externalize social problems in the form of antagonism and Otherness, Daly argues for a renewal of utopian thought based on Hegelian reconciliation and the affirmation of excess as the essence of all being. On these grounds, he advances a new kind of political imagination that in speculative terms centers on uncompromising notions of truth and reason.
Annotation This professional-level Photoshop book focuses on the Photoshop techniques that photographer and retoucher Glyn Dewis has become well known for. Combining compositing work and special effects in Photoshop has lead to Glyn's signature look, which readers want to know how to replicate.
No photographer works in a vacuum. Photographers, like all artists, stand on the shoulders of those who came before them, and they are informed and influenced by those working around them contemporaneously. If you are striving to find your own style, one of the most powerful exercises you can practice is to find influence and inspiration in the work of those around you, and then emulate that work in an effort to define, shape, and grow your own photographic voice. By collecting, imitating, and eventually reshaping and combining the work of those around you, your unique voice can be found and the quality of your work can soar. In Photograph Like a Thief, photographer, author, and retoucher Glyn Dewis embraces the idea of “stealing” and recreating others’ work in order to improve as an artist. By “stepping inside” others’ images, you can learn to reverse engineer their creation, then build an image yourself that simultaneously pays homage to that work yet is also an original creation itself. The book is divided into two parts. In Part 1, Glyn discusses his approach, covering the process of "stealing ideas" and finding inspiration. He also covers the gear he uses, as well as his retouching and post-processing workflow. In a very helpful chapter on “reverse engineering” a photograph, Glyn discusses how to “read” an image by the catchlights, shadow position, and the hardness/softness of the shadows. This is a crucial skill to acquire if you want to recreate another’s look. In Part 2, Glyn works through a series of images, from initial concept and influence to lighting, shooting, and post-processing the image to get to the final result. For each image, he reverse engineers the shot to describe how it was created and discusses how the image influenced him, then works through the gear he used, the lighting for the image, and the post-processing of the image—from the RAW out-of-camera shot to the finished piece. While Glyn's work primarily focuses on portraiture, he finds inspiration and influence from a wide variety of work, from legendary photographers to animated films to book covers to movie posters. By working alongside Glyn in Photograph Like a Thief, you too can learn to find inspiration all around you, discover how that work can influence you, improve your photographic and post-processing skill set, and begin your own journey to defining your unique style. Who knows? Soon, others may be stealing from you.
Birth is a throw of the dice. The consequences last a lifetime. We like to think of Australia as the land of the 'fair go', a land of choice and equal opportunity. But behind the facade of meritocracy lies an uncomfortable truth: much of your life is already decided by the lottery of where you are born and who you are born to. Entrenched inter-generational poverty, like the property of the wealthy, can be handed down from parent to child. With one in eight adults and one in six children living below the poverty line in Australia, Glyn Davis asks the question: If life is a game of chance, what responsibility do those who are given a head start have to look after those less fortunate?
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