Includes the plays Broken Journey, Best Man Speech and The Last Valentine A car breaks down in a quiet place in the small hours. Soon a man is dead, a woman traumatised, another man accused. But who really knows what happened? Even the dead man tells a tale. Broken Journey examines the terror and beauty hidden in the mist. The truth hurts for bridegroom Addy, when his downtrodden friend takes revenge on him in his Best Man Speech, and a cruel trick goes seriously wrong for a gang of schoolfriends when they send a mysterious new boy in The Last Valentine.
Three beautifully crafted plays for young people by the award-winning playwright Glyn Maxwell. Contains the plays Alice in Wonderland, Wind in the Willows, and Merlin and the Woods of Time.
April 1793, the French Revolution is four years old and the Committee of Public Safety under Robespierre finds threats to national liberty at home and abroad. When Gamelin, an ambitious and idealistic young magistrate, joins a group of old friends for a picnic outside Paris, the ties of love and affection can take the strain. But how strong will they prove when Gamelin is given power over life and death, and the new republic plunges from high idealism to mob rule and state terror? Private jealousies and public fears, old alliances and new ideologies, panic legislation and political correctness all combine in this thrilling adaptation of Anatole France s 1912 novel Les Dieux ont Soif. The poet Glyn Maxwell (whose Lifeblood was voted best play by the British Theatre Guide in 2005) brings a colloquial verse of great fluidity and immediacy to a story that is both fresh and relevant.
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Glyn Maxwell's previous book, The Sugar Mile, was heralded as a bold expansion of the art of poetry. Hide Now, his newest collection, written in wry, colloquial language and employing a brilliant array of poetic forms, delivers a commentary on the icons and iconic moments of the present. With a vision both apocalyptic and comic, Maxwell takes us from Robespierre to Dick Cheney to Guns N' Roses, from the unearthly quiet of a war zone to the pompous flapping of a flag to the sound of a departed friend's voice: "a certain note / I almost hear, can almost manage / in this throat." Hide Now is further evidence that Maxwell is the most adept heir to the poetic legacies of W. H. Auden and Robert Frost; James Wood described him as "the major poet of his generation." Fierce, direct, and bristling with intelligence, Hide Now is a remarkable addition to the oeuvre of a truly original poet.
Edmund Lea perpetually rides a ghost train -- except every seven years on Christmas Eve, when he is allowed to revisit his home town. Like Wagner's Flying Dutchman, Edmund is condemned to eternity alone until he determines how to lift the curse upon him. Time passes, from 1970 to 2019, but Edmund remains seventeen, unable to age and watching the world grow older. He tries in vain to break the spell by way of true love, repentance, hedonism; he tries to change the world and he tries to die. Characters move in and out of Maxwell's story like Dante's figures in Hell, but Edmund's own Virgil is a careless and unhelpful poet, a portrait of the author as a student. The tale is told in formal terza rima, but its language and tone, its humor and sense of homesickness, are decidedly contemporary. It is a brilliant achievement.
This book selects from twenty years of Glyn Maxwell's poetry, and provides a concise introduction to one of the most imaginatively gifted poets of the age. Maxwell's is perhaps the most immediately recognizable voice in British poetry: wry, wise, compellingly rhythmic, and everywhere carrying a sense of the dramatic line no other British poet has won for their verse since W. H. Auden.
Two of the brightest young poets of our day follow in the footsteps of W.H. Auden and Louis MacNeice. Auden and MacNeice's Letters from Iceland was more than a brilliant and unconventional travel book; it was one of the great works of the 1930s which defined for its own and later generations the precise nature and feeling of that troubled time.With characteristic boldness, Simon Armitage and Glyn Maxwell, staunch admirers of the two older poets, set off in 1994 to discover what Iceland, with its unique geography and ancient political institutions, might have to say to us now. Their findings, delivered in an appropriate mixture of poetry and prose, reportage and imaginative elaboration, vividly reflect the concerns of our own age, and will instruct and amuse readers in equal measure.
Seven angels have fallen through space and time for so long, they have forgotten why. Coming to rest on a desert landscape, they imagine the creation of a legendary garden that once flourished there and its destruction from greed and neglect. Inspired by Paradise Lost, Seven Angels interprets the themes of John Milton’s masterpiece for a modern audience facing up to the urgent challenges of a changing climate and ever-depleting resources. This is the long-awaited first opera from Luke Bedford featuring the libretto of award-winning poet Glyn Maxwell.
Poet Glyn Maxwell wakes up in a mysterious village one autumn day. He has no idea how he got there but he has a strange feeling there's a class to teach. And isn't that Keats wandering down the lane? Why not ask him to give a reading, do a Q and A, hit the pub with the students afterwards? Soon the whole of the autumn term stretches ahead, with Byron, the Brontës, the War Poets and many more all on their way to give readings in the humble village hall. In this one-of-a-kind novel, Maxwell takes writing exercises that he's used in real classes, and explores them with fictional students and major poets.
‘There’s nothing – absolutely nothing – half so much worth doing as messing about in boats.’ A spot of spring cleaning on a sunny English riverbank – so begins the adventures of four beloved friends. Follow Mole, Ratty, Toad and Badger on their journey through riverside picnics, wild woods, jailbreaks, car chases and cross-dressing amphibians to save Toad Hall from disaster and get little Mole home. Will the foursome triumph? And will everybody learn their lessons? A delightful tale of camaraderie and joy. Poop poop! A new adaptation of The Wind in the Willows, a classic children’s novel notable for its mixture of mysticism, adventure, morality, and camaraderie and celebrated for its evocation of the nature of the River Banks.
A new version, from award-winning poet Glyn Maxwell, of Robert Louis Stevenson's Gothic masterpiece. A decent man finds himself stalked and confronted by his own evil alter-ego.
The brilliant new collection from a major voice in contemporary poetry Pluto - the non-planet, the ex-planet - is the dominant celestial influence in Glyn Maxwell's new collection: Pluto is a book about change, the before-and-after of love, the aftermath of loss: change of status and station, home and place, of tense and pronoun. It also marks a radical departure for one of our most celebrated English poets: his formidable skills as a rhetorician and dramatist are suddenly directed inwardly, to produce poems of brutal self-examination, raw elegy, and strange songs of the kind those bruising encounters often leave us singing to ourselves. In Pluto, Maxwell has set out something like a metaphysic of the affair; the result is a lean and concentrated poetry of great emotional power, and far and away Glyn Maxwell's most directly personal work to date.
Troy is in ruins. Its men are dead. Its women are captives and the victorious Greeks are camped in the ashes preparing to sail home. Four quarrelling women drawn together by grief... Four exhausted soldiers who hate each other’s guts... A King who falls for a girl so mad she can see the audience... A teenage princess dreaming of the Underworld... And a lonely man of conscience trying to get it all down on paper... Award-winning poet and playwright Glyn Maxwell rips up two Greek tragedies and makes a modern play from the fragments. A witty and passionate retelling of Euripides’ Women Of Troy and Hecuba, After Troy exposes the cruelties of war both then and now.
Compassionate, heartfelt and witty, The Lion’s Face is a musical tale of love, loss and family bonds. Produced by the award-winning Opera Group, The Lion’s Face explores the issues surrounding dementia. Featuring the beautiful poems of Glyn Maxwell as part of an operatic collaboration with composer Elena Langer. Written for both children and adults, an earlier version of The Lion's Face won the Audience Prize at the 2009 New Opera Festival in Zurich. Premiered at London's Royal Opera House in 2010.
Edmund Lea perpetually rides a ghost train -- except every seven years on Christmas Eve, when he is allowed to revisit his home town. Like Wagner's Flying Dutchman, Edmund is condemned to eternity alone until he determines how to lift the curse upon him. Time passes, from 1970 to 2019, but Edmund remains seventeen, unable to age and watching the world grow older. He tries in vain to break the spell by way of true love, repentance, hedonism; he tries to change the world and he tries to die. Characters move in and out of Maxwell's story like Dante's figures in Hell, but Edmund's own Virgil is a careless and unhelpful poet, a portrait of the author as a student. The tale is told in formal terza rima, but its language and tone, its humor and sense of homesickness, are decidedly contemporary. It is a brilliant achievement.
A series of verse letters to the English poet Edward Thomas, killed in the First World War, forms the centerpiece of this remarkable collection. Like most of the poems, it expresses a deep concern for England, past and present. Other poems, whether lyrical or narrative, comic or contemplative, explore love and fatherhood, triumph and longing. Some are adventures from the known to the ineffable; some draw on the poet's travels and his time living in Amherst, Massachusetts.
Glyn Maxwell's previous book, The Sugar Mile, was heralded as a bold expansion of the art of poetry. Hide Now, his newest collection, written in wry, colloquial language and employing a brilliant array of poetic forms, delivers a commentary on the icons and iconic moments of the present. With a vision both apocalyptic and comic, Maxwell takes us from Robespierre to Dick Cheney to Guns N' Roses, from the unearthly quiet of a war zone to the pompous flapping of a flag to the sound of a departed friend's voice: "a certain note / I almost hear, can almost manage / in this throat." Hide Now is further evidence that Maxwell is the most adept heir to the poetic legacies of W. H. Auden and Robert Frost; James Wood described him as "the major poet of his generation." Fierce, direct, and bristling with intelligence, Hide Now is a remarkable addition to the oeuvre of a truly original poet.
This book provides an analysis of the luxury industry in two of the world’s biggest and evolving markets, and identifies and discusses the key issues and dynamics in transforming their luxury landscapes. By discussing the elements that are most likely to dominate boardroom agendas, the pragmatic implications for both strategic and marketing planning are made clear. Special emphasis is placed upon well-contemplated responses to luxury brand marketing challenges that executives are likely to face as they push their brands to adapt and thrive in these shifting markets.
Interactions matter. To understand the distributions of plants and animals in a landscape you need to understand how they interact with each other, and with their environment. The resulting networks of interactions make ecosystems highly complex. Recent research on complexity and artificial life provides many new insights about patterns and processes in landscapes and ecosystems. This book provides the first overview of that work for general readers. It covers such topics as connectivity, criticality, feedback, and networks, as well as their impact on the stability and predictability of ecosystem dynamics. With over 60 years of research experience of both ecology and complexity, the authors are uniquely qualified to provide a new perspective on traditional ecology. They argue that understanding ecological complexity is crucial in today’s globalized and interconnected world. Successful management of the world's ecosystems needs to combine models of ecosystem complexity with biodiversity, environmental, geographic and socioeconomic information.
Free enterprise is off the leash and chasing new opportunities for profit making across the globe. After a turbulent century of unprecedented social and technological change, Capitalism has emerged as the dominant ideology and model for economic growth in the richest, most developed countries. But only thirty years ago economic growth was faltering, inflation rising and the Left were arguing for greater state intervention in industry. How did this remarkable transformation happen? And what price have we paid in the process? This accessible and persuasive book challenges the notion of our capitalist destiny. It provides a clear and concise history of the problems facing the economies of Europe, Japan and the US during the latter half of the twentieth century and questions whether capitalism has really brought the levels of economic growth and prosperity that were hoped for. Andrew Glyn then looks at the impact the rapidly developing economies of China and the South are likely to have on the older economies of the North. As the race is on to maintain growth and protect competitive advantage, Glyn asks: is the 'race-to-the bottom' inevitable as the anti-globalisers predict, with welfare states being dismantled to meet competitive demands? Or is there an alternative model which sees a strong commitment to welfare provision as essential to economic growth? Can we afford not to tackle inequality at home as well as abroad?
The New Zealand soldiers who left these shores to fight in the First World War represented one of the greatest collective endeavours in the nation’s history. Over 100,000 men and women would embark for overseas service and almost 60,000 of them became casualties. For a small nation like New Zealand this was a tragedy on an unimagined scale. Using their personal testimony, this book reveals what these men experienced – the truth of their lives in battle, at rest, at their best and their worst. Through a comprehensive and sympathetic scrutiny of New Zealand soldiers’ correspondence, diaries and memoirs, a compelling picture of the New Zealand soldier’s war from general to private is revealed. This is not a campaign history of dry facts and detail. Rather, it examines minutely the everyday experience of trench life in all its shapes and forms. Diverse topics such as barbed wire, the use of the bayonet, gas attacks, rats, horses, food, communal singing, infectious diseases and much more feature in this riveting account of the New Zealand soldier in the First World War. It is the story of ordinary men thrust into the most extraordinary circumstances imaginable. Written in an accessible style aimed at the interested general reader, the book is the product of a substantial amount of research. The text is complemented by a range of maps, illustrations, graphs and diagrams.
Film Studies: A Global Introduction reroutes film studies from its Euro-American focus and canon in order to introduce students to a medium that has always been global but has become differently and insistently so in the digital age. Glyn Davis, Kay Dickinson, Lisa Patti and Amy Villarejo’s approach encourages readers to think about film holistically by looking beyond the textual analysis of key films. In contrast, it engages with other vital areas, such as financing, labour, marketing, distribution, exhibition, preservation, and politics, reflecting contemporary aspects of cinema production and consumption worldwide. Key features of the book include: clear definitions of the key terms at the foundation of film studies coverage of the work of key thinkers, explained in their social and historical context a broad range of relevant case studies that reflect the book’s approach to global cinema, from Italian "white telephone" films to Mexican wrestling films innovative and flexible exercises to help readers enhance their understanding of the histories, theories, and examples introduced in each chapter an extensive Interlude introducing readers to formal analysis through the careful explication and application of key terms a detailed discussion of strategies for writing about cinema Films Studies: A Global Introduction will appeal to students studying film today and aspiring to work in the industry, as well as those eager to understand the world of images and screens in which we all live.
It provides a critical description and evaluation of how laws are made for Wales including the most recent changes made by the Wales Act 2017 which come into effect in 2018. It analyses and assesses the process of preparing and drafting legislation for Wales in terms of the requirements of democratic processes and respect for the rule of law. It analyses and assesses the legislative procedures of the legislatures which make law for Wales, explaining how they reflect the demands of law-making in a representative democracy. It is written in a clear and accessible style which does not require prior knowledge of its subject matter. It is written by two authors who between them have considerable experience at the highest levels of the law-making processes of Wales and the UK.
Set against the background of the fundamental issues facing the industry today, The 21st Century Journalism Handbook is a comprehensive guide to the core principles and practices essential to the modern journalist. Convergence, online, the growth of magazine formats, challenges presented by technology and new demands in news and feature writing are all covered from conceptual and practical perspectives. A thorough grounding in the key debates and techniques is provided; while clear, no-nonsense practical advice helps you develop your journalism skills and make a success of your studies and career. Key Features: A combination of professional insight, academic study and practical exercises allows you to develop at your own pace Thinking it through activities at the end of each chapter allow you to think over the topics discussed and to think about how you could apply these skills Case studies and Closer Look boxes explore real-life examples in more depth Key points to remember and chapter summaries highlight the essential things you need to know Comprehensive but digestible coverage of the key elements of ethics, regulation and law ensures you are fully equipped with the essential frameworks for informed practice With an emphasis on developing the ‘whole journalist’, a creative and visual reporter who can think across different platforms, this text is ideal for all for journalism students training in newspapers, magazines and online reporting.
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