This collection of essays charts the intellectual trajectory of Barbara Glowczewski, an anthropologist who has worked with the Warlpiri people of Australia since 1979. She shows that the ways Aboriginal people actualise virtualities of their Dreaming space-time into collective networks of ritualised places resonate with Guattarian and Deleuzian concepts. Inspired by the art and struggles of different Indigenous people and other discriminated groups, especially women, Glowczewski draws on her own conversations with Guattari, and her debates with various scholars to deliver an innovative agenda for radical anthropology.
In the heart of Australia, on the cracked red earth, among wild vegetation, weathered bush, and dried-up creeks, hundreds of invisible pathways exist that become entangled on the earth's surface, underground, and in the sky, clouds, and wind. The Aboriginal people call them Jukurrpa: “the Dreamings.” This web is the Warlpiri land. Practicing the Dreaming, by ritual art, is for the Warlpiri a way to reactivate their ancestral traditions to connect with the cosmos and respond to current social and political issues. In 1979, anthropologist Barbara Glowczewski embarked on a journey to study the Warlpiri in the Australian outback. Struggling at once to maintain their traditions and cultural heritage as well as adapting to the continuing secularization and techno-progress of their European Australian counterparts, she takes us into the landscape, artistic rituals, and turmoil of the Warlpiri over three decades. Becoming accepted among Aboriginal families as a translator, and at the same time a negotiator of two vastly different visions of the earth, contemporary Western culture and the ancient indigenous dreaming culture, Glowczewski created a singular document of ethnological fieldwork and of self-transformation and discovery.
This collection of essays charts the intellectual trajectory of Barbara Glowczewski, an anthropologist who has worked with the Warlpiri people of Australia since 1979. She shows that the ways Aboriginal people actualise virtualities of their Dreaming space-time into collective networks of ritualised places resonate with Guattarian and Deleuzian concepts. Inspired by the art and struggles of different Indigenous people and other discriminated groups, especially women, Glowczewski draws on her own conversations with Guattari, and her debates with various scholars to deliver an innovative agenda for radical anthropology.
In the heart of Australia, on the cracked red earth, among wild vegetation, weathered bush, and dried-up creeks, hundreds of invisible pathways exist that become entangled on the earth's surface, underground, and in the sky, clouds, and wind. The Aboriginal people call them Jukurrpa: “the Dreamings.” This web is the Warlpiri land. Practicing the Dreaming, by ritual art, is for the Warlpiri a way to reactivate their ancestral traditions to connect with the cosmos and respond to current social and political issues. In 1979, anthropologist Barbara Glowczewski embarked on a journey to study the Warlpiri in the Australian outback. Struggling at once to maintain their traditions and cultural heritage as well as adapting to the continuing secularization and techno-progress of their European Australian counterparts, she takes us into the landscape, artistic rituals, and turmoil of the Warlpiri over three decades. Becoming accepted among Aboriginal families as a translator, and at the same time a negotiator of two vastly different visions of the earth, contemporary Western culture and the ancient indigenous dreaming culture, Glowczewski created a singular document of ethnological fieldwork and of self-transformation and discovery.
From the Author Having spent nearly ten years writing my memoirs, originally in Polish, I hope that with this English edition they will reach a wider circle of readers. They span more than eighty years of turbulent world historyand when is such history not turbulent?--and include details which may not be familiar to many readers. Those acquainted with the epoch I am describing may wander, before picking up the book, whether it is yet another retelling of an often described drama, the subject already of myriad historical classics. I would say, yes, but it is a retelling with a twist. This book is, above all, a tale of exceptional good fortune, which, in contrast to the experiences of many others of my generation, has been my oddly lucky lot. I have lived on the edge of a precipice, yet have somehow managed to miss the worst fate. I have been steps away from death, a refugee fleeing deportation, starvation, and death camps. While fighting on two fronts during World War II, I had been shot at innumerable times; while in combat, I have without a doubt caused the death of others. After the wars end, living under a Soviet-imposed communist regime, I was spared torture and prison. And I did not choose emigration, but circumstances forced meand my wife and daughterto accept it. Luckily, we found ourselves in Americaland of promise. Ironically, however, we arrived here during a difficult period of social upheaval and racial unrest. Political conflict, assassinations, bombings, and the tragedy of an interventionist war in Indochina formed the backdrop of our new life in our adopted country. Later, working in the Middle East, I witnessed the early seeds of the conflict that now besieges us all. Looking back, I can hardly believe that through it all my luck held out, and that I was able to write my memoirs in the peace and quiet of my own home. And I trust that you will enjoy reading them--the story of an incorrigible optimist.
This catalogue offers a tribute to the women who have taken part in the outback contemporary painting movement, the initiator of so many changes for their people, their creativity, their vision of the world and their Law.
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