Gloria Fisk traces the terms of Orhan Pamuk's engagement with a literary market dominated by the tastes of its Anglophone publics and the instrumental use of literature as a source of crosscultural understanding. She proposes a new way to think about the uneven processes of translation that carry contemporary literature to its readers.
When Orhan Pamuk won the Nobel Prize for Literature in 2006, he was honored as a builder of bridges across a dangerous chasm. By rendering his Turkish characters and settings familiar where they would otherwise seem troublingly foreign, and by speaking freely against his authoritarian state, he demonstrated a variety of literary greatness that testified also to the good literature can do in the world. Gloria Fisk challenges this standard for canonization as “world literature” by showing how poorly it applies to Pamuk. Reading the Turkish novelist as a case study in the ways Western readers expand their reach, Fisk traces the terms of his engagement with a literary market dominated by the tastes of its Anglophone publics, who received him as a balm for their anxieties about Islamic terrorism and the stratifications of global capitalism. Fisk reads Pamuk’s post-9/11 novels as they circulated through this audience, as rich in cultural capital as it is far-flung, in the American English that is global capital’s lingua franca. She launches a polemic against Anglophone readers’ instrumental use of literature as a source of crosscultural understanding, contending that this pervasive way of reading across all manner of borders limits the globality it announces, because it serves the interests of the Western cultural and educational institutions that produce it. Orhan Pamuk and the Good of World Literature proposes a new way to think about the uneven processes of translation, circulation, and judgment that carry contemporary literature to its readers, wherever they live.
Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates the linkages among the three writers and how each one in turn interacted with other leading black women fiction writers such as Nella Larson and Jessie Fanset. She also examines the significance of these three women poets as literary ancestors to Gwendolyn Brooks, Mari Evans, Nikki Giovanni, Audre Lourde, and Sonia Sanchez. ISBN 0-253-34974-5: $29.95; ISBN 0-253-20430-5 (pbk.): $10.95.
From the Back of the Line: The Views of a Teenager From the 1960s Civil Rights Movement chronicles the life of a young African-American girl who moved from a follower to a leader in human rights. Sixteen-year-old Gloria Ward was arrested four times in 1962 for demonstrating against the ills of segregation and racism in her hometown of Albany, Georgia. With her teenage friends and classmates, she marched behind Dr. Martin Luther King, Jr., Dr. Ralph David Abernathy, Sr., Rev. Charles Sherrod, the Honorable Andrew Young, the late Rev. Samuel Wells and other, older leaders. In a widely circulated newspaper article, Gloria was criticized by a white Albany teenager, Kay Smith, who wasn´t shy about expressing her racist opinions. Kay called Gloria "a pawn and a fool" for her involvement in the demonstrations. Kay eventually came to see civil rights in a different light. Although they never met as teenagers, Kay often wondered about Gloria and what had happened to her later in life. Thirty-five years after the newspaper article ran, Kay found Gloria through a mutual friend and apologized for her racist views and statements. Today the two women are close friends. Their story of forgiveness and friendship is just one part of Gloria´s remarkable life story as human rights activist, teacher, wife, mother, and pastor. From the Back of the Line describes Dr. Wright´s experiences growing up during the civil rights era and moving from the back of the line to leadership positions. She has written this book because she wants young people to know their civil rights history and to understand that they can and should move forward. Her story is told with passion, candor, and light humor. She tells it like it was, how she saw and participated in history From the Back of the Line. The book also contains photographs and an appendix containing quotations from notable civil rights leaders, a summary of the 1964 Civil Rights Act, and recommended reading.
Three lyrical and unforgettable novels from the National Book Award–winning author of The Women of Brewster Place. After winning both the National Book Award and the American Book Award for her now iconic debut novel, The Women of Brewster Place, which was later made into a TV miniseries starring Oprah Winfrey, Gloria Naylor continued to garner acclaim as one of the most original voices in twentieth-century American literature with novels such as Mama Day, Linden Hills, and Bailey’s Cafe. Mama Day: On Willow Springs, an island off the coast between Georgia and South Carolina, superstition is more potent than any trappings of the modern world. Here, the formidable Mama Day uses her powers to heal. But her great-niece, Cocoa, can’t wait to escape to New York City. When Cocoa returns to the island with her husband, George, darker forces challenge the couple—and their only hope may be the mystical matriarch. Steeped in the folklore of the South and inspired by Shakespeare, Mama Day is one of Naylor’s “richest and most complex” novels (Providence Journal). “[A] wonderful novel, full of spirit and sass and wisdom, and completely realized.” —The Washington Post Linden Hills: For its wealthy African American residents, the exclusive neighborhood of Linden Hills is a symbol of making it. But what happens when the dream of material success turns out to be an empty promise? Using Dante’s Inferno as a model, Naylor reveals the true cost of success for the lost souls of Linden Hills—a hell of their own making. “Every page contains a brilliant insight, a fine description, some petty and human, some grandiloquent.” —Chicago Tribune Bailey’s Cafe: This “moving and memorable” national bestseller is set in post–World War II Brooklyn, on a quiet backstreet, where Bailey’s Cafe serves as a crossroads for a broad range of patrons, a place of limbo for tortured souls before they move on—or check out (Boston Globe). “A virtuoso orchestration of survival, suffering, courage and humor.” —The New York Times Book Review
The National Book Award–winning author of The Women of Brewster Place explores the secrets of an affluent black community. For its wealthy African American residents, the exclusive neighborhood of Linden Hills is a symbol of “making it.” The ultimate achievement: a home on prestigious Tupelo Drive. Making your way downhill to Tupelo is irrefutable proof of your worth. But the farther down the hill you go, the emptier you become . . . Using the descent of Dante’s Inferno as a model, this bold, haunting novel follows two young men as they attempt to find work amid the circles of the well-off community. Exploring a microcosm of race and social class, author Gloria Naylor reveals the true cost of success for the lost souls of Linden Hills—an existence trapped in a nightmare of their own making.
A “moving and memorable” novel about a cafe where everyone has a story to tell from the award-winning author of The Women of Brewster Place (The Boston Globe). In post–World War II Brooklyn, on a quiet backstreet, there’s a little place that draws people from all over—not for the food, and definitely not for the coffee. An in-between place that’s only there when you need it, Bailey’s Cafe is a crossroads where patrons stay for a while before making a choice: Move on or check out? In this novel, National Book Award–winning author Gloria Naylor’s expertly crafted characters experience a journey full of beauty and heartbreak. Touching on gender, race, and the African American experience, Bailey’s Cafe is “a sublime achievement” about the resilience of the human spirit (People).
The Voting Rights War tells the story of the courageous struggle to achieve voting equality through more than one hundred years of work by the NAACP at the Supreme Court. Readers take the journey for voting rights from slavery to the Plessy v. Ferguson case that legalized segregation in 1896 through today’s conflicts around voter suppression. The NAACP brought important cases to the Supreme Court that challenged obstacles to voting: grandfather clauses, all-White primaries, literacy tests, gerrymandering, vote dilution, felony disenfranchisement, and photo identification laws. This book highlights the challenges facing American voters, especially African Americans, the brave work of NAACP members, and the often contentious relationship between the NAACP and the Supreme Court. This book shows the human price paid for the right to vote and the intellectual stamina needed for each legal battle. The Voting Rights War follows conflicts on the ground and in the courtroom, from post-slavery voting rights and the formation of the NAACP to its ongoing work to gain a basic right guaranteed to every citizen. Whether through litigation, lobbying, or protest, the NAACP continues to play an unprecedented role in the battle for voting equality in America, fighting against prison gerrymandering, racial redistricting, the gutting of the Voting Rights Act, and more. The Voting Rights War highlights the NAACP’s powerful contribution and legacy.
1975. The Vietnam War ends with the Fall of Saigon. John N. Mitchell, H. R. Haldeman and John Ehrlichman are found guilty of the Watergate cover-up. In Sacramento, California former Manson girl Lynette Fromme attempts to assassinate U.S. President Gerald Ford on September 5th but is thwarted by a Secret Service agent. Ford survives a second assassination attempt on September 22nd, this time by Sara Jane Moore in San Francisco. The 729-foot-long freighter SS Edmund Fitzgerald sinks during a storm 17 miles from the entrance to Whitefish Bay on Lake Superior, killing all 29 crew members on board. NBC airs the first episode of Saturday Night Live (SNL). The Lutz family moves into 112 Ocean Avenue, Amityville, Long Island, New York only to flee from the house after 28 days, which will go on to inspire the story of The Amityville Horror. In Salem, Massachusetts, AKA the “Witch City,” a young woman is building a life for herself and her young daughter, unaware that forces outside of her world are converging to drag them into a series of crimes that breach the boundaries of horror. Haunted by a past that more than brushed up against true evil she is challenged to move forward with promise and hope. As she is drawn into the miasma of crimes that test the skill of law enforcement she comes to realize that people around her are also burdened with sins that are erupting into the light and will change everything for everyone. As if that wasn’t enough her daughter is a special child whose remarkable powers constantly force her to walk the thin, tenuous line between darkness and light. The mother and daughter find themselves at the center of a diverse group of people who have their own secrets and sins, and who may or may not be involved in the crimes taking place in the infamous town in which they live. All concerned in the roiling, interlocking experiences that defined their pasts and might define their futures find themselves battling the consequences of sin in the struggle to overcome evil and emerge into the light.
This second edition of Gloria Browne-Marshall’s seminal work , tracing the history of racial discrimination in American law from colonial times to the present, is now available with major revisions. Throughout, she advocates for freedom and equality at the center, moving from their struggle for physical freedom in the slavery era to more recent battles for equal rights and economic equality. From the colonial period to the present, this book examines education, property ownership, voting rights, criminal justice, and the military as well as internationalism and civil liberties by analyzing the key court cases that established America’s racial system and demonstrating the impact of these court cases on American society. This edition also includes more on Asians, Native Americans, and Latinos. Race, Law, and American Society is highly accessible and thorough in its depiction of the role race has played, with the sanction of the U.S. Supreme Court, in shaping virtually every major American social institution.
Who We Are is a memoir--and a study--of a generation of Black youth (including the author) who were the last to be educated under the system of segregation. Specifically, it profiles the Cameron High School classes of 1957-71 in Nashville, Tennessee. Neither a scholarly treatise nor a sociological study, this is more precisely a recollection of events and behaviors and an exposition of the consequent issues, challenges, and life lessons that evolved from this circumstance. In six chapters, this book addresses the what, when, how, and why of who we are. To this end, the book explores the perfect storm created by the confluence of the city of Nashville, the institution of segregation, and Nashville's Black community and its adult role models--especially the parents and teachers, and the Cameron High School experience itself. Who We Are revisits the Cameron High School of the 1950s and '60s and the profound impact of this school upon its students. As such, Cameron is emblematic of so many Black institutions of that era known for the incredible dedication of their faculty and their determination to prepare students to live full lives in the larger world as educated, respected, and respectful citizens of tomorrow. To provide a wider view of Cameron than the author's perspective alone, the final chapter includes essays from other Cameron students and faculty. Who We Are is a thoughtfully crafted journey back in time with a hopeful view toward the future. Framed by racial realities of that era and informed by historical, sociological, and psychological reference, it is, above all, a story of perseverance and possibility. Front cover pictures courtesy of J C Cannon, President, Cameron High Alumni Association
This book is written especially to honor the residents in a small black community whose time as a totally black community may be ending. . Not all Black Americans have lived in the urban areas of this country; not a better life, but different. It is hoped that any who read this book would see that the hopes, dreams, and life styles of many Black Americans are no different than those of other Americans. This story is about such people. Just beyond the Bethlehem Baptist Church on the corner of Penllyn-Blue Bell Pike and Trewellyn Avenue, in the village of Penllyn, Lower Gwynedd Township, in Montgomery County, Pennsylvania, rests a predominantly black settlement. The people who founded the church are the same people who established a firm foundation for the community. But there is something more to the church and residents whose presence there dates back 120 years. The author’s purpose is to document their presence before their rich history is swept away by changing demographics. The book’s focus is on the black immigrants from Virginia who were recruited from the farmlands of Westmoreland County, Virginia to those in Gywnedd and surrounding areas in Pennsylvania. There is a brief acknowledgment of the settlement of the Welsh and other Eastern and Southern Europeans, as well as the aristocracy, who came before. Also noted are the ties to the Revolutionary War and structures that could be considered as historic sites still remaining in the village. A review of their southern roots was important to understanding the residents’ success in their new home. They had strong ties to their families and skills already gained back home. Some came to make enough money to send home to buy the farmland back in Virginia that their forefathers had farmed under the yoke of slavery. Some succeeded and returned home. Others remained to find work in the mills, and estates of the wealthy; some were able to start small businesses of their own. Their settlement began with a prayer group of nineteen people that met in a home in Springhouse, PA, in 1885. Told from the perspective of the elders in the community the expanding group had already become a community in faith and spirit if not in residence. In 1888, having outgrown their meeting site they established a church in Penllyn Village, and the first black resident moved into the village. When malicious arson caused that church to burn down, they built another. For the greater part of 120 years the church was their anchor. It is continually illustrated that the early church leadership encouraged them in developing business acumen, political savvy, and artistic talents. Two major land investments established the village as a black community. The first was the purchase of a block of land by young black entrepreneurs in the early 1900s. It was during that time one sees the development of businesses and self-sufficiency that held their community together. The second and most challenging occurred in 1947, when they were able to develop, what is believed to be the first Black corporation in the state of Pennsylvania, in order to buy the Pershing estate. The Penllyn Home builders Association, Inc., sold stock for fifty dollars a share and bought the 40-acre estate. As a result 50 more black owned homes were added to the community. A discussion of their social and recreational activities from the early 1900s on, are what has been observe in American culture throughout that same time span. Simple church picnics, hometown roller rinks, the ice cream parlor, the old swimming hole are typical hometown entertainments of decades past. There is an array of musical talent of an unusual proportion in such a small population, ranging from instrumental, and singing to, contemporary jazz bands. You will note that the residents have never shirked their civic duty. Since the 1930s and 1940s and currently, they have been actively involved in all aspects of the political spectrum from consis
Emphasizing writing as a means to examining, evaluating, sharing, and refining ideas, A Short Guide to Writing about Chemistry will help chemists develop the language skills the field demands. This book covers the kinds of readings and writing that chemists are called on to do-from introductory to more advanced work-in academic and industrial settings, and in public life. With comprehensive coverage on topics including graphing programs, ACS formats, Science Citation Index, Merck Index, and writing abstracts, this book is a "must-have" for any aspiring chemist. This edition also provides updated coverage on the Internet, working with computers, and electronic sources. For anyone interested in a practical and rewarding guide to communicating successfully about chemistry.
The penultimate volume in this series chronicles the move towards modernism, covering the arts, politics, and philosophy from the end of the 1700s to the dawn of the twentieth century. Using literary and musical excerpts to illuminate discussions, Fiero addresses important events and discoveries of the nineteenth century world. Volume five begins with the art and literature of the Romantic era, and concludes with coverage of the shifting aesthetics of the late nineteenth century. As in previous volumes, Volume Five includes a range of vivid illustrations and images throughout the text to enhance the material.
McGraw-Hill Humanities, Social Sciences & World Languages
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0072884894
ISBN 13
9780072884890
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