Aligning these historical treatises with what little Manzoni said about art in his critical treatises, justifies a methodology that combines elements of ekphrasis and a comparison of the variants from the first to the final version of the novel. Such methodology allows us to identify how both dramatic and pictorial influences common in seventeenth-century Lombard art manifest themselves in Manzoni's narrative constructs.
Aligning these historical treatises with what little Manzoni said about art in his critical treatises, justifies a methodology that combines elements of ekphrasis and a comparison of the variants from the first to the final version of the novel. Such methodology allows us to identify how both dramatic and pictorial influences common in seventeenth-century Lombard art manifest themselves in Manzoni's narrative constructs.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.